History of TASCAM Portastudios

  • TEAC 144 Portastudio

    TEAC 144 Portastudio
    The first iteration of the portastudio
    Responsible for launching the home-recording wave, which allowed musicians to cheaply record and produce music at home
    Cited as one of the most significant innovations in music production technology
  • Tascam Portastudio 244

    Tascam Portastudio 244
    Improved upon the previous design with overall better sound quality & more features, including:
    dbx noise reduction
    dual/concentric sweepable EQ's
    The ability to record on up to 4 tracks simultaneously
  • Tascam 414

    Tascam 414
    Ditched the VU meters for simple, segmented LEDs
    TASCAM then added a pair of line-level inputs, bringing the total number of inputs to eight & allowing for two stereo effects returns
  • Tascam 564

    Tascam 564
    First digital portastudio to use minidiscs & CDs
    Uses minidisc & digital output to connect to PC for CD burning
  • Tascam 788 Digital

    Tascam 788 Digital
    First portastudio to use an HDD
    included built-in effects, copy/paste digital editing & much more than previously possible with cassette & tape models
    TASCAM's first steps into the field of integrated digital recording tools
    This would cause a lot of competition between home artists through the increase in quality of their equipment
    This would therefore potentially create business, & also hassle for studios, as they have a wider pool to pick from, but also more wannabe artists sending in demos