Ballets Russes de Monte Carlo

  • Diaghilev's Death

    Diaghilev's Death
    Diaghilev died, leaving his dancer's without direction or work.
  • The Resurrection of the Company

    The Resurrection of the Company
    The resurrection of the company began with George Balanchine's immigration to America. He had a vision to make young dancers around 12 or 13 the stars of the ballet. Some of these dancers were Tamara Toumanova, Tania Riabouchinska, and Irina Boranova.
  • First Performance Post-Diaghilev

    First Performance Post-Diaghilev
    In 1932, the Ballet Russe de Monte-Carlo had their first performance after Diaghilev. Shortly after, Balanchine was replaced with Leonide Massine.
  • Massine Era

    Massine Era
    Leonide Massine began to use the symphonic orchestra in his ballets. He also began to incorporate males as bigger roles.
  • Ballet Russe Takes America

    Ballet Russe Takes America
    In 1934 Ballet Russse de Monte-Carlo set sails for America where Sol Hurok, the most powerful theatrical promoter, booked their first American Tour. America still did not know that much about ballet at the time. Shortly after, Massine and another choreographer, Basical, began to have arguments that even went so far as the rights of the ballet. Massine won the rights of the Ballet Russe de Monte-Carlo.
  • The Rival Companies

    The Rival Companies
    In 1938, the divided companies were ready to make their debuts in London. Massine lost rights to his choreography, so he had to create 3 new ballets in limited time. Basil hired David Lichine to replace Massine. The companies were rivals, but they performed pretty close to each other in London.
    Hurok chose Massine’s Ballet Russe de Monte-Carlo for another American tour while Basil's company went to Australia.
  • World War II's Effect

    World War II's Effect
    Britain and France declare war on Germany in World War II. Panic struck and most Russians did not have the right papers to leave the country. They were able to get on a boat headed to America. Both companies traveled on this boat. Although the dancers had no classes of rehearsals, Massine's company still performed as soon as they got to America. Sol Hurok continued to find work for both companies, and they often went to small cities that had never seen ballet before.
  • Goodbye to Basil

    Goodbye to Basil
    In 1941 Hurok severed his ties with Basil because he was so difficult to work with. Without Hurok's help, Basil's dancers were unable to find work. They decided on a Latin American Tour.
    Massine's Ballet Russe struggled as well, since America also faced repercussions of the war such as the scarcity of food.
  • Agnes de Mille's Choreography

    Agnes de Mille's Choreography
    During the war, Ballet Russes de Monte-Carlo crossed dance and film in Hollywood. Later on, they took a chance and hired and American choreographer, Agnes de Mille. And so began the beginning of “true American ballet.”
    Agnes de Mille choreographed “Rodeo,” a good old fashion American tradition.
  • Balanchine takes on Broadway

    Balanchine takes on Broadway
    In 1944 ballet crossed over into Broadway, choreographed by George Balachine. Over the years he had involved himself in dance, broadway, and film.
  • The End of Basil's Ballet Russe

    The End of Basil's Ballet Russe
    Hurok and Basil spoke of returning to America, but the dancers were so exhausted that it was a failure, and Hurok abandoned them once again. In return, Basil hired new dancers, not as technically strong, leaving the company in worse shape. Nov 1948 was the company’s last performance.