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The Brandenburg Concertos (REALISM)
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Romanticism was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century and in most areas, was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical.
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Faust (ROMANTICISM)
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Lyrical Ballads, with a Few Other Poems (ROMANTICISM)
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Whims (ROMANTICISM)
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Symphony No. 1 in C major (ROMANTICISM)
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Hour of Idleness (ROMANTICISM)
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Endymion (ROMANTICISM)
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Wanderer above the Sea of Fog (ROMANTICISM)
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Der arme Poet (ROMANTICISM)
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The Fighting Temeraire tugged to her Last Berth to be broken up (IMPRESSIONISM)
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Realism is the predominant school of thought in international relations theory, theoretically formalising the realpolitik statesmanship of early modern Europe. Although a highly diverse body of thought, it can be thought of as unified by the belief that world politics ultimately is always and necessarily a field of conflict among actors pursuing power. Crudely, realists are of three kinds in what they take the source of ineliminable conflict to be.
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The Painter's Studio (REALISM)
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The gleaners (REALISM)
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A Tale of Two Cities (REALISM)
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Impression Soleil Levant (IMPRESSIONISM)
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Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles.
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The Starry Night (IMPRESSIONISM)
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Reflections in the Water (IMPRESSIONISM)
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Princess (IMPRESSIONISM)
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Nighthawks (REALISM)
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Eat a leg (REALISM)
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For Anatole's Tomb (IMPRESSIONISM)