The Baroque (1600-1730s)

  • 1550

    Emilio de'Cavalieri

    de'Cavalieri was one of the founders of the genre of opera. This Roman nobleman was the first to publish a figured bass, as well as compose the earliest surviving play set entirely to music. He was a teacher, organist, pianist, dancer, and choreographer.
  • 1551

    Giulio Caccini

    Another founder of opera, Caccini was an Italian composer, teacher, singer, and instrumentalist. He wrote a book of songs describing the new style of singing (opera) called "Le nuove musiche."
  • 1557

    Giovanni Gabrieli

    Gabrieli was an Italian organist and composer, as well as the nephew of Andres Gabrieli (of the Renaissance era). G. Gabrieli was best known for his use of instruments in his sacred music.
  • 1561

    Jacopo Peri

    Peri is another founder of the genre of opera. His opera, "Dafne," is recognized by most as the first opera, produced in 1597. His other notable achievements are his work in monody (a single actor singing an ode in a Greek tragedy) and the recitative (music arranged like speech) style.
  • 1562

    Ottavio Rinuccini

    Rinuccini was the first librettist for opera. He worked closely with Monteverdi, among others, and was an important part of shaping this new genre. In addition to being a librettist, Rinuccini was also a poet.
  • 1563

    John Dowland

    Dowland was a lutenist and known as the leading composer of music for the lute at the time. He served courts in Denmark and later in London. His music was picked up in 2006 by Sting, which re-popularized his music.
  • 1564

    William Shakespeare

    Shakespeare is one of the most well-known playwrights and poets, even today. His works have always been important for the field of music, dating back to when he first started writing and still today.
  • 1567

    Claudio Monteverdi

    Monteverdi was ahead of his musical time; being the most important pivotal figure between the Renaissance and Baroque eras. He is credited with creating the seconda pratica style, moving from the older style of prima pratica. He wrote 8 books of madrigals as well as 13 operas, but unfortunately not all survived.
  • Period: 1570 to

    Florentine Camerata

    The Camerata was group that began in the 1570s, where many intellectuals of the time, such as Peri, Caccini, Girolamo Mei, and Vincenzo Galilei, gathered to discuss the arts. The Camerata's musical experiments and explorations helped facilitate the birth of dramatic music, the recitative style, and opera.
  • 1582

    Sigiamondo d'India

    d'India was an Italian singer and composer. He was the second-most distinguished and well-known composer of secular music during the time period of Early Baroque. He was second only to Monteverdi.
  • Orlando Gibbons

    Gibbons was a leading composer and keyboardist in 17th century England. He was a big proponent of Anglican Church anthems.
  • Girolamo Frescobaldi

    Frescobaldi was the most influential composer for keyboards in the Early Baroque period. In addition, he was the first modern composer and keyboard virtuoso, as well as the first European composer who focused attention on composing instrumental music.
  • Heinrich Schütz

    Schütz was the most important German composer of the Middle Baroque era. He wrote the first German opera, which unfortunately has been lost to time.
  • Opera was Founded

    Opera became one of the pivotal shifts from the Renaissance era to the Baroque era. Opera started in Italy when the 16th century was nearing its end. "Dafne" is known as the first 'opera,' written by Jacopo Peri in 1597.
  • Period: to

    Early Baroque Period (1600-1650s)

    Early Baroque ushered in basso continuo, which led to the rise of homophony- a stark contrast from the favored texture of the Renaissance, polyphony. Monody and recitative music were focuses of this era, furthering this homophonic move. Another big thing of this early Baroque period was emotion. Composers believed that every piece or movement should convey an emotion, not from the perspective of the composer, but from the audience themselves.
  • Giacomo Carissimi

    Carissimi was a leading composer of oratorios and cantatas. He was also the teacher of Charpentier, a notable figure in the Middle Baroque period.
  • Barbara Strozzi

    Strozzi was the most prolific cantata composer of the 17th century. In addition to her compositions, Strozzi was well know for being a virtuoso singer.
  • Giovanni Legrenzi

    Legrenzi was quite influential in the Middle Baroque time period. Legrenzi was an Italian composer and organist, and operas were known for having many arias, close to 90, in them.
  • Jean-Baptiste Lully

    Though born Italian, Lully is claimed by the French, as his work contributed to them. Lully is known as the founder French ballet and opera. In addition, he was a dancer and violinist.
  • Dieterich Buxtehude

    Buxtehude was the most important German composer and organist until J.S. Bach. His compositional organ work was respected by Bach.
  • Marc-Antoine Charpentier

    Charpentier was a student of Carissimi and as distinguished as Lully. He was an extremely prolific composer of French operas, as well as masses, oratorios, and many other works.
  • John Blow

    Blow was an English organist and composer of odes. In addition to his extensive repertoire of over 100 songs, he was the teacher of Purcell.
  • Period: to

    Middle Baroque Period (1650-1700)

    In the Mid-Baroque era, instrumental music started to become popularized, creating genres like trios, sonatas, and concertos. Italian operas were more refined in how recitatives and arias were arranged, and in 1637, Venice opened a public opera house, allowing it to become more accessible to the general public. This era also ushered in counterpoint in instrumental compositions, creating new forms of music there as well. Rhythm became the central element in instrumental compositions.
  • Arcangelo Corelli

    Corelli was the most important and influential violinist of the Baroque period in general. In addition, Corelli was the most important composer of sonatas and concertos.
  • Johann Pachelbel

    Pachelbel was a leading composer of his time. He was a proficient German composer and organist; developing organ music, church music, 2 masses, and other keyboard works.
  • Giuseppe Torelli

    Torelli was a virtuoso violinist who composed for trumpet and strings. He is known for contributing the most to developing concertos in the 17th century.
  • Henry Purcell

    Purcell is considered the most important English composer of he 17th century. He wrote sacred works, stage works, anthems, and much more.
  • Alessandro Scarlatti

    Scarlatti was so important to Baroque music, that his death marked the end of the Baroque opera period. He was a teacher of many galant (simpler style than Baroque) composers to come in the Classical era.
  • François Couperin

    Couperin was a French keyboarder and composer. His works were so well-known, he himself is known as one of the most important French composers.
  • Reinhard Keiser

    Keiser was a German composer, most known for his operas, of which he composed over 80. He was the central figure of the late Baroque for German opera.
  • Antonio Vivaldi

    Vivaldi laid the groundwork for the Late Baroque style of instrumental music. He was a pioneer of orchestral music as well. However, his work was forgotten by his peers at his death.
  • Georg Philipp Telemann

    Telemann is hailed as the most prolific composer of his day, even surpassing J. S. Bach during the Baroque era. Telemann's work significantly contributed to concert life in Germany.
  • Jean-Philippe Rameau

    Rameau was a popular composer and theorist of the 17th and 18th centuries. Though he composed quite a number of works, he is better known for his work as a theorist.
  • Francesco Durante

    Durante was a leading composer of church music. In addition to his galant style of composing, he was also a teacher to other composers.
  • Johann Sebastian Bach

    Bach is known as the master of counterpoint and of the Baroque style. Though he never wrote an opera, as did many of the time period, his work became an icon for future generations and is still frequently used today.
  • Georg Friedrich Händel

    Händel was a German composer who lived in England. His works were an object of Beethoven's respect above all others. Händel also was the inventor of the English oratorio.
  • Domenico Scarlatti

    D. Scarlatti was the son of Alessandro, and followed in his father's footsteps as a keyboard composer and virtuoso. He had a more progressive style of composing that he was very aware of, and his works allowed him to serve on Spanish and Portuguese courts.
  • Johann Joachim Quantz

    Quantz was a German composer and flutist. He also was the flute teacher of Fredrick the Great in Berlin. In addition, Quantz wrote 204 sonatas, as well as over 300 concertos.
  • Period: to

    Late Baroque Period (1700-1730s/1750)

    As the late Baroque era began, instrumental music continued to elevate in importance. Serious opera became the primary source of entertainment, but public concerts also became a source. Composers' livelihoods depended on public venues and courts, and the courts were the primary patrons of the arts. Some churches also offered composers and performers steady jobs, but the best money was in opera. Lastly, the success of opera brought about competition among composers for the best singers and gigs.
  • Giovanni Battista Pergolesi

    Pergolesi was a composer in a galant Neapolitan style who died very young. His achievements were romanticized in death, and one of his intermezzos sparked a war in Paris in 1752.