gustav klimt

By Airy_00
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    VIENNA SECESSION YEARS

    Klimt became one of the founding members and president of the Vienna Secession in 1897 and of the group's periodical Sacred Spring. He remained with the Secession until 1908. The group's goals were to provide exhibitions for unconventional young artists, to bring the best foreign artists works to Vienna, and to publish its own magazine to showcase members' work
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    1862 , Vienna

    Gustav Klimt was born in 1862 of Vienna
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    famous paintings

    His most famous paintings are The Kiss and Portrait of Adele Bloch-Bauer.
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    1902, Beethoven Frieze

    In 1902, Klimt finished the Beethoven Frieze for the 14th Vienna Secessionist exhibition, which was intended to be a celebration of the composer and featured a monumental, polychromed sculpture by Max Klinger. Meant for the exhibition only, the frieze was painted directly on the walls with light materials.
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    GOLDEN PHASE AND CRITICAL SUCCESS

    Klimt's 'Golden Phase' was marked by positive critical reaction and success. Many of his paintings from this period utilized gold leaf; the prominent use of gold can first be traced back to Pallas Athene (1898) and Judith I (1901), although the works most popularly associated with this period are the Portrait of Adele Bloch-Bauer I (1907) and The Kiss (1907 - 1908).
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    LATER LIFE & POSTHUMOUS SUCCESS

    In 1911 his painting Death and Life received first prize in the world exhibitions in Rome. In 1915 his mother Anna died. Klimt died three years later in Vienna on February 6, 1918, having suffered a stroke and pneumonia. He was interred at the Hietzing Cemetery in Vienna. Numerous paintings were left unfinished.
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    STYLE

    Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907–1908), and especially in Danaë (1907).
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    Themes

    One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht Dürer, late medieval European painting, and Japanese Rimpa school.