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The Modern Age: a complementary timeline.

  • 1420

    Florence Cathedral's Dome, by Brunelleschi (1420)

    Florence Cathedral's Dome, by Brunelleschi (1420)
    Brunelleschi's completion of Florence Cathedral's dome in 1420 represents a pinnacle of Renaissance architecture. This innovative feat involved the use of a double-shelled structure and a herringbone pattern, showcasing advancements in engineering and design. The dome's construction marked a significant achievement in the Renaissance period, emphasizing a revival of classical ideals and influencing subsequent architectural endeavors.
  • Period: 1420 to 1580

    Renaissance

    The Renaissance was a cultural and artistic movement that took place in Europe from the 14th to the 17th century. In Spain, the Renaissance was characterized by the introduction of new forms of art and literature, as well as the development of architecture and music. Some of the most prominent artists of this period include Diego Velázquez, El Greco, and Francisco de Zurbarán.
  • 1498

    Pieta, by Michelangelo Buonarroti (1498)

    Pieta, by Michelangelo Buonarroti (1498)
    Michelangelo's Pieta, completed in 1498, is a renowned masterpiece of Renaissance sculpture. This emotionally charged work depicts the Virgin Mary cradling the lifeless body of Jesus, showcasing Michelangelo's exceptional skill in capturing human anatomy and conveying profound emotion. The Pieta is celebrated for its exquisite craftsmanship and spiritual intensity, solidifying Michelangelo's reputation as one of the greatest artists of the Renaissance.
  • 1509

    The School of Athens, by Raphael Sanzio (1509).

    The School of Athens, by Raphael Sanzio (1509).
    Raphael's School of Athens, painted in 1509, is a masterpiece of High Renaissance art. This fresco, located in the Vatican, features a gathering of prominent philosophers and thinkers from different eras, embodying the spirit of intellectual inquiry. The composition and perspective demonstrate Raphael's artistic mastery, while the figures symbolize the harmonious blending of classical and contemporary knowledge, making it a quintessential work of Renaissance humanism.
  • Period: 1516 to 1556

    The Reign of Carlos I (1516-1556)

    The reign of Carlos I, also known as Charles V, spanned from 1516 to 1556 and marked a crucial period in European history. As the Holy Roman Emperor and King of Spain, Carlos I faced challenges such as the Protestant Reformation and conflicts with the Ottoman Empire. His attempts to maintain control over a vast empire contributed to the political and religious complexities of the time.
  • Period: 1520 to 1521

    The Revolt of the Comuneros in Castile (1520-1521).

    The Revolt of the Comuneros in Castile, occurring from 1520 to 1521, was a popular uprising against the policies of Carlos I. Fueled by social and economic grievances, the comuneros sought greater local autonomy and opposed the centralization of power. Although the revolt was ultimately suppressed, it highlighted the tension between centralized authority and regional autonomy in the evolving political landscape.
  • 1555

    Peace of Augsburg (1555).

    Peace of Augsburg (1555).
    The Peace of Augsburg, signed in 1555, was a pivotal diplomatic agreement that aimed to settle religious conflicts within the Holy Roman Empire. This treaty granted rulers the authority to choose the religion (Catholicism or Lutheranism) for their territories, marking a pragmatic approach to religious diversity. While providing a temporary respite, the Peace of Augsburg ultimately laid the groundwork for continued religious tensions in the region.
  • Period: 1556 to

    The Reign of Felipe II (1556-1598).

    The reign of Felipe II, son of Carlos I, from 1556 to 1598, was a period of political and religious challenges. His rule coincided with the height of the Spanish Empire and the intense conflict between Catholicism and Protestantism. Felipe II's efforts to maintain Catholic orthodoxy and his involvement in the conflicts of the time, including the Spanish Armada's defeat, shaped the course of European history.
  • Period: 1568 to

    The Eighty Years' War (1568-1648).

    The Eighty Years' War, spanning from 1568 to 1648, was a protracted conflict between the Spanish Crown and the Dutch provinces seeking independence. Motivated by religious, political, and economic factors, the war marked a struggle for self-determination. The Peace of Westphalia in 1648 recognized the independence of the Dutch Republic, signifying a turning point in European geopolitics.
  • Period: 1568 to 1571

    The Rebellion of the Alpujarras (1568-1571).

    The Rebellion of the Alpujarras, occurring from 1568 to 1571, was a Morisco uprising in the Alpujarra region of Spain. Fueled by religious and social grievances, it was a response to Felipe II's policies against the Muslim population. The rebellion resulted in significant repression and the forced expulsion of Moriscos, contributing to the religious homogenization of Spain.
  • 1579

    The Assignment of the Union of Utrecht (1579).

    The Assignment of the Union of Utrecht (1579).
    The Union of Utrecht, signed in 1579, represented the formation of a military and political alliance among seven northern provinces in the Netherlands. This pact, born out of opposition to Spanish rule, laid the foundation for the independent Dutch Republic. It marked a crucial step in the Eighty Years' War and is considered a precursor to the recognition of Dutch independence in subsequent treaties.
  • 1579

    The Assignment of the Union of Arras (1579)

    The Assignment of the Union of Arras (1579)
    The Union of Arras, signed in 1579, was a diplomatic pact between Catholic provinces in the Spanish Netherlands. Also known as the "Walloon Union," it marked an effort to reconcile with the Spanish Crown during the Eighty Years' War. The agreement aimed to restore loyalty to Philip II of Spain, creating a significant political divide between Catholic and Protestant regions in the Netherlands.
  • The Defeat of the Spanish Armada by England (1588).

    The Defeat of the Spanish Armada by England (1588).
    The defeat of the Spanish Armada in 1588 was a decisive naval victory for England over the powerful Spanish fleet. This event, a key episode in the Anglo-Spanish War, bolstered England's naval prowess and marked a turning point in European power dynamics. The successful defense against the Armada solidified Queen Elizabeth I's reign and England's emergence as a naval power.
  • Period: to

    Baroque Art

    Baroque art emerged in the 17th century as a dynamic and dramatic reaction to the Renaissance. Characterized by grandeur, emotion, and ornate details, Baroque art sought to evoke strong emotional responses. Artists like Bernini and Velázquez created elaborate, often theatrical works that reflected the religious and political upheavals of the time. The Baroque period had a profound impact on architecture, sculpture, and painting.
  • Apollo and Daphne, by Bernini (1622)

    Apollo and Daphne, by Bernini (1622)
    Bernini's Apollo and Daphne, sculpted in 1622, is a Baroque masterpiece that captures the moment when the god Apollo pursues the nymph Daphne, who transforms into a laurel tree to escape his advances. This dynamic sculpture exemplifies Baroque art's emphasis on movement, emotion, and dramatic storytelling. Bernini's skill in depicting intricate details and evoking a sense of urgency makes this work a hallmark of Baroque sculpture.
  • Saint Peter's Square Project by Bernini (1656).

    Saint Peter's Square Project by Bernini (1656).
    Bernini's project for Saint Peter's Square, initiated in 1656, transformed the exterior of St. Peter's Basilica in Vatican City. The grand colonnade, embracing the piazza, created a sense of unity and theatricality. Bernini's design skillfully balanced aesthetics and functionality, enhancing the experience of pilgrims and visitors. The project's completion contributed to the overall magnificence of Vatican City as a center of Catholicism.
  • The Spinners, by Velázquez (1657)

    The Spinners, by Velázquez (1657)
    Velázquez's painting "The Spinners" (Las Hilanderas), completed in 1657, is a masterful representation of Baroque art. The painting skillfully blends mythological and everyday elements, depicting the weaving of Arachne and the transformation of characters from Ovid's Metamorphoses. Velázquez's innovative composition and use of light showcase his artistic prowess, making "The Spinners" a captivating example of Baroque narrative painting.
  • Period: to

    Neoclassical Art

    Neoclassical art, prevalent in the late 18th and early 19th centuries, sought inspiration from classical antiquity. Reacting against the excesses of the Baroque and Rococo, Neoclassicism emphasized clarity, order, and moral virtue. Artists like Jacques-Louis David played a key role in promoting this style, aligning art with the rationalism and idealism of the Enlightenment. Neoclassical art often depicted historical or mythological subjects with a sense of stoicism and restraint.
  • Oath of the Horatii, by Jacques-Louis David (1784).

    Oath of the Horatii, by Jacques-Louis David (1784).
    Jacques-Louis David's "Oath of the Horatii," painted in 1784, is a defining work of Neoclassical art. This painting depicts a Roman legend of self-sacrifice and patriotic duty. David's emphasis on classical ideals, stoic figures, and clear composition reflects the Neoclassical movement's rejection of the excesses of the preceding Rococo style, aligning art with moral and political values.
  • Carlos IV of Spain and His Family, by Francisco de Goya (1800)

    Carlos IV of Spain and His Family, by Francisco de Goya (1800)
    Francisco de Goya's portrait of Carlos IV of Spain and his family, created in 1800, is a poignant reflection of the political and social complexities of the time. The painting captures the royal family in a somewhat informal yet calculated composition. Goya's keen observation and subtle critique provide insight into the tumultuous period of Spanish history, marked by political instability and the impending challenges of the 19th century.