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The Micrologus talked about how to read notation as well as how to learn new chants. Then, the hexachords were brought about (6 note scales consisting of 6 notes of equal spacing) and the Guidonian Hand. The Guidonian Hand was a physical pedagogical visual aid used to help singers identify intervals faster and more accurately.
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Born in 1098, died on September 17, 1179.
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The Ars Nova Treatise brought about the concepts of Time and Prolation and how to notate them. Also, the Ars Nova Treatise began to discuss whether “duple/imperfect” division should be allowed with “triple/perfect” division.
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The legend of this mass is the Pope Marcellus Mass saved polyphony from the Council of Trent.
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Written in St. Mark's Basilica in Venice, Italy.
Two Fold Importance:
1.) It was the first piece to notate proper dynamics (pian as in piano and forte as in loud)
2.) First piece to indicate which specific instruments play which line of music. -
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First Opera to enter standard repertory, only men attended. Music not published until 1609, revised in 1615.
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England pioneered public concerts in the 1670s.
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"Harmonic Inspiration"
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"Treatise on Harmony" Codified practices of his contemporaries, especially Corelli. It became the basis for teaching functional harmony.
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24 Preludes and Fugues in every key, in equal temperament. Created as a study of counterpoint and harmony in each key.
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24 Preludes and Fugues in every key, in equal temperament. Created as a study of counterpoint and harmony in each key.
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Premiered in Dublin - 1742 during lent. Part 1: Prophecies of the Messiah’s coming and how these are fulfilled in Jesus’ life.
Part 2: The passion, death, and resurrection of Jesus, spreading of the gospel.
Part 3: The second coming, last judgment and the final conquest of sin. -
“Le Mozart Noir”
Music Director of Concert des Amateurs. Virtuosic violinist, composer, conductor, and a master swordsman. US President John Adams called him “the most accomplished man in Europe.” -
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Composed in 1791. Premiered in London on March 23, 1792
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The Fifth Symphony was premiered on 22 December 1808 at a mammoth concert at the Theater an der Wien in Vienna consisting entirely of Beethoven premieres, and directed by Beethoven himself on the conductor's podium.
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He composed this piece at the age of 18.
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Inspired by his obsession with
Shakespearean actress
Harriet Smithson, whom he
married and later divorced -
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Features
character pieces, twelve
months plus a postlude. -
Dedicated to the Dutch piano virtuoso and salon music composer Ernest Henry Lubeck, and published in Mainz circa 1860 with the subtitle of Marche des Gibaros,[1] it is based on the Christmas folk song Si me dan pasteles, denmelos calientes, performed by local peasants known as Jíbaros.
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Original Piano Version
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Premiere of Complete Cycle
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