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Great American composer
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An Austrian composer. Embraced maximalism.
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French composer and pianist who invented impressionism.
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Another maximalist, composer of tone poems and some of the first modern operas.
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American composer, innovative and original.
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The father of twelve tone music.
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A style in which musical elements are pushed to the extreme.
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No chord progressions, out of context melodies, this style comes across as vague in all aspects.
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A return to the ideals of clarity and objectivity breathes new life into old forms.
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Non-western subjects, folk-like.
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Rejects key signatures an tonality, treats all notes equally.
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This style rebels against musical convention. Harmonies can not be analyzed, atonality, and Schoenberg's 12 tone technique.