Art of the italian renaissance

  • Oct 25, 1267

    Giotto Di Bonde

    Giotto Di Bonde
    Around this date that Giotto Di Bonde was born.brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."[2]
  • Jun 27, 1305

    The Scrovegni Chapel

    The Scrovegni Chapel
    Around 1305 Giotto executed his most influential work, the painted decoration of the interior of the Scrovegni Chapel in Padua. The chapel was commissioned by Enrico degli Scrovegni to serve as a family worship and burial space, even though his parish church was nearby; its construction caused some consternation among the clerics at the Eremitani church next door.[14]
  • Dec 11, 1420

    Classicism in painting

    Classicism in painting
    The revival of a style of architecture based on classical precedents inspired a corresponding classicism in painting, which manifested itself as early as the 1420s in the paintings of Masaccio and Uccello.
  • Mar 27, 1422

    First works of Masaccio

    First works of Masaccio
    The first works attributed to Masaccio are the San Giovenale Triptych (1422) and the Virgin and Child with Saint Anne (Sant'Anna Metterza)(c. 1424) at the Uffizi.
    The second work was perhaps Masaccio's first collaboration with the older and already-renowned artist, Masolino da Panicale (1383/4-c. 1436).
  • Apr 15, 1446

    Filippo Bunelleschi

    Filippo Bunelleschi
    All of his principal works are in Florence, Italy. As explained by Antonio Manetti, who knew Brunelleschi and who wrote his biography, Brunelleschi "was granted such honors as to be buried in the Basilica di Santa Maria del Fiore, and with a marble bust, which they say was carved from life, and placed there in perpetual memory with such a splendid epitaph."[2]
  • Jan 1, 1447

    Spread of Tuscan Ideals

    Spread of Tuscan Ideals
    The Tuscan culture soon became the model for all the states in Northern Italy.In 1447 Francesco Sforza came to power in Milan and rapidly transformed that still medieval city into a major centre of art.
  • Jul 16, 1477

    Giorgione

    Giorgione
    Giorgione (born Giorgio Barbarelli da Castelfranco; c. 1477/8 – 1510[1]) was an Italian painter of the High Renaissance in Venice. Giorgione is known for the elusive poetic quality of his work, though only about six surviving paintings are acknowledged for certain to be his work. The resulting uncertainty about the identity and meaning of his art has made Giorgione one of the most mysterious figures in European painting.
  • Aug 28, 1480

    paintings of the 1480s

    paintings of the 1480s
    found in first paragraphIn the 1480s Leonardo received two very important commissions, and commenced another work which was also of ground-breaking importance in terms of composition. Unfortunately two of the three were never finished and the third took so long that it was subject to lengthy negotiations over completion and payment
  • Nov 1, 1482

    Primavera

    Primavera
    The masterworks Primavera (c. 1482) and The Birth of Venus (c. 1485) were both seen by Vasari at the villa of Lorenzo di Pierfrancesco de' Medici at Castello in the mid-16th century, and until recently, it was assumed that both works were painted specifically for the villa.
  • Apr 5, 1498

    The Last Supper

    The Last Supper
    First ParagraphLeonardo's most famous painting of the 1490s is The Last Supper, also painted in Milan. The painting represents the last meal shared by Jesus with his disciples before his capture and death. It shows specifically the moment when Jesus has said "one of you will betray me". Leonardo tells the story of the consternation that this statement caused to the twelve followers of Jesus.[16]
  • Oct 28, 1507

    Mona Lisa

    Mona Lisa
    Among the works created by Leonardo in the 16th century is the small portrait known as the Mona Lisa or "la Gioconda", the laughing one. In the present era it is arguably the most famous painting in the world. Vasari, who is generally thought to have known the painting only by repute, said that "the smile was so pleasing that it seemed divine rather than human; and those who saw it were amazed to find that it was as alive as the original".[75][nb 20]
  • May 2, 1519

    The Death of Leonardo da Vinci

    The Death of Leonardo da Vinci
    Leonardo has often been described as the archetype of the Renaissance man, a man whose unquenchable curiosity was equaled only by his powers of invention.[1]