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Roman nobleman; one of the founders of opera; the first to publish a figured bass; also an organist; singing teacher, dancer, and choreographer
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One of the founders of opera; gave a description of the new singing style in his book of "songs" of 1602, Le nuove musiche; Italian composer; singer, teacher, and instrumentalist
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Italian composer and organist; noted for his use of instruments in his sacred music; nephew of Andrea
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Wrote the earliest known example of liturgical monody (1607); was the first to compose and publish a continuo part for a collection of sacred vocal concerti (1602); wrote in the stile moderno
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German organist and composer; (not related to Michael); used the Venetian polychoral style; wrote Latin and German sacred songs
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One of the founders of opera; claimed to be the first in 1597 with his Dafne; significant contribution to monody and the recitative style
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Patron and composer; member of the Florentine Camerata; contributed to Peri's first opera Dafne of 1597; in 1600 he sponsored the premiere of Peri's Euridice and played harpsichord in the performance
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Italian librettist and poet; important librettist that worked with Monteverdi, among others; first librettist for opera
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English composer and organist; virtuoso virginalist; organ builder
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English, possibly Irish; lutenist and the leading composer of lute music; Catholic; served in the court of Denmark; late in life appointed in London as one of the King's lutenists; In 2006 Sting (pop star) recorded Dowland's music creating a revival of his songs
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North German Lutheran composer and organist; studied with A. Gabrieli; poly-choral style
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English playwright and poet; he has been an important force in the field of music from his day to ours
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The most important composer of the early Baroque; one of the inventors of the new seconda pratica (second practice-or modern style)
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English poet and composer; he experimented by imitating the Florentine monodists
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Italian composer, theorist, organist; wrote under various pseudonyms
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Beginning in the 1570's a group of intellectuals that met to discuss the arts - members included Caccini, Peri, Girolamo Mei, Vincenzo Galilei
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Italian composer of Jewish decent; violinist; worked in Mantua; among the earliest composers to use trio sonata texture
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North-German composer and organist; helped to lay the foundations of German organ music; as a theorist noted for Syntagma musicum
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Italian composer and organist; wrote an important treatise on thoroughbass in 1607-08 which served as the foundation for Michael Praetorius' treatise 7 years later
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Italian composer; he was one of the important Italian musicians in the early Baroque; his music was acclaimed in his day
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Italian composer and singer; besides Monteverdi, d'India was the most distinguished Italian composer of secular vocal works in the early Baroque
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English; composer of Anglican Church anthems; keyboardist; a leading composer in the 17th century England
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First modern keyboard virtuoso and composer; he was the most influential keyboard composer of the early Baroque; he was the first European composer to focus on instrumental music
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Italian dramatist, librettist, and poet; father of Barbara Strozzi; his opera librettos were set to music from the 1620s on
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Most important German composer of the Middle Baroque; studied in Venice; reportedly composed the first German opera, which we lost
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North Italian composer; very important in his time; wrote church music in the new concertato style
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German composer and poet; worked at the Leipzig Thomaskirche before Bach; was influenced by the Italian madrigal and monody when writing his Lutheran church music
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German composer and organist; he combined counterpoint with the newer Italian concerto style
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Daughter of Guilio; the first composer to have an Italian opera staged outside of Italy; virtuoso singer and teacher
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Italian composer, violinist, and organist; among the first to compose motets with instrumental string accompaniment (1624); worked in Warsaw and Italy
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Italian composer, singer, impresario, and poet; he helped establish the public operatic tradition in Venice with librettist Benedetto Ferarri
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German composer, teacher, and organist; a leading composer of organ music; noted for his chorale-based compositions
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A leading composer of Roman Cantatas; singing teacher, lutenist, and keyboardist
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development of functional tonality (major/minor); Opera; Secular art music more important; modality to tonality
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provided baseline and chord progression for harmonic structure
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French composer, harpsichordist, and dancer; one of the greatest composers of early Baroque French harpsichord music
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Italian composer, singer, and harpist; he was a leading composer in his day' he was one of the first to compose comic operas
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Italian composer, singer, teacher, and organist; he was the leading composer in Venice after Monteverdi; extraordinarily famous during his day
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Italian composer, poet, librettist, and impresario; he established the tradition of public operatic performances in Venice with the help of Francesco Manelli
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A leading composer of Roman cantatas and oratorios; teacher of Charpentier
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French composer and keyboardist; experimented with a new genre, the dialog motet
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German composer and organist; composed independent instrumental ensemble music (unusual for the time); extremely prolific and popular in his time
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German composer and keyboard virtuoso; developed the keyboard suite genre; assimilated French, Italian, and German styles in his works; although he was widely known into the 18th century, only 2 of his compositions were published during his lifetime
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German composer and keyboardist; pupil of Frescobaldi; used French, Italian and German styles in his keyboard music; court organist in Vienna; widely traveled and of great influence to Couperin and German keyboard composers into the late Baroque
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Virtuoso singer and most prolific composer of cantatas in the 17th century; adopted daughter of poet, Guilio Strozzi
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A nun who, at age 73, published several new Baroque instrumental genres (solo and trio sonatas)
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The leading Austrian violinist and composer of instrumental music before Biber
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English composer of chamber and dramatic music; organist; he was prolific and influential in his day
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Outstanding composer of operas and secular cantatas; famous as a singer; wrote with bel canto style in his arias
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Italian composer, singer, author, historian, and architect; he wrote the first history of music in Italian (Historia musica, 1695)
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Italian composer and organist; influential in the middle Baroque; used many (up to 90) short arias in his operas
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German composer and organist; widely known and admired as a keyboardist; one of the first composers to create a thematic catalogue devoted to a single composer's work
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Important French composer of keyboard music; associated with Chambonnieres and Lully; his Pieces de clavecin represent French keyboard music in the mid-baroque; he includes a table of ornaments which Bach copied around 1710
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German violinist and composer; extremely popular violinist in England; one of the first to require scordatura
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Establisher of French opera and ballet; dancer and violinist; Italian by birth, but claimed by France
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Venice opened the first public opera house in the world
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German organist and composer; most important organ composer before J.S. Bach; respected by Bach
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Italian composer; prolific and important in his day
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German composer and organist; most important Bach family member before J.S. Bach
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Composer of French opera; pupil of Carissimi; equal to Lully and extremely prolific
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Austrian composer and violinist; although often credited with using scordatura first (in his Rosary Sonatas (ca.1674) it was more likely an innovation of Thomas Baltzar a decade earlier
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English composer of odes; teacher of Purcell; organist
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Counter point resulted in fugues, chaconnes, and passacaglias; instrumental music genres such as concerto, sonata, and trio; Secular music tastes lead over sacred music; "the melodies sounded more like melodies"; tonal system further developed; string instrument dominated
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Most important Italian composer of sonatas and concertos; also the most influential violinist of the Baroque
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German composer important for his instrumental works; helped introduce French and Italian styles to Germany
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German composer and organist; a leading composer of his time
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Italian composer and diplomat; his chamber ducts are an important stage of Italian vocal music before Handel
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French composer and viol player; studied with Lully; court musician to Louis XIV in Versailles
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French composer and keyboardist; Louis XIV's favorite composer; the leading composer of the French grand motet at the French court
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Contributed the most to the development of the concerto around 1700; wrote for trumpet and strings; virtuoso violinist
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French viol player and composer
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Most important English composer in the 17th century
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Important Italian composer; teacher in Naples; his death ends Baroque opera; teacher of many galant composers to come
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German composer, keyboardist, theorist, scholar, writer, and lawyer; he left us some early examples of interesting program music
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Austrian composer and theorist; used Palestrina's style as a teaching tool; his counterpoint treatise, Gradus ad Parnassum from 1725, was used by most musicians in the 18th century; court composer in Vienna, and served 3 emperors; his music does not regularly reflect the older contrapuntal style
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She was called "the marvel of our century;" educated in Louis XIV's court; lived in Paris; renowned harpsichordist
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Composer in Vienna and diplomat in Italy; teacher and monk; traveled widely
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French composer, keyboardist; one of the most important French composers
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Italian composer; he was one of the most prolific composers in his day; he paid particular attention to his orchestration
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Italian composer who wrote operas and instrumental music; he was very popular in his day; Bach knew his works
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French composer and viola da gamba virtuoso; court musician for Louis XIV
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German composer; he was the central figure in German opera in the Late Baroque
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Italian composer; he laid the foundations for late Baroque instrumental music; teacher; pioneer of orchestral music; but, virtually forgotten by his contemporaries at his death
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The most prolific German composer of his day; more poplar than J.S. Bach during the Baroque; contributed significantly to concert life in Germany
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French composer and theorist; known first as a theorist
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Galant Italian composer and teacher; a leading composer of church music; Neapolitan
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An English playwright and poet who innovated a new genre; the Ballad opera, when he wrote The Beggar's Opera in 1728 as a satire on politics and partly on Handel's opera seria.
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Considered the Baroque master; wrote no operas; master of counterpoint; he became an icon for future generations and is still one of the most revered composers toda
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German musician; lived in England, inventor of the English oratorio; Beethoven respected him above all others
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French composer and viol player; son of Marin Marais; played for Louis XIV
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Son of Alessandro; keyboard composer and virtuoso; served Portuguese and Spanish royal families; progressive style and personally aware of it
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Italian composer and singing teacher; taught famous castrati in the 18th century
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Italian composer, violinist, teacher, and theorist; he was one of the greatest violin virtuosos of his day
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Galant Italian composer, violinist, teacher, and theorist, extremely important as a violin teacher and as an assimilator of the galanst and empfindsam styles
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Galant Italian composer; leader (for a time) of the new style of Italian opera
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German composer; flutist and flute teacher for Fredrick the Great in Berlin
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Italian composer and theorist; he was important in the field of church music
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Serious opera, "heroic opera" opera seria, was the primary form of public (music) entertainment; Public concerts; seventh chords accepted; fortspinning melodies (long continuous); modern diatonic system was firmly established; new demand for dynamics; virtuosos became to emerge and make successful careers
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German composer and a creator of instrumental music of the classic era; brother of Carl Heinrich
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Italian teacher, composer, and writer; he was the leading teacher in the 18th century; his surviving letters are important to music history
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Galant Neapolitan composer; he died young and his achievements were romanticized after this death; his intermezzo, La serva padrona sparked the war of the bouffons in Paris in 1752
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Giovanni Battista invented the symphony in Milan; A new orchestral virtuosity emerged in Mannheim in the 1740's with Johann Stamitz's orchestra of phenomenal musicians; Changed history of orchestral timbre to one of strength