5f4578fd4bbe21343e48d270 langston hughes in chicago, 1942

THE111- Playwright Timeline

  • Birth

    Birth
    James Mercer Langston Hughes was born in 1902 in Joplin, Missouri to his parents James Nathaniel Hughes and Carrie Mercer Langston.
  • Period: to

    Young Life

    Hughes was mostly raised by his grandmother Mary Patterson Langston and lived with her in Lawrence, Kansas.
  • Early Life

    Early Life
    Hughes often hooped from place to place due to his family's instability. He lived in Kanas, Illinois and Ohio. He attended high school in Cleveland, Ohio where he began writing poetry.
  • Education

    Education
    In 1920, Hughes graduated from Central Highschool in Cleveland, Ohio and began attending college at Columbia University. At that time he published his first famous poem: "The Negro Speaks of Rivers"
  • The Negro Speaks Of Rivers

    The Negro Speaks Of Rivers
    One of his most refined and respected poems. It was published in The Crisis, a magazine that was operated by the NAACP.
  • I, Too

    I, Too
    Another favored poem of Hughes's. Speaks of the want to be recognized as an equal, rather than someone who is beneath others.
  • Life After College

    Life After College
    Langston travel to many countries and cities like Africa and Paris to work on ships. He then published his first poetry collection The Weary Blues in 1926.
  • First Novel

    First Novel
    Hughes published his first novel called "Not Without Laughter" and it won the Harmon Gold Metal for Literature.
  • Creation of Mulatto

    Creation of Mulatto
    In 1931 Hughes co-wrote a play that dove into the concept of race and identity in the South. Mulatto tells the tragic story of Bert, a young biracial man who refuses to accept the timid and silent role that society expects of him in the racially segregated South.
  • Success

    Success
    In 1935 Mulatto is produced in Broadway and directed by Martin Jones. It was the first play written by an African American to be run on Broadway. Hughes began to start on folk plays there after.
  • Do You Want To Be Free?

    Do You Want To Be Free?
    a theatrical revue that intertwines spoken word, blues, gospel music, and dramatic sketches to tell the story of the African American struggle for freedom during the 1930s.
  • No Love Life

    No Love Life
    Hughes never married and had no kids. He was very engulfed in his work and kept his person al life hidden. Many think he could have been apart of the lgbtq community, but this remains a rumor. However, he had a close female friend named Zora Neale Hurston who he spent a lot of his time with.
  • Period: to

    More Plays

    Mr. Hughes published 4 additional plays. Troubled Island , Harvest , Jericho-Jim Crow, Street Scene
  • Freedom's Plow

    Freedom's Plow
    Celebrating African American roles in democracy
  • Troubled Island

    Troubled Island
    Hughes writes a libretto for an opera with composer William Grant Still. It is about the struggle for freedom and independence.
  • Troubled Island Premiere

    Troubled Island Premiere
    Troubled Island was premiered at the New York City Opera.
  • Communism

    Communism
    In 1953, Langston Hughes testified before Senator McCarthy’s committee on un-American activities. (accused him of being apart of the communist party)
  • Simply Heavenly

    Simply Heavenly
    Talks about the life of a Black man in Harlem New York.
  • Second Autobiography

    Second Autobiography
    Publishes second autobiography, I Wonder as I Wander
  • Black Nativity

    Black Nativity
    Black Nativity becomes one of Hughes's most famous stage pieces. It is the Nativity story with African American gospel music and dance; Premiered in New York.
  • More Poems

    More Poems
    Hughes publishes his poem The Panther and the Lash, a poem about civil rights and Black pride.
  • Death

    Death
    James Mercer Langston Hughes died on May 22, 1967 in New York from prostate cancer.
  • Works Cited

    Hughes, L. (1938). Don’t you want to be free? Harlem Suitcase Theatre.
    Hughes, L. (1935). Mulatto: A tragedy of the Deep South. Samuel French.
    Rampersad, A. (1986). The life of Langston Hughes: Volume I: 1902–1941, I, Too, Sing America. Oxford University Press.
    Hatch, J. V., Shine, T. (1996). Black theater USA: Plays by African Americans, the early period 1847–1938. Free Press.
  • Works Cited 2

    Hatch, J. V., Shine, T. (1996). Black theater USA: Plays by African Americans, the early period 1847–1938. Free Press.
    Simon Schuster.Berry, F. S. (2005). Langston Hughes: Before and beyond Harlem. Westholme Publishing.
    Kutzinski, V. M. (1995). Against the American grain: Myth and history in William Carlos Williams, Jay Wright, and Nicolás Guillén. Johns Hopkins University