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Vilmos Huszár, cover design for De Stijl, 1917. Huszár combined his composition with type and Van Doesburg's logo to create a concise rectangle in the center of the page.
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Bart Anthony van der Leck, exhibition poster, 1919. Moored in pictorial art, Van der Leck diverted De Stijl's vocabulary toward elemental images.
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. Théo van Doesburg and Kurt Schwitters, “Kleine Dada Soirée,” poster, 1922. This poster illustrates the Dada side of Van Doesburg's artistic personality.
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Théo van Doesburg, cover for De Stijl, 1922. Type is asymmetrically balanced in the four corners of an implied rectangle. De Stijl is combined with the letters N and B, which indicated Nieuwe Beelden (New Images).
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Théo van Doesburg and Laszlo Moholy-Nagy, book cover, 1925. The essence of De Stijl is conveyed.
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Piet Mondrian, oil on canvas, Composition with Red, Yellow, and Blue, 1927.
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H. T. Wijdeveld, Internationale Economisch-Historische Tentoonstelling (International Economic Historical Exhibition), poster, 1929. This poster reflects the brick architecture of the Amsterdam School.
