Histroy of Western Art II

  • Period: Jan 1, 1225 to

    Time Line

  • Period: Jan 1, 1300 to Dec 31, 1399

    Proto-Renaissance

  • Feb 25, 1333

    Martini and Memmi, Annunciation, 1333. Early Renaissance.

    Martini and Memmi, Annunciation, 1333. Early Renaissance.
  • Feb 25, 1338

    Ambrogio Lorenzetti, Peaceful Country, from Effects of Good Government in the City and in the Country, 1338-1339, Palazzo Pubblico, Siena, Italy. Early Renaissance.

    Ambrogio Lorenzetti, Peaceful Country, from Effects of Good Government in the City and in the Country, 1338-1339, Palazzo Pubblico, Siena, Italy. Early Renaissance.
  • Period: Jan 1, 1400 to Dec 31, 1499

    Early Renaissance

  • Period: Jan 1, 1480 to

    High Renaissance

  • Feb 25, 1483

    Leonardo da Vinci, Madonna of the Rocks, 1483. High Renaissance.

    Leonardo da Vinci, Madonna of the Rocks, 1483. High Renaissance.
  • Feb 25, 1484

    Botticelli, Birth of Venus, 1484- 1486. Early Renaissance.

    Botticelli, Birth of Venus, 1484- 1486. Early Renaissance.
  • Feb 25, 1488

    Ghirlandaio, Giovanna Tornabuoni, 1488. Early Renaissance.

    Ghirlandaio, Giovanna Tornabuoni, 1488. Early Renaissance.
  • Feb 25, 1505

    Bosch, Garden of Earthly Delights, 1505-1510. Northern Renaissance.

    Bosch, Garden of Earthly Delights, 1505-1510. Northern Renaissance.
  • Feb 25, 1514

    Quinten Massys, Money-Changer and His Wife, 1514. Northern Renaissance.

    Quinten Massys, Money-Changer and His Wife, 1514. Northern Renaissance.
  • Feb 25, 1536

    Michelangelo, Last Judgement, Sistine Chapel, Rome, 1536-1541. High Renaissance

    Michelangelo, Last Judgement, Sistine Chapel, Rome, 1536-1541. High Renaissance
  • Feb 25, 1538

    Titian, Venus of Urbino, 1538. Venetian Renaissance.

    Titian, Venus of Urbino, 1538. Venetian Renaissance.
  • Feb 25, 1546

    Bronzino, Venus, Cupid, Folly, and Time, 1546. Mannerism

     Bronzino, Venus, Cupid, Folly, and Time, 1546. Mannerism
  • Feb 25, 1579

    Giovanni Da Bologna, Abduction of the Sabine Women, 1579-1583. Mannerism.

     Giovanni Da Bologna, Abduction of the Sabine Women, 1579-1583. Mannerism.
  • Veronese, Triumph of Venice, 1585. Venetian Renaissance.

    Veronese, Triumph of Venice, 1585. Venetian Renaissance.
  • Period: to

    Southern Baroque

  • Period: to

    Northern Baroque

  • Rembrandt, The Company of Captain Frans Banning Cocq (Night Watch), 1642. Northern Baroque.

  • Bernini, Ecstasy of Saint Teresa, 1645-52. Southern Baroque.

    Bernini, Ecstasy of Saint Teresa, 1645-52. Southern Baroque.
  • Velazquez, //Las Meninas (The Maids of Honor), 1656. Southern Baroque.

     Velazquez, //Las Meninas (The Maids of Honor), 1656. Southern Baroque.
  • Period: to

    Rococo

  • Rigaud, Louis XIV, 1701. Northern Baroque.

    Rigaud, Louis XIV, 1701. Northern Baroque.
  • Hogarth, Breakfast Scene, from Marriage à la Mode, ca. 1745. Rococo.

    Hogarth, Breakfast Scene, from Marriage à la Mode, ca. 1745. Rococo.
  • Period: to

    Noeclassicism

  • Period: to

    Romanticism

  • Fuseli, The Nightmare, 1781. Romanticism

    Fuseli, The Nightmare, 1781. Romanticism
  • Fragonard, The Swing, 1787. Rococo.

    Fragonard, The Swing, 1787. Rococo.
  • Jean-Antoine Houdon, George Washington, 1788-1792. Neoclassisim.

    Jean-Antoine Houdon, George Washington, 1788-1792. Neoclassisim.
  • Jacques-Louis David, Death of Marat, 1793. Neoclassisim.

    Jacques-Louis David, Death of Marat, 1793. Neoclassisim.
  • Period: to

    19th Century Architecture, Photography, and Sculpture

  • Nash. Royal Pavilion. Brighton, England, 1815-18 ("Indian Gothic" architecture)

  • Goya, Saturn Devouring One of His Children, 1819-1823. Romanticism.

     Goya, Saturn Devouring One of His Children, 1819-1823. Romanticism.
  • Period: to

    Realism

    Began in France.
  • Period: to

    Impressionism

    France.
  • O'Sullivan. A Harvest of Death. Gettysburg, Pennsylvania. July 1863, 1863 (photography).

  • Monet, Impression: Sunrise, 1872. Impressionism.

    Monet, Impression: Sunrise, 1872. Impressionism.
  • Period: to

    Symbolism

  • Seurat, A Sunday on La Grande Jatte, 1884-1886. Post-Impressionism.

    Seurat, A Sunday on La Grande Jatte, 1884-1886. Post-Impressionism.
  • Period: to

    Post-Impressionism

  • Van Gogh, Night Café, 1888. Post-Impressionism.

    Van Gogh, Night Café, 1888. Post-Impressionism.
  • Monet. Rouen Cathedral: The Portal (in Sun). 1894. Impressionism.

    Monet. Rouen Cathedral: The Portal (in Sun). 1894. Impressionism.
  • Redon, The Cyclops, 1898. Symbolism.

    Redon, The Cyclops, 1898. Symbolism.
  • Period: to

    Avant-Garde - Fauvism)

  • Rodin. Walking Man. 1905 (sculpture).

  • Matisse, Woman with a Hat, 1905. Fauvism.

    Matisse, Woman with a Hat, 1905. Fauvism.
  • Period: to

    American Art and Architecture - WPA documentary photography

  • Period: to

    Avant-Garde - Cubism

    France
  • Picasso, Les Demoiselles d'Avignon, 1907 (Cubism)

  • Sloan, Sixth Avenue and Thirtieth Street, New York City, 1907 (The Eight/the Ash Can School)

  • Period: to

    American Art and Architecture - The Eight/the Ash Can School

  • Period: to

    Avant-Garde - Futurism

    Italy
  • Period: to

    Avant-Garde - The Blue Rider/Der Blaue Reiter

  • Kandinsky, Improvisation 28, 1912 (The Blue Rider/Der Blaue Reiter)

  • Balla, Dynamism of a Dog on a Leash, 1912 (Futurism)

  • Period: to

    Avant-Garde - Dada

    Switzerland
  • Grosz, Fit for Active Service, 1916-17 (Neue Sachlichkeit/New Objectivity)

  • Period: to

    Avant-Garde - De Stijl

    Holland
  • Duchamp, Fountain, 1917 (Dada)

  • Period: to

    Avant-Garde - Neue Sachlichkeit/New Objectivity

    Germany
  • Period: to

    American Art and Architecture - Precisionism

  • Brancusi, Bird in Space, 1924. Modernist Sculpture

  • Rietveld, Schröder House, Utrecht, the Netherlands, 1924 (De Stijl Architecture)

  • Weston. Nude. 1925. (Group f/64).

  • Demuth, My Egypt, 1927 (Precisionism)

  • Le Corbusier, Villa Savoye, outside Paris, France, 1929. Modernist Architecture.

  • Period: to

    Avant-Garde - Biomorphic Surrealism

  • Period: to

    American Art and Architecture - Regionalism

  • Period: to

    American Art and Architecture - Group f/64

  • Mondrian, Composition with Red, Blue and Yellow, 1930 (De Stijl)

  • Grant Wood, American Gothic, 1930 (Regionalism)

  • Dali, The Persistence of Memory, 1931. (Naturalistic Surrealism)

    Dali, The Persistence of Memory, 1931. (Naturalistic Surrealism)
  • Miro, Painting, 1933 (Biomorphic Surrealism)

    Miro, Painting, 1933 (Biomorphic Surrealism)
  • Dorothea Lange, Migrant Mother, Nipomo Valley, 1935 (WPA documentary photography)

  • Calder, Lobster Trap and Fish Tail, 1939. Modernist Sculpture,

  • Period: to

    Avant-Garde - Naturalistic Surrealism

    Paris, France
  • Period: to

    Abstract Expressionism

  • Wright, Guggenheim Museum, 1943-1959, New York City (Sculptural Architecture)

  • Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950 (Abstract Expressionism)

  • Period: to

    Pop Art

  • Hamilton, Just What Is It That Makes Today's Homes So Different, So Appealing?, 1956 (Pop Art)

  • Period: to

    Minimalism

  • Period: to

    Feminist art

  • Tony Smith, Die, 1962 (Minimalism)

  • Period: to

    Photorealism

  • Joseph Kosuth, One and Three Chairs, 1965 (Conceptual Art)

  • Chuck Close, Big Self-Portrait, 1967-68 (Photorealism)

  • Period: to

    Earthworks

  • Robert Smithson, Spiral Jetty, 1970, Great Salt Lake, Utah (Earthworks)

  • Judy Chicago, The Dinner Party, 1979 (Feminist art)