Baroque (1600-1730s/50)

By kattum
  • Period: 1567 to

    Claudio Monteverdi

    Trained in the Renaissance style, also adept at composing "modern music". Used dissonances in his music (madrigals) for text expression.
  • Period: to

    Francesca Caccini

    Soprano and the daughter of Giulio Caccini, and the first woman to compose operas. Sang lead roles in several early operas: Sung in Peri's opera Euridice at age 13. Both her parents worked for the Medici Family, she and her sister Settima also.
  • Dafne

    First opera; composed by Giulio Caccini and Jacopo Peri.
  • Opera is invented.

    Jacopo Peri and Giulio Caccini invented opera in Florence, Italy.
  • Euridice

    First extant opera, by Caccini and Peri
  • Period: to

    Early Baroque

    In which some of the most significant changes in musical style occurred, including the development of functional tonality as reflected in our modern major/minor key system. This tonal development took about 100 years, but its formal beginnings were in the early Baroque.
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    Barbara Strozzi

    Her mother was a servant to Giulio Strozzi who adopted Barbara. She studied under Francesco Cavalli at the Academia degli Unisoni, which was founded by Guilio for Barbara.
  • Venice opened the first public opera house in the world.

    This new establishment created a business-like atmosphere for operas and stage productions, and it created a new venue for public entertainment.
  • Period: to

    Louis the 14th of France

    Loved dancing; was an excellent dancer from age 13. Believed that ballet demonstrated important qualities of a society: discipline, order, refinement, and restraint.
  • The Coronation of Poppea

    Composed when Monteverdi was 75. Premiered in Venice.
  • Period: to

    Middle Baroque

    Counterpoint was cultivated in instrumental genres resulting in fuges, chaconnes, and passacaglias. Instrumental music took a new lead creating new genres such as the concerto, sonata, and trio.
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    Arcangelo Corelli

    Italian suite composer.
  • Period: to

    Henry Purcell

    Singer, organist, composer of instrumental and vocal music. Worked in the court of Charles II when stage plays were again allowed.
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    Alessandro Scarletti

    The father of composer Domenico Scarlatti. A teacher in Naples; many of his students helped create the ew classical style. His death marks a bettter indicator of the end of the Baroque than does Bach's in 1750.
  • Period: to

    Elisabeth-Claude Jacquet de la Guerre

    She was called "the wonder of our century". The 17th century; French.
  • Period: to

    Francios Couperin

    French suite composer.
  • Period: to

    Georg Philip Telemann

    German suite composer.
  • Period: to

    Jean-Joseph Mouret

    One representative composer from this French court: served the son of King Louis XIV. Composed operas, suites, and "grand divertissements (entertainments)". Some of his works have been used for TV commercials and in other media.
  • Period: to

    Domenico Scarlatti

    Keyboard virtuoso. Served Portuguese and Spanish royal families. had a progressive style; aware of his modern flare. Wrote over 500 sonatas for harpsichord, operas, cantatas, and keyboard exercises.
  • Period: to

    G. F. Handel and the Orchestral Suite

    Two very popular orchestral suites: "Music for the Royal Fireworks" and "Water Music". A German composer living in England writing Italian music.
  • Period: to

    J.S. Bach

    Is the undisputed greatest master of the fugue. Contrapunctus 1 from "The Art of Fugue" (1749). He wrote this collection at the end of his life, and it was not published until after his death.
  • Period: to

    Handel

    Born in Halle, Germany. Extraordinarily talented and intelligent. Worked in Italy early in his career, and absorbed the Italian style writing over 40 operas and many Italian cantasas.
  • Period: to

    Antonio Vivaldi

    He was called the red priest because of his red hair. He wrote nearly 800 concertos of various types. Considered the greatest master of the Baroque concerto.
  • Period: to

    Late Baroque

    By the late Baroque, instrumental music rose further in significance and importance. Serious opera, heroic opera that was called opera seria, was the first primary form of public musical entertainment.
  • Handel Appointed as a music director at the Royal Academy of Music (London)

  • Le Quattro Stagioni

    "The Four Seasons". Cycle of four violin concertos; word painting in instrumental music. Each concerto is accompanied by a poem that we believe Vivaldi wrote.
  • Handel became a naturalized British subjec.

  • Messiah

    Genre: English Oratorio. Has 52 separate numbers. Handel composed the work in 3 weeks, but "self-borrowed" old arias and cantata numbers to create new choruses and pieces.