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used flowers dor decorations, garland, wreaths, and temple offerings. Utilized simplistic design principles applied a particular pattern several times.
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create large, symmetrical arrangements with bright colors more naturalistic look. Used flowers more for more than religious purposes
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used flowers for adornment continued the use of "horn of plenty" or cornucopia. -
Brought together Greek and Roman. Influences begin to incorporate fruit with garland placed arrangement in baskets goblets or low containers.
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Designs of Garland three and Krause where more elaborate than those of the Greek useless Grace for designs compared to the Greek basket and cornucopias. -
The presence of flowers in art waned during this era. They only appeared in tapestries. This resulted in the creation of a line of cloths called millefleur. -
Inspired by Flemish paintings. Flemish refers to people from the medieval country of Flander which now covers parts of Belgium, France, and Holland. -
Created symmetrical designs then shifted to asymmetrical designs. asymmetrical sides or halves which are not the same but still balanced -
This period saw a distinct divide in the styles of floral arrangement. Delicate, arc-shaped designs dominated the Baroque period and Rococo. Simple, triangular shapes were the styles of times under King Louis XVI. -
Floral design in this era was usually comprised of a basic bunch of blossoms in a vase. Later on, they engaged in more elaborate designs. They even built vases for holding flowers at particular angles.
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Created arrangements for personal adornment and decorations around the home. Used any flower available and placed arrangements into household containers. -
Placed grasses flowers and foliage into fan shape arrangements. Began to mix different floral bouquets together -
Began to focus on the charm of an industrial flower strayed away from large amounts of mixed floral bouquets -
Used foliage and grasses to contrast textures placed flowers in very low containers upper-class show of wealth. -
Began current practices around 1910 also known as the contemporary florist's combined line elements from the Japanese and mass designs from the Europeans
