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Copper engraving
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Engraving colored with watercolor
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Appropriation of Greek style and iconography
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Unique mix of indigenous and catholic art
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Eclecticism
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French realism
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One of last traditional history paintings made in the USA
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Mural
Invitation to “occupy, settle, and control" -
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Appropriation of Gothic style
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Lithograph
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French impressionism
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Photograph
South side of Zuni Pueblo -
Frowned upon
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Frowned upon
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gelatine silver print
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carbon print
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Woman’s Building, World’s Columbian Exposition and Fair, Chicago
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gum print
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gum bichromate photographic print
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photograve
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platinum print photograph
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Readymade
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gum bichromate print
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Initiated in early 1920s by president Álvaro Obregón to promote post-revolutionary nationalism: murals in public buildings
Accessibility, anti-elitism -
Initiated in early 1920s by president Álvaro Obregón to promote post-revolutionary nationalism: murals in public buildings Accessibility, anti-elitism
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Although the Negro was used to lynching, he found this an
opportune time for him to leave where one had occurred -
The
female worker was also one of the last groups to
leave the South -
They were very poor
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During the World War there
was a great migration North of Southern
Negroes -
Among the social conditions that existed which was
partly the cause of the migration was the injustice
done to the Negroes in the courts -
In every town Negroes
were leaving by the Hundreds to go
North and enter into Northern
industry -
They did not always leave
because they were promised work in
the North. Many of them left because
of Southern conditions, one of them
being great floods that ruined the
crops, and therefore they were unable
to make a living where they were -
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Beads