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He was a part of the German Romantic Opera style which utilized the orchestra in fairy-tale stories. He created his own genre: Music Dramas that truly combined all the arts into masterpieces of performance. He began the destruction of tonality. He was an important person in the development of modern conducting. He was thought to be a successor to Beethoven.
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He had a philosophy of Opera that mainly involved creating serious and melodramatic stories and music. He became a symbol for Nationalism with the campaign VIVA VERDI! There was always a division of four in his creations: a prologue and 3 Acts, 4 Acts, or 3 Acts with one divided clearly into 2 scenes.
He was given the task of saving Italian Opera and did so with Otello and Falstaff, however, they were different than anything he had ever done before. Yet, his revitalization was successful. -
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Composed 1823; premiered 1824
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Adolphe Sax
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1856-1870 technically - everyone joined by 1862. Name was given in 1867.
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Ma Vlast - 1874-1879
Moldau - 1874 -
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Meet in 1917 Paris Conservatory
Arthur Honegger (1892-1955)
Darius Milhaud (1892-1974)
Francis Poulenc (1899-1963)
Germaine Tailleferre (1892-1983)
Georges Auric (1899-1983)
Louis Durey (1888-1979) Jean Cocteau named the group Les Six Francais in 1920 -
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1921-1923
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Henry Cowell (1897-1965)
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Brussels Exposition in 1958
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This song depicts the nightmares of the Vietnam War. The stings are electronically amplified. Crumb composed music that sounded like plans and sirens. The music unleashes the anxiety and horror of a terrible war.
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