Music history timeline project cover image

History of Music I - Final Timeline Project

By eeads1
  • Period: 500 to 1450

    The Medieval Era

  • Period: 1000 to 1099

    Guido of Arezzo's formulation of the Solmization System

    Guido of Arezzo formulates the solmization system, using the syllables do-re-mi-fa-sol-la. This assigned a single syllable to a given pitch. The formulation of the solmization system took place during the 11th century (1000-1099)
  • Period: 1098 to Sep 17, 1179

    Hildegard of Bingen

  • 1320

    Ars Nova Treatise

    Ars Nova Treatise
    the most important innovation coming from this treatise was the innovation of "rhythmic notation" in new music. This innovation consist mainly of music using more varied rhythmic modes (as opposed to mainly triple meter) and also using smaller note values
  • Period: 1400 to

    Renaissance Period

  • Period: 1527 to 1529

    Martin Luther's Chorale "Ein Feste Burg [A Mighty Kingdom]"

  • 1539

    Arcadelt Madrigal "Il Bianco e Dolce Cigno"

    Arcadelt Madrigal "Il Bianco e Dolce Cigno"
  • 1567

    Palestrina's "Pope Marcellus" Mass

    Palestrina's "Pope Marcellus" Mass
    The significance of the Pope Marcellus Mass comes from both the actual content of the mass and the time of its publication. The work was published at the behest of the Catholic Church shortly after the Protestant Reformation, and in reaction to the reformation, the Catholic Church passed a measure to ensure that the words of any sacred music would be easily understandable. In the work, Palestrina makes use of "imitative" polyphony, and thanks to this the work was able to be easily understood.
  • Victoria Missa O magnum mysterium

    Victoria Missa O magnum mysterium
  • Giovanni Gabrieli "Sacrae Symphoniae"

    Giovanni Gabrieli "Sacrae Symphoniae"
    Giovanni Gabrieli's "Sacrae Symphoniae" was published in 1597 as a collection of motets, canzonas, and sonatas. At this point, Giovanni Gabrieli was in Venice, where he worked for the church and would continue to live and work until his passing.
  • Period: to

    The Baroque Period

  • Monteverdi's L’Orfeo

    Monteverdi's L’Orfeo
  • First Public Concerts in England

    First Public Concerts in England
  • Period: to

    JS Bach

  • Antonio Vivaldi's L’Estro Armonico

    Antonio Vivaldi's L’Estro Armonico
    A set of concertos by Antonio Vivaldi, his first major work published in 1711. This set of concertos greatly influenced the evolution of concerto form as it developed north of Italy.
  • Rameau's Traité de l’harmonie

    Rameau's Traité de l’harmonie
    The Traité was immediately recognized as a profound advance in musical theory, however, and it established Rameau's reputation as a theorist. His book was the first to codify those principles of tonality that were to dominate the music of the West for almost two centuries.
  • Bach's The Well-Tempered Clavier volume 1

    Bach's The Well-Tempered Clavier volume 1
    Bach wrote The Well-Tempered Clavier to demonstrate practically that one could compose and play in all keys.
  • Period: to

    Franz Joseph Haydn

  • Handel's Messiah

    Handel's Messiah
  • Period: to

    Viennese Classical Period

  • Period: to

    WA Mozart

  • Mozart's Don Giovanni

    Mozart's Don Giovanni
  • Haydn's Symphony No. 94 "Surprise"

    Haydn's Symphony No. 94 "Surprise"