History & Theory Timeline Quiz 2

  • 3000 BCE

    Troy [Hisarlik] (Turkey), 3000-1300 B.C.E. (Troy VI, Homeric Troy)

    Troy [Hisarlik] (Turkey), 3000-1300 B.C.E. (Troy VI, Homeric Troy)
    Also called Ilian, troya, and illith
    Parts of the Trojan War are myths
    Layers of city (1-7 generations of Troy)
    Troy 6 & 7 were Homeric Troy
    This started as a Neolithic village (cob or rubble masonry)
    Hills were created by building settlement on top of settlement on top of settlement, etc
    Painted interiors
    Megarons:
    - Mycenae
    - Pylos
    - Tiryns
    Made of sun-dried brick
    Significance: Story of trojan war is important to history and the future of architecture, education, and etiquette
  • 1900 BCE

    Hattuşaş (Turkey), c. 1900-1200 B.C.E.

    Hattuşaş (Turkey), c. 1900-1200 B.C.E.
    Had a Sphinx/Chimera
    Rubble Masonry
    Imported trees to build with
    Statues of angel-type sphinxes outside of an entrance
    Grid structure
    Significance: Origins of Classicism
  • 1800 BCE

    Beycesultan (Turkey), c. 1800 B.C.E.

    Beycesultan (Turkey), c. 1800 B.C.E.
    Ashlar Masonry
    Ashlar means cut and smooth stone and not rubble (think brick-work)
    The dome on top of the drum with eight sides (Squinch)
    Large approx. 80 chambers organized rectangular court with gallery and balconies
    Significance: Earliest example of environmental controls in architecture
  • 1600 BCE

    Gournia (Crete), 1600-1100 B.C.E.

    Gournia (Crete), 1600-1100 B.C.E.
    Best preserved layout approx. 60 houses
    Densely packed houses, upper floors by outside stairs
    Advanced skylight
    Significance: Urban form cohesive and logical
  • 1600 BCE

    Toreador fresco, Palace of Minos, Knossos (Crete), c. 1600 B.C.E.

    Toreador fresco, Palace of Minos, Knossos (Crete), c. 1600 B.C.E.
    Depicted a type of sport
    Fresco
    Painting of Bull
    Significance: Art was idealistic self-art, bulls, or the sea
  • 1600 BCE

    Palace of Minos, Knossos (Crete), c. 1600 B.C.E.

    Palace of Minos, Knossos (Crete), c. 1600 B.C.E.
    Were cities mixed with cities
    Fusion of Microdevelopments (not planned)
    Mortar & Rubble Masonry
    Stoa
    Bought by Sir Arthur Evans
    Significance: Minoens built it; first Greek civilization
  • 1600 BCE

    Tiryns (Greece), c. 1,600-1,100 B.C.E.

    Tiryns (Greece), c. 1,600-1,100 B.C.E.
    Rubble Masonry
    Megaron
    City-state
    Significance: Foundation of classicism
  • 1600 BCE

    Mycenae (Greece), c. 1,600-1,100 B.C.E.

    Mycenae (Greece), c. 1,600-1,100 B.C.E.
    Ancient Greek City
    Significance: city was vital to classical greek culture
  • 1400 BCE

    Treasury of Atreus (Tomb of Agamemnon), Mycenae (Greece), c. 1,400 B.C.E.

    Treasury of Atreus (Tomb of Agamemnon), Mycenae (Greece), c. 1,400 B.C.E.
    This is the first time seeing a Tholos
    Dromos=way of egress
    Corbelling vault (tholos)
    Circular Temple and Burial Chamber
    Cyclopean Masonry
    Similar to Passage or Gallery Grave
    Would’ve had heavy wooden or bronze doors
    Discovered by Heinrich Schliemann
    Beehive corbelled dome with 6 columns
    CYCLOPEAN ON BOTTOM AND ASHLAR ON THE INSIDE
    Found Agamemnon mask (death mask made of pure gold leaf)
    Found wife’s jewelry
    Significance: Most supreme example of Mycenaean architecture
  • 1300 BCE

    Palace of Nestor, Pylos (Greece), c. 1,300 B.C.E.

    Palace of Nestor, Pylos (Greece), c. 1,300 B.C.E.
    Megarons
    Rubble Masonry
    Hearth & Piers
    Painted walls (polychromatic)
    Copper & tin smelting
    Bronze Age
    Traded with Egyptians
    Volcano killed Minoans?
    Frescos and tapestries
    Copied the palace of King Minos with the columns holding up the roof
    Very Colorful!! Rich blues, reds and yellows
    Significance: Minoans most successful and sophisticated people of their time
  • 1250 BCE

    Lion Gate, Mycenae (Greece), c. 1,250 B.C.E.

    Lion Gate, Mycenae (Greece), c. 1,250 B.C.E.
    Megaliths
    Corbelling
    2 posts and lintel decorated with lion carvings (corbelled around the carvings)
    Cyclopean architecture
    Significance: showed the foundation of classical architecture
    - Column
    - Capital
    - Frieze
  • 1000 BCE

    Lefkandi Temple (Delphi, Greece), 10th-century B.C.E.

    Lefkandi Temple (Delphi, Greece), 10th-century B.C.E.
    The first temples of greece made were of wood
    Doric columns (no base), small temple
    Significance: The start of greek temples
  • 800 BCE

    Eretria, Temple of Apollo (Greece), 8th-century B.C.E.

    Eretria, Temple of Apollo (Greece), 8th-century B.C.E.
    Eretria was naval city allied to Athens
    Place of worship of Apollo (god)
    Part of religious civic center
    Cult worship and sacrifice
    Doric columns
    Significance: Best preserved examples of Archaic sculpture
  • 775 BCE

    First Temple of Hera, Samos (Greece), c. 775 B.C.E.

    First Temple of Hera, Samos (Greece), c. 775 B.C.E.
    Architect=Theodoros
    Archaic temple
    Mud-brick, 100’ temple, columns down the center
    Sanctuary for goddess Hera
    Significance: oldest example of peripteral temple
  • 600 BCE

    Temple of Artemis, Corfu (Greece), c. 600-580 B.C.E.

    Temple of Artemis, Corfu (Greece), c. 600-580 B.C.E.
    Archaic greek temple
    Metope decorated; massive altar
    Significance: First doric temple exclusively built with stone
  • 550 BCE

    Temple of Artemis, Ephesos (Turkey), c. 560-550 B.C.E.

    Temple of Artemis, Ephesos (Turkey), c. 560-550 B.C.E.
    Lots of columns all the way around and through
    Colorful (polychromatic)
    Ephesos, Turkey which is Greek colony of Asia Minor
    Best is in the East usually
    Double the size of parthenon
    designer= Chersiphron
    Ionic temple
    significance: size and dimensions make it one of the seven wonders of the world
  • 538 BCE

    Second Temple of Hera, Samos (Greece), 538-522 B.C.E.

    Second Temple of Hera, Samos (Greece), 538-522 B.C.E.
    Doric temple
    Peristyle all the way around (columns)
    Deep roofed pronaos, closed cella
    Significance: best example of doric architecture
  • 510 BCE

    Temple of Athena, Paestum (Italy), c. 510 B.C.E.

    Temple of Athena, Paestum (Italy), c. 510 B.C.E.
    Doric frieze
    6 columns
    High pediment of facade
    Metopes of sandstone
    Significance: One of the most preserved temples that had both doric and ionic columns
  • 510 BCE

    Persepolis (Iran), 518-460 B.C.E., Palace of Darius and Hypostyle Hall of Xerxes

    Persepolis (Iran), 518-460 B.C.E., Palace of Darius and Hypostyle Hall of Xerxes
    Ceremonial capital of first Persian Empire
    Carved people and animals into the stairs
    499 BCE revolt → Persian wars after → Athens enters Golden Age
    Significance: Developed independently and had huge bas reliefs
  • 500 BCE

    Temple of Apollo, Bassae (Greece), late 5th century BCE

    Temple of Apollo, Bassae (Greece), late 5th century BCE
    Architect- Iktinos
    Doric columns outside
    Ionic on inside
    One Corinthian column capital in the cella (first use)
    Significance: used three forms of columns, the first appearance of Corinthian columns
  • 479 BCE

    Miletus (Turkey), refounded after the Persian sack of 479 B.C.E. Planned by Hippodamos

    Miletus (Turkey), refounded after the Persian sack of 479 B.C.E.  Planned by Hippodamos
    Significance: The city served as a basic plan for many cities in the region
  • 447 BCE

    Parthenon, Akropolis, Athens, 447-432 B.C.E. Architects: Iktinos and Kallikrates; sculptor of Athena: Phidias

    Parthenon, Akropolis, Athens, 447-432 B.C.E.  Architects: Iktinos and Kallikrates; sculptor of  Athena: Phidias
    Iktinos and Kallikrates
    Columns have entasis
    Commissioned by Perikles after old one burnt down
    Stylobate (100 footed)
    Octostyle
    Doric
    Polychromatic
    Columns go all the way around
    Made optical corrections
    Effected columns to change how the building looked
    The goal was for the building to look perfect when looking from below since it was on the top of a hill
    Significance: important because of the optical illusion it used to make it look normal
  • 437 BCE

    Propylaia, Akropolis, Athens, 437-432 B.C.E. Architect: Mnesikles

    Propylaia, Akropolis, Athens, 437-432 B.C.E.  Architect: Mnesikles
    Very steep on the western side
    Doric Columns
    Fluting and drums
    Also introduced Ionic columns in the building
    True ashlar masonry
    Trigliths
    Was a monumental gateway
    2 lateral wings
    Copied by Romans
    Symmetrical
    Significance: The scale of the building was large for the time, as well as directed movement into the Akropolis
  • 427 BCE

    Temple of Athena Nike, Akropolis, Athens, 427-424 B.C.E. Architect: Kallikrates

    Temple of Athena Nike, Akropolis, Athens, 427-424 B.C.E.  Architect: Kallikrates
    Built in prostyle
    Tetrastyle
    Showed that temples don’t have to be big to be significant, but intricate and grand (scale of temple was appropriate for Nike)
    Polychromatic
    Pronaos
    Portico
    Covering held up by columns
    Cella
    Opisthodomos
    Sacred space
    Normally would hold a stature of the deity
    Ampi prostyle
    Significance: Best example of Ionic order, also appropriate scale for housing Nike
  • 421 BCE

    Erechtheion, Akropolis, Athens, 421-405 B.C.E. Architect: Kallikrates

    Erechtheion, Akropolis, Athens, 421-405 B.C.E.  Architect: Kallikrates
    They dedicated to athena after both athena and poseidon offered gifts to have them dedicated to them
    Athena won because she gave an olive tree and poseidon gave a spring/horse and they could live off an olive tree
    Ionic Order (elegance)
    Caryatids
    6 women that betrayed Athens during Persian war, pushed by being symbols of holding up the whole city
    Porch on south entrance
    Non symmetrical
    Significance: Irregular plan to incorporate several places and people to worship, unlike most other temples
  • 400 BCE

    Temple of Apollo, Delphi (Greece), 3rd-4th century B.C.E

    Temple of Apollo, Delphi (Greece), 3rd-4th century B.C.E
    Architects= Trophonios and Agamedes
    Doric order
    6 columns in front (15 at flanks)
    Significance: Huge altar is center which signified huge importance of cult rituals that took place here
  • 300 BCE

    Theater, Epidaurus, c. 300 B.C.E.

    Theater, Epidaurus, c. 300 B.C.E.
    Polykleitos
    Many - Glory
    Significance: Best preserved amphitheater
  • 300 BCE

    Sanctuary of Asklepios , Kos, Greece- 300-150 BCE

    Sanctuary of Asklepios , Kos, Greece- 300-150 BCE
    Hygia and Penecia were siblings
    Part of a complex (bilateral symmetry)
    Stoa with wings
    Not strictly trabeated
    Can start to span large distances
    Significance: First appearance of arches in temples and showed drama of Hellenistic architecture
  • 300 BCE

    Etruscan Tombs and Temples, Tuscany (Northern Italy) Umbria

    Etruscan Tombs and Temples, Tuscany (Northern Italy) Umbria
    The etruscans were wealthy traders who exchanged goods and ideas with the Greeks, not much is known about their civilization
    Their tombs were gallery graves or square stone tombs decorated with paintings that were happy or joyful.
    Dug and carved dwellings into hills
    Not fluted
    Has a base
    Capitals are similar to Doric order
    No entasis
    Little ornamentation
    Etruscan temples were made of wood, and were prostyle with no back entrance
    Had arches
    Very ornamented facade
    Significance: Tuscan order
  • 300 BCE

    Augustus Gate, Perugia (Italy) 300 BCE

    Augustus Gate, Perugia (Italy) 300 BCE
    Located near Italy’s northern border
    Used engaged columns (attached to/embedded in the walls), corinthian order
    Utilized ashlar masonry
    Used a combination of arcuate and trabeated construction
    Significance: The most famous surviving arch
  • 250 BCE

    Delos (Greece)

    Delos (Greece)
    Amphitheater
    Place for performers to watch speakers or performances
    Carved into rock hill
    Stone teared seats
    Also included sporting events
    Significance: ?
  • 197 BCE

    Temple of Zeus and Altar of Zeus in Herbion, Pergamon, Turkey- 197-159 BCE

    Temple of Zeus and Altar of Zeus in Herbion, Pergamon, Turkey- 197-159 BCE
    Drama of Hellenistic architecture embodied
    U shaped alter
    Ionic columns on alter
    Built on a platform
    Small columns like Athena Nike temple
    Now in German museum
    Carvings in frieze look life-like
    Significance: Hellenistic architecture that brought art and architecture together
  • 174 BCE

    Temple of Zeus Olympus, Athens- 174 BCE

    Temple of Zeus Olympus, Athens- 174 BCE
    Corinthian capitals and columns on the exterior
    Originally designed in the Doric order (6th century)
    20 columns on sides (two rows of columns all the way around)
    Significance: Architecture starts looking more Roman (ie classicism)
  • 170 BCE

    Bouleuterion, Miletus, c. 170 B.C.E.

    Bouleuterion, Miletus, c. 170 B.C.E.
    Counsel/ assembly house
    (housed citizens of city/state)
    Typically democratic
    Significance: was a civic building that housed democracy
  • 150 BCE

    Stoa of Attalos II, Athens (Greece), c. 150 B.C.E.

    Stoa of Attalos II, Athens (Greece), c. 150 B.C.E.
    Hellenism
    Stoa
    Covered walkway
    Ionic Columns with fluting
    Original one burnt down
    Significance: first and largest center for trading (like a shopping mall) and a meeting point for the city
  • 100 BCE

    Aqueduct, Pont-du-Gard, Nimes (France), Late 1st Century BCE

    Aqueduct, Pont-du-Gard, Nimes (France), Late 1st Century BCE
    Made of 3 stacked arcades (rows of arches)
    A 3-5-6 grade slope in the aqueduct brought water from the mountains to the city
    The water was used as fresh water for fountains, drinking etc. and to flush out the sewers
    There were many aqueducts in Rome
    Significance: Romans started to discover the power of arches and how they can be used structurally
  • 80 BCE

    Colosseum, Rome, 72-80 CE

    Colosseum, Rome, 72-80 CE
    Officially called the Flavian Amphitheater
    Built and completed in 2 years
    Held 50000-55000 people
    Roman bricks were short and flat (not great)
    Covered with marble at the time
    Rationally constructed
    The Colosseum is made of a series of barrel vaults
    Significance: important because of the use of connective barrel vaults is an annular vault, this was a huge architectural feat
  • 19 BCE

    Maison Carree, Nimes (France), 19 BCE

    Maison Carree, Nimes (France), 19 BCE
    Corinthian columns (had beautiful friezes)
    Hexastyle
    Side columns are engaged columns
    Coffering under portico
    One of the most commonly copied forms (found in banks, court buildings etc.) because it had very good proportions.
    Large acroterium shaped like people/statues (this was common in Rome)
    Ashlar masonry
    There was coffering under the portico that was used to make the entablature lighter
    Significance: great example of psuedoperipteral
  • 11 BCE

    Theater of Marcellus, Rome, 11 BCE

    Theater of Marcellus, Rome, 11 BCE
    A circus was demolished from the site to make room for the theater
    Held 15000-20000 people
    The lowest level had doric columns, followed by ionic and corinthian
    Seats = Cavea
    Had nosebleeds section even back then
    Significance: One of the largest/most important theaters in Rome
  • 50

    Temple of Jupiter, Pompeii, 50 CE

    Temple of Jupiter, Pompeii, 50 CE
    Located about 45 miles west of Rome
    Corinthian columns
    Hexastyle (6 columns)
    Prostyle (columns only in front)
    The temple had a deep porch, similar to how the Etruscans built their temples
    Significance: Had a huge impact on the architecture of Roman temples
  • 100

    Temple of Minerva, Assisi (Italy), 1st Century CE

    Temple of Minerva, Assisi (Italy), 1st Century CE
    Corinthian columns
    Hexastyle (6 columns)
    The columns were deeply fluted
    Prostyle (columns in front)
    The columns on the sides of the temple are engaged columns (embedded/attatched to the walls)
    Now is a church
    Less elaborate column ornamentation
    Significance: perfect example of exterior roman temples
  • 114

    Trajan's Column, Rome, 114 CE

    Trajan's Column, Rome, 114 CE
    Made of concrete (enabled them to build new things)
    -The column had a spiral staircase inside of it
    Capped with a statue of Trajan
    Shaft was rich with imagery
    Significance: Concrete being used as the building material rather than mortar increased capabilities
  • 118

    Pantheon, Rome, 118-128 CE

    Pantheon, Rome, 118-128 CE
    Used corinthian columns on the exterior that were not fluted
    Incorporated trabeated and arcuated construction
    The concrete dome used coffering to make it lighter
    The oculus in the center also made it lighter
    The small statue niches were modeled after household altars
    Bottom = Corinthian
    2nd = Ionic
    3rd = Doric
    4th = Tuscan
    Octosyle Columns
    Idigula = home sanctuary for Roman gods
    Significance: used all column orders and was dome shaped