4

De Stijl

By tysdnr

  • Vilmos Huszár,

    Vilmos Huszár,
    Vilmos Huszár, cover design for De Stijl, 1917. Huszár combined his composition with type and Van Doesburg's logo to create a concise rectangle in the center of the page.

  • Bart Anthony van der Leck

    Bart Anthony van der Leck
    Bart Anthony van der Leck, exhibition poster, 1919. Moored in pictorial art, Van der Leck diverted De Stijl's vocabulary toward elemental images.

  • . Théo van Doesburg and Kurt Schwitters, “

    . Théo van Doesburg and Kurt Schwitters, “
    . Théo van Doesburg and Kurt Schwitters, “Kleine Dada Soirée,” poster, 1922. This poster illustrates the Dada side of Van Doesburg's artistic personality.

  • Théo van Doesburg

    Théo van Doesburg
    Théo van Doesburg, cover for De Stijl, 1922. Type is asymmetrically balanced in the four corners of an implied rectangle. De Stijl is combined with the letters N and B, which indicated Nieuwe Beelden (New Images).

  • Théo van Doesburg and Laszlo Moholy-Nagy,

    Théo van Doesburg and Laszlo Moholy-Nagy,
    Théo van Doesburg and Laszlo Moholy-Nagy, book cover, 1925. The essence of De Stijl is conveyed.

  • Piet Mondrian,

    Piet Mondrian,
    Piet Mondrian, oil on canvas, Composition with Red, Yellow, and Blue, 1927.

  • H. T. Wijdeveld,

    H. T. Wijdeveld,
    H. T. Wijdeveld, Internationale Economisch-Historische Tentoonstelling (International Economic Historical Exhibition), poster, 1929. This poster reflects the brick architecture of the Amsterdam School.