Performed Art

By jhooker
  • Period: to

    Anna Halprin (SF Dancers Wrksp)

    From 1950s SF Dancers Workshop w/ Forit, Rainer, Morris, Cage, Brown; used kinesthetic awareness; uses scores sometimes audience has scores; eventually dance as therapy - the Five Stages of Healing (1981); charted kinesthetic patterns as choreography; the RSVP cycles; Prades and Changes (1964) -- task-based, involving simply changing clothes.

  • Untitled, 1953

    Cage, Cunningham, Rauchenberg, et al happening at Black Mountain College

  • Untitled, 1953

    Cage/Cunningham/Raushenberg/Tudor Happening at Black Mountain College
  • Period: to

    Gutai

    Founded by Jiro Yoshihara w/ Shozo Shimamoto; Gutai translates to "embodiment." Preoccupation w/ the beauty of damage and decay; Anticipated fluxus, happenings, and butoh;
    Atusuko Tanaka's Electric Dress (1956)...associated...
  • Period: to

    Piero Manzoni

    Italian Conceptual Aritst; influenced by Yves Klein; Anticipated Arte Povera; used "mythologized sources" -- rabbit fur, human excrement; Bodies of Art (1960) - edition of 45 balloons on tripods to be blown up by buyer; Consumption of Art by Art-devouring public (1960) hard boiled eggs w/ his thumb print ofr audience to eat; Artist's Shit (1961) - Sealed can's labeled "Artist's Shit" -- sold highly an dappreciate in value...obvious critique of art world.
  • Period: to

    Wolf Vostell

    German painter, conceptual artist, sculptor; early video adaptor; installations, happenings, fluxus (co-founder); worked in decollage (made by removal); organized Festum Fluxorum w/Naim June Paik and George Maciunas; 1st use of TV in art?; "Art is life, life is art" Theatre is on the street (1958); Miss Viet Nam (1967); You (1964) at house in Great Neck, NY - instruction based activities involving imagistic scenes in and around swimming pool. Decollage happening; satire.
  • Period: to

    Helio Oiticica

    The Neoconcrete Group, Parangoles, Tropicalsmo Movement
  • Period: to

    Allan Kaprow

    "Action Painting" as precursor to performance; studied w/cage. long teaching career; The Legacy of Jackson Pollock 1958 essay that advocates for use of everday perishible items in art; 18 Happenings in 6 Parts - audience moved through avarious events at Reuben Gallery (highly scripted and rehearsed); Happening in the New York Scene (1961); Courtyard (1962) took place in NYC apartment courtyard w/ specivic elements given allegorical meaning; Fluids (1967) recreated in 2008 at the Getty by the Art

  • Ray Gun Spex

    Curated Happening at Judson Memorial Church; Oldenburg's Snapshots from the City; Hansen's REquiem for WC Fields; Kaprow's Coca Cola Shirley Canonball; Jim Dine's The Smiling Workman (drank paint while painting "I love what I'm" -- wearing clown mask); Dick Higgins counting in german til audience left.
  • Period: to

    Allison Knowles

    Fluxus (married to Dick Higgins) perfomrnace, radio, sound, printmaking; studied w/ Joseph Alber; Make a Salad (1962); Notations (early 60s) - experimental compositions w/ John Cage; The Big Book (1967) walk in book; still very active.
  • Period: to

    Carolee Schneeman

    sculpture, film, performance; assoc w/ Fluxus, neo-dada; Performed in Oldenburg's Store Days and Morris' SITE. Meat Joy (1964) Orgiastic group of men and women rolling on floor w/ carcass blood, perf in paris, references artaud; Naken Action Lecture (1968) delivered lecture on paintgs of cexanne while showing slides of paings and her own performances, while undressing and redressing; Interior Scroll (1975) - disrobed, took artist model poses, read from her book cezanne, she was a great painter,
  • Period: to

    Dick Higgins

    Coined Intermedia; early fluxus artist; poet sometimes performed; married to Alison Knowles; studied composition w/ cage; founded Something Else Press in 1963 which published alot of artist books, works by cage, cunningham, etc.
  • Period: to

    Guy Debord/Situationist International

    The Society of the Spectacle (1967); Paris Upsrisings (1968) -- create a series of strategies for engaging in class struggle by reclaiming individual autonomy from the spectacle including "dérive" (an unplanned journey through a landscape) and "détournement," "turning expressions of the capitalist system and its media culture against itself," like turning slogans and logos against the advertisers or the political status quo); drew on the traditions of Lettrism
  • Period: to

    Vienna Actionists

    Günter Brus, Otto Mühl, Hermann Nitsch and Rudolf Schwarzkogler. The "Destruction in Art Symposium", held in London in 1966, marked the first encounter between members of Fluxus and Actionists. It was a landmark of international recognition for the work of Brus, Mühl and Nitsch. Brus' "Hand Painting Head Painting" action of 1964, Mühl and Nitsch's "Degradation of a Female Body, Degradation of A Venus" of 1963 reconceive human bodies as surfaces for the production of art.
  • Period: to

    Yvonne Rainer

    Judson Dance Theater (1962-4); No Manifesto (1965); Three Satie Spoons (1961); Ordinary Dance (1962); combo of movement and narrative w/recitation of poetic bio; We Shall Run (1963); music by Berlioz...ran around stage; Trio A (1966) from the Mind is a Muscle.Continuous Project-Altered Daily (1969) Grand Union 1970-76..then to film...RoS Indexivcal (2005)
  • Period: to

    Robert Morris

    Painter, land art, process art, installation and perf.; Leading theorist of Minimalism (w/ d. Judd); collab with Forti (wife), Rainer, Schneeman, and Childs (esp. in SF); Perf as scultpure...the body in motion; Box w/ The Sound of Its own Making (1961) - after Duschamp; 21.3 (1964) - Lip zyncs to a reading of an essay by Erwin Panofsky (german art historian); Site (1964) w/C. Schneeman - waring a mask, rearranges boards to reveal a nude woman reclining.
  • Period: to

    Fluxus/George Maciunas

    Maciunas died in 77; Fluxus lived on. Inspired by perf. in Yoko Ono's loft, LeMonte Young's compositions, Cage's proto-happenings; Readymades...1963 Manifesto: anti-capitalism, anti-art market, promoted non-art...eventually called to eradicate essentially all fine and perf art in favor of "real life." Created and published instruction-based scores. Ay-O, Joseph Beuys, George Brecht, Dick Higgins, Yoko Ono, Nam June Paik, and Wolf Vostell

  • Cut Piece & Grapfruit

    Cut Piece -- Tokyo and London -- instruction based: "cut" ONe performed in long garment, audience cuts. Reperformed? Grapefruite - Book of Instructions
  • Period: to

    Joseph Bueys

    How To Explain Pictures to a Dead Hare (1965); 1st solo - face convered in honey and gold leaf -- holds dead hare and whispers (reperformed in 7 Easy Pieces); I Like America & America Likes Me (1976) for 8 hours over 3 days, wrapped in felt, trapped with coyots...didn't touch ground. 1964 -- attacked by student; 1968 fictionalized CV; 1979 Guggenheim Retrospective; Rodulf Steiner, Artist as Shaman, Social Sculpture as Gesamptkunstwerk; fluxus, happening, Aktion,etc.
  • Period: to

    Valie Export

    Video installations, expanded cinema, computer art, phot sculpture, perf; contemp w/ Vienna Actionists (inspired but not influenced); Guerilla performance (ritual, self-expression); Touch Cinema (1964) wore move tehatre around next, w/naked torso inviting people to reach through and touch her; Action Pants: Genital Panic (1968) in art cinema in munich w crotchless pants walking around so genitals at face level--photos taken later maybe staged...seen w/machine gun at porn theatre; reporfed in 7EP
  • Period: to

    Orlan

    1964, ("Slow motion walks"), in which she would walk as slowly as possible between two central parts of the city; 1965 to 1983, "MesuRages", use her own body as a measuring instrument, called the "Orlan-body". 1971 she "baptized herself" Sainte-Orlan; 1977, "The Artist’s Kiss" a life-size photo of her torso was turned into a slot machine, the coin comes out the vagina resulting in a kiss from the artist; 1978, she founded the International Symposium of Performance in Lyon.

  • Cunningham's Museum Event #1

    In Vienna, continued to Museum Event #725 at Tate Turbine Hall in 2004

  • How To Explain Pictures to a Dead Hare

  • Period: to

    Lygia Clark

    Brazilian painter and installation artist; neo-concretist; artwork should be manipulated by the spectator; it's subjective and organic; lived in exile in paris during dictatorship; Dialogo de Manes - w/ Oiticica (1966, wrists were linked by mobius strips); The I and the You: clothing/body/clothing (1968); Biological Architecture (1969) - 1st in series She created propositions, situations to be experienced within a “collective body” such as Canibalismo (Cannibalism, 1973),
  • Period: to

    Bruce Nauman

    Body Pressure (1974) Performer presses against a pane of glass in various postions (reperormed in 7 Easy Pieces); Walking in an exaggerated Manner Around the Perimeter of a Square (1968) - Social Sculpture; wide variety of video work + performative neon works.
  • Period: to

    Vito Acconci

    Following Piece (1969) followed people from public space to private space; Conversion (1970) Video piece burning body haird and pulling out breasts; Seedbed (1971) - lay under gallery ramp masturbating and vocalizing fantasies about attendees; Telling Secrets (1971) in a shed in the woods telling secrets to strangers.
  • Period: to

    Adrian Piper

    1st gen conceptual artist and philosopher; painting, sculpture, and installation; Catalyst (1970) Walking pieces disrupting pedestrian societyMythic Being (1973-75); Some Reflected Surfaces (1976) At the Whitney, dressed in black w/ white face, moustache, and glasses, danced in a spotlight w/ VO of her telling a story of working in a club, male VO tells her to change, she does, image appears on distant monitor; Funk Lessons (1982-4) Video showing teaching white people how to dance; ; Callingcard
  • Period: to

    Gina Pane

    French-Italian, co-founder of Art Corporel (Body Art); The Conditioning (1973) - lay on metal bedframe over burning candels (reperformed in 7 Easy Pieces); L'Escalade non Anesthesi (1971) Climbed ladder with razors on rungs; Warm Milk (1972) dressed in white cuts herself filming the audiences' shocked reactions.
  • Period: to

    Chris Burden

    Shoot (1971); Trans-fixed (1974) nailed to volkswagen - engine revved; White Light/White Heat (1975) Ronald Feldman Gallery; 22 days out of site from gallery spectators; didn't eat, slep or talk; no one saw him, he saw no one.
  • Period: to

    Judy Chicago

    Coined term "feminist art"; set up woman's performance program at Fresno State and Cal Arts w/ Faith Wilding and Suzanne Lacy.
    Perf. gave women more control. The amateur quality of the perf was a kind of trade mark and a counter mainstream statement. 1972 Cock and Cunt Play - performed by Wilding and Janice Lester...3 short acts, 2 women in black leotards, exaggerated pink letoards perf awk puppet like moves...one w/cock, one w/cunt ends w/ cock beating cunt w/ phallus
  • Period: to

    Eleanor Antin

    In her other well-known photographic series from the 1970s and 1980s such as The King of Solana Beach (1972–75), The Angel of Mercy (1976–78), and Recollections of My Life with Diaghilev (1974–89), Antin inhabits various fictional personas to comment on how history is often retold, reinterpreted and redefined as a result of new discoveries, subjective perceptions and memory. The past and the present are fully informed by one another, and are therefore malleable entities that change with time.
  • Period: to

    Gilbert & George

    The Singing Sculpture (1970) -- cont'd to wear same suits for rest of their lives...Living Sculpture

  • Trisha Brown's Equipment Pieces

    Walking on the Wall (1971) and Roof Piece (1971) were designed to be performed at specific sites. Accumulation (1971),

  • Seedbed

  • Period: to

    Joan Jonas

    Mirror Piece I (1969) - 4 women holding mirrors to audience; Organic Honey’s Visual Telepathy (1972), Delay Delay (1972), Aud looked down from 13 story buidling; Funnel (1974), The Juniper Tree (1976) - fusion of narratives in nonlinear structure, theatricality; Revolted by the Thought of Known Places… (1992), Woman in the Well (1996/2000), her portable My New Theater series (1997–1999), Lines in the Sand (2002), and The Shape, The Scent, The Feel of Things (2004).
  • Period: to

    Eiko & Koma

    Multi-disciplinary choregraphers...make own sets and costumes; only perform own works; don't identify as butoh but cite Kazuo Ohno as main influence; perform in theaters, dance venues, galleries, in public, etc., including month long living gallery exhibit at the Whitney. Time is Not Even: Space is Not Empty a retrospective at Wesleyan the MCA; often elemental titles.

  • The Conditioning (Gina Pane)

    Gina Pane lay on a metal bedframe over burning candles. Reperfomred in 7 Easy Pieces.
  • Period: to

    Linda Montano

    infl of catholocism; uses ritual; self-actualiszation; counsels through art; Handcuff (1973); Three Day Blindfold (1973); Rope Piece (7/4/1983-7/3/1984) w/ Teching Hsieh; Seven Years of Living Art (1984-1991)
  • Period: to

    Abramovic Rhythm pieces

    Rhythm 10 (1973) - 20 Knives, 2 tape recorder --> cutting 20 times, then trying to replicate the action based on recordings.
    Rythm 0 (1974) - 72 objects the audience can use against the passive artist;
  • Period: to

    Laurie Anderson

    Fully Automated Nikon (1973) - shot photos of all the men who made comments to her; Duets on Ice (1975) Played violin on streets of Milan skates encased by ice...played until the blocks of ice melted and she fell; United States (1983) at BAM -- 8 hour song cycle w/O Super Man...mediatized. Appeared in Nam June Paik's Hello Mr. Orwell in 1984. Closely linked to rise of performance art and crossover success in public eye. 2003 Nasa artist-in-residence.

  • Schneeman's Upto and Including Her Limits

    Up To And Including Her Limits was the direct result of Pollock's physicalized painting process....
    I am suspended in a tree surgeon's harness on a three-quarter-inch manila rope, a rope which I can raise or lower manually to sustain an entranced period of drawing– my extended arm holds crayons which stroke the surrounding walls, accumulating a web of colored marks. My entire body becomes the agency of visual traces, vestige of the body's energy in motion."
  • Period: to

    Hannah Wilke

    Perf. using photography; Besides Hannah Wilke Super-t-Art, 1974, other well-known performances in which Wilke used her body include Gestures, 1974; Hello Boys, 1975; Intercourse with...(audio installation)1974-1976; Intercourse with... (video) 1976; and Hannah Wilke Through the Large Glass performed at the Philadelphia Museum of Art in 1977
  • Period: to

    Abramovic Ulay Pieces

    Imponderability (1977) - 2 stand nude in gallery doorway forcing attendees to squeeze through; 1988 Great Wall of China Piece -- each walked half way to meet each other, then broke up.
  • Period: to

    Spiderwoman Theater

    Natie American feminist performance group; gave rise to Split Britches and Wow; Active in 80s and 90s. Still together. Reverb-ber-ber-ations (1990) repurposed exotic material as comic, subersive mimicry; Power Pipes (1992) at BAM
  • Period: to

    Karen Finley

    • NEA 4; Feminism; MFA from SF Art Insititute; Assoc w SF Punk, then NY Punk after 1980 -Music, disco, spoken word, eventually film in 1999 recieved MS Woman of the year and appeared in Playboy; We Keep Our Victims Ready (food ritualistically, smearing on chocolate as she talked about female victimization—because women are treated like shit.); after 2011 used other women's voices, not her own. Wrote George and Martha about affair between George Bush and Martha Stewart (2006)

  • WOW Cafe Founded

    Peggy Shaw + Lois Weaver (Spiderwoman, Hot Peaches, Split Britches)...eventually Holly Hughes comes in as manager.

  • PS 122 Founded

    Tim Miller, Charles Moulton, Peter Rose, and Charles Dennis
  • Period: to

    Tim MIller

    NEA 4; Act Up; Studied w/ Merce; Founded PS122 in 1980 and Highways in 1987; uses dance and text (monologue) Democracy in America (1984); My Queer Body (1992); Shirts and Skins (1997); US (Immigration rights for immigrants of gay partners; Law of the Land (2007)
  • Period: to

    Michael Smith

    Percieved as quircky Ed Sullivan w/ persona Mike.
    Played with persona in and around media culture. In one performance at the Gugg...built a TV show living room set and then appeared in half hour segments on the constructed TV; perf artist as entertainer --> artists cabarets --> alt. standup.
  • Period: to

    Holly Hughes

    Lesbian Perf Artist, PW, Dir.; NEA 4; Teaches fine art at U of M; founded Wow Cafe (Womens One World); started as painter.
    Well of Horniness (1983); Dress Suits for Hire (1989) - Sexuality, feminism, religious undertones; Clit Notes (1996); first solo; O Solo Homo (edited collection of perf. art texts).
  • Period: to

    Rope Piece

    Linda Montano+ Tehching Hsieh
  • Period: to

    Mike Kelley

    collabs w/ Paul McCarthy, Tory Ousler, etc.; commented on American class, pop culture; and youth rebellion; DAM; Plato's cave, Rothko's Chapel, Lincoln's Profile (1985, ft. Sonic Youth); More Love Hours Than Can Ever Be Repain and the WAges of Sin (1987, memorial recreated in 2012); Heidi (1992, w/ Paul McCarthy) video performance based on Chrildren's book; Day is Done (2005), "Clusterfuck aesthetic" multi-media installation
  • Period: to

    John Fleck

    NEA Four; acted in TVs and movies; creates video work now; performs in Bill Viola's work...monologist theatre + comedy.

  • Highways Founded

    Tim Miller and Lynda Frye Burnham
  • Period: to

    Guillermo Gomez-Pena

    Mexican -- moved to US in 1978; Border culture; North-South Hemisphere relatison; Directs Le Pocha Nostre; Border Brujo (1988); Couple in the Cage (1992); The Mexterminator Project (1997-2007)...

  • NEA 4

    Karen FInley
    John Fleck
    Tim Miller
    Holly Hughes
  • Period: to

    Paul McCarthy

    LA-based; perf art + sculpture; Taught perf and perf art at UCLA; trained as painter; interested in everyday activities and the mess related to them; Mass media, consumerism, more about being a "clown" than a "shaman"; Bossy Burger (1991) - Ketchup, mayo, furniture, dolls, Alfred E Newan mask; comes out of children's TV, grotesquery; Picadilly Circus (2003) improvisational, child's play.
  • Period: to

    Tania Bruguera

    Cuban/American Artist; has courted controversy w/ Cuban gov't. Interdisciplinary artist wking in "behaivor art, perf. installation, video. "The Body as a social landscape." Her terms “arte de conducta” (conduct/behavior art) and “arte útil” (useful art) define her practice. "Immigrant Movement International" from 2005. Surplus Value at the Tanks --> delegated performance...used officer to admin lie detector tests (participation?) Tatlin's Whisper #5 (2007) to mounted police in mus to cntl au
  • Period: to

    Ron Athey

    Body Art, S & M; extremetis; AIDS; 1994 NEA Scandal
    Four Scenes in a Harsh Life (1994); Martyrs & Saints (1993) - hour long piece involving self-inflicted wounds; Deliverance (1994) - perf of NEA scandal re: Walker; St. Sabastien (1999) - wears crown of thorns.
  • Period: to

    Sharon Hayes

    Using multimedia, she "appropriates, rearranges, and remixes in order to revitalize spirits of dissent." There's So Much I Want to Say to You at the Whitney Museum in the summer of 2012. Uses "speech acts." Everything Else Has Failed! Don’t You Think It’s Time for Love? and I March in the Parade of Liberty but as Long as I Love You I Am Not Free (both 2007–08), record the artist’s performances on the streets of Manhattan, speaking into a megaphone.

  • The Couple in the Cage

    Guillermo Gomez-Pena and Coco Fusco aka Two Undiscovered Amer-Indians. (Can be related to James Luna's The Artifact Piece (1987) - curated his indianness for the museum.
  • Period: to

    Coco Fusco

    Cuban-American (US born); Teaches at Parsons; BA, MA, PHD; The Last Wish (1997); in cube re: death and the repatriation of exiled cubano...lays in coffin; Stuff(1996-1999) Latin Amerian woman and food...statement on cultural consumption; El Evento Suspendo (2000) wrote letters of home while burried in a vertical postion up to her neck.
  • Period: to

    Jeremy Deller

    Delegated performance + Reperformance; retrospective at Hayward Gallery in 2012; won turner award; Acid Brass (1997) fused brass band w/ Acid House, w/ Detroit Techo...band still performs today; Battle of Orgreave (2001); reenactment of the miners strike of 84-5, w/ some actual participation of miners and cops; collab w/ Howard Giles a battle reenactor. Also: parades and processions in collab w/ community orgs, etc.

  • Eiko & Koma at Whitney

    Eiko & Koma created Breath, a living installation, for the Whitney Museum American Art in New York in 1998. For four weeks, they performed live within the multi-media installation during all the hours the museum was open to the public.
  • Period: to

    Walid Raad/Atlast Group

    Atlas Group fictional collective whose objective is to research and document Lebanon's contemporary history. Raad presents lectures through the Atlas Group. The Loudest Muttering is Over (2001) - documents, notebooks, etc.
  • Period: to

    Tino Seghal

    1990s danced w/Jerome Bel and Xavier Le Roy; 1990 choreo for Les Ballets C. de la B. Twenty Minutes for the Twentieth Century (55 min. naked dance in styles from Nijinsky to Cunningham). Instead of Allowing Some Thing to Rise Up to Your Face Dancing Bruce and Dan and Other Things (riff on Dan Graham and Bruce Naumann). This is So Contemporary (2005) - dancing museum guards; Kiss (2007) 1st Museum work. This Progress (2010) - gugg emptied of artwork (asking what is progress? from child on up).
  • Period: to

    Santiago Sierra

    Delegated Performance -- Minimalism as central aesthetic strategy
    Workers Who Cannot Be Pain, Remunerated to Remain Inside Carboard Boxes; Paid a man to live behind a brick wall for 15 days; 133 Persons Paid to Have their Hair Dyed Blonde (2001); 160 cm Line Tattooed on Four People (2000)

  • Battle of Orgreave. Deller.

  • A Little Bit of History Repeated

    Kunst-werke Berlin John Bock (Germany), Tania Bruguera (Cuba), Trisha Donnelly (USA), Ingar Drangset & Michael Elmgreen (Denmark/Norway), Karl Holmqvist (Sweden), Takehito Koganezawa (Japan), Elke Krystufek (Austria), Laura Lima (Brazil), Tracey Rose (South Africa), Tino Sehgal (Germany) - recreations of 1960s and 70s performances
  • Period: to

    Ryan Trecartin

    A Family Finds Entertainment (2004) video -- Trecartin takes on pesonas of Skippy a deranged clownish manic depressive and a hyperactive neighbor. Crazy, 80s style video art editing, expertly done.

  • 7 Easy Piece

    Bruce Nauman's Body Pressure (1974); Vito Acconci's Seedbed (1972); Valie Export's Action Pants: Genital Panic (1969); Gina Pane's The Conditioning (1973); Joseph Beuys's How to Explain Pictures to a Dead Hare (1965); Abramović's own Lips of Thomas (1975); Abramović's own Entering the Other Side (2005)
    Abramović's own Entering the Other Side (2005)

  • Whitney Live starts

    From the mid 80s to 2004 the Whitney hosted live performances in their "gallery" at Altria on 42nd st.

  • Performa 07

    Re-creation of Kaprow's 18 Happenings in 6 Parts; Kaprow ghotsted the event; also George Maciunas who helped to revitalize soho. Jankowski's Hula-hoop piece.

  • Double Agent

    Curated by Claire + Mark at ICA, London
    Delegated Performance; 7 works...1)Pawel Althamer (Pol); 2) Phil Collins (UK) You'll Never Work (invited key art-world figures to be photographed being slapped by the artist, including the curators); 3) Barbara Visser (Dutch) Last Lecture (video showing acrestt pretending to be Visser talking about a video of a lecture given by another actress pretending. 4) Christoph Schlingensief (DE); 5) Artur Z'migjewshi (Pol) Them; 6)Joe Scanlan (Donelle Woolford); 7)

  • Mike Kelley - Mobile Homestead

    Drove replica of his childhood home from Mocad to the site and back, and made interviews along the way. A performance created for documentation.

  • Performa 09

    Bruce High Quality Foundation’s a cappella rendition of George Michael’s “Father Figure. William Kentridge’s one-man masterpiece rendition of Nikolai Gogol’s short story “The Nose.

  • The Artist is Present at MOMA

  • Performa 11

    Happy Days in the Art World,” a short three-act play by the Scandinavian performance-art duo Michael Elmgreen and Ingar Dragset; Robert Ashley’s “That Morning Thing” at the Kitchen hirin Neshat’s first live work 10 years ago (Performa grew out of this experiment); now she will present “OverRuled”; Boris Charmatz is an electric draw all by his lonesome. But for “Musée de la Danse: Expo Zéro,” Trajal Harrell, “Antigone Jr.”

  • 2012 Whitney Biennialle

    Sarah Michelson (Devotion Study #1—The American Dancer); Michael Clark; The Red Krayola; Richard Maxwell; Dawn Kasper THIS COULD BE SOMETHING IF I LET (studie in gallery); A survey is a process of listening, Arika; Alicia Hall Moran and Jason Moran; There we will be buried, a play by Yair Oelbaum; K8 Hardy - feminist runway show Lutz Bacher

  • Tino Segal at the Guggenheim

    Kiss and This Progress

  • Grand Openings at MOMA

    MoMA’s Performance Program resumes with a new commission by the New York–based artist collective Grand Openings