-
-
-
A January exhibition of French 19th-century rustic landscape painting at the National Gallery, Beijing, contributes to the emergence of a new form of critical realism later in the year. This is the first show of foreign art since the beginning of the Cultural Revolution (CR), and parallels an influx of publications on western art.
-
-
Scar Painting (Shanghen huihua) and the Star group (Xing xing) emerge as the two most important art movements of 1979. Both aim at criticizing the realities of contemporary China and often portray the Cultural Revolution negatively.Scar Painting, part of a broader movement called New Realistic Painting, takes its name from a related literary trend. The term refers to the emotional wounds inflicted on the Chinese--especially intellectuals and students by the Cultural Revolution.The Stars are pr
-
-
-
-
-
-
-
In November, the Chinese Modern Art Research Committee, an association of about 30 critics, is founded in Beijing, in part as a planning committee for the nationwide avant-garde exhibition.
-
Solo exhibitions of work by Xu Bing and Lu Shengzhong open at the National Gallery, Beijing, in October. Xu Bing's installation, Book from the Sky, consists of books and scrolls fabricated using traditional Chinese printing techniques and paper, and classical typographic styles. The thousands of hand-carved characters, however, were made up by the artist and are completely unintelligible.
-
-
on February 5 the first nationwide avant-garde art exhibition opens at the National Gallery, Beijing. Entitled China/Avant-Garde, the exhibition includes a total of 293 paintings, sculptures, videos, and installations by 186 artists. Wang Guangyi's Mao Zedong No. 1 causes a stir, and his Pop Art-influenced style initiates the Political Pop trend of the early 1990s.China/Avant-Garde is closed twice by authorities during its two-week run. The first closing occurs just hours after the opening, whe
-
-
-
-
-
-
The first nationwide avant-garde exhibition since the Tiananmen Incident, Guangzhou First Oil Painting Biennial, opens in Guangzhou in November. The show is developed under official policies urging economic expansion; an ideal (and naive) goal of the exhibition's organizers is to increase the value of Chinese avant-garde art in both domestic and international markets. The work of some artists in the Guangzhou Biennial--Wang Guangyi, among them--exemplifies Political Pop, a dominant artistic tren
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-