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Prior to the arrival of the Europeans, peoples of the West Coast had begun to erect totem poles.These poles "showcase a nation’s, family’s or individual’s history and displays their rights to certain territories, songs, dances and other aspects of their culture" (Gadacz, 2017).
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It is introcued as a "...consolidation of previous colonial ordinances that aimed to eradicate First Nations culture in favour of assimilation into Euro-Canadian society" (Henderson, 2017).
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Totem poles began to be seen as a representation of the Northwest Coast by tourists, who were sold miniature totem poles as souvenirs during their visit.
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The government has as a goal to assimilate First Nations and attempts to do so by banning cultural practices such as the potlatch and by taking items (including totem poles) and sending them to collectors and museums. All of this is done in hopes that the people will adopt Christian traditions.
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This pole is later found in a Swedish museum.
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An old pole that was not made according to traditions is replaced by a new one that is carved and erected properly by the Haisla peoples themselves.
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Before, totem poles were carved from red cedar and were occasionally painted using mainly black, red, blue, and blue-green. Now, it is much more common to use paint to color the poles.
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This belief is false, and was popularized by the cultural appropriation of totem poles by Europeans in the past.