Time Toast

  • Period: 1300 to

    the renaissance artwork

  • Giotto – The Lamentation
    1305

    Giotto – The Lamentation

    Giotto uses soft lines and muted colors to create a natural sense of grief. The figures feel heavy and grounded, their gestures pulling us into the raw emotion of the scene
  • Masaccio – The Holy Trinity
    1427

    Masaccio – The Holy Trinity

    This fresco shows off early Renaissance perspective, drawing the viewer’s eye deep into space. The geometric shapes and balanced composition give the scene structure and weight.
  • Donatello – David
    1440

    Donatello – David

    Donatello’s David has smooth textures and graceful curves, showing the human body with natural proportion. The relaxed stance makes the figure lifelike, not stiff or overly heroic.
  • Fra Angelico – The Annunciation
    1445

    Fra Angelico – The Annunciation

    Light and space are carefully used to guide the viewer toward the angel and Mary. The clean lines and delicate color choices make the moment feel calm and spiritual.
  • Piero della Francesca – The Flagellation of Christ
    1460

    Piero della Francesca – The Flagellation of Christ

    The architecture creates strong linear perspective, while the cool colors give the scene a detached, almost mathematical calm. The balance of shapes makes the image both orderly and mysterious.
  • Sandro Botticelli – Primavera
    1482

    Sandro Botticelli – Primavera

    Botticelli’s figures move gracefully, almost floating in the shallow space. Flowing lines and soft textures make the scene feel dreamlike, while the rich colors celebrate nature’s energy.
  • Sandro Botticelli – The Birth of Venus
    1486

    Sandro Botticelli – The Birth of Venus

    Venus stands with smooth curves and delicate outlines, her body forming a graceful focal point. The pastel colors and rhythmic waves create a sense of harmony and beauty.
  • Leonardo da Vinci – The Last Supper
    1495

    Leonardo da Vinci – The Last Supper

    Leonardo organizes the figures with strong lines of perspective, leading straight to Christ. The contrast of light and shadow adds drama, while the varied gestures give the scene emotional depth.
  • Michelangelo – David
    1501

    Michelangelo – David

    The sculpture’s strong lines and carved textures show every detail of the human body. Michelangelo uses scale and proportion to make David both realistic and larger-than-life.
  • Leonardo da Vinci – Mona Lisa
    1503

    Leonardo da Vinci – Mona Lisa

    The smooth blending of tones softens her face and creates a lifelike glow. The background’s misty space contrasts with her steady gaze, making the portrait feel timeless and mysterious
  • Michelangelo – The Creation of Adam
    1508

    Michelangelo – The Creation of Adam

    The curving forms of Adam and God nearly touch, creating tension through line and space. The muscular figures and bold colors give the scene power and energy.
  • Raphael – The School of Athens
    1509

    Raphael – The School of Athens

    Raphael fills the composition with balance, using arches and perspective to guide the eye. The warm colors and clear lines give the gathering of philosophers a sense of harmony and order.
  • Titian – Venus of Urbino
    1538

    Titian – Venus of Urbino

    Titian uses rich color and soft textures to make Venus’s skin glow. The horizontal composition and calm lines create intimacy, drawing the viewer into the private space.
  • El Greco – The Burial of the Count of Orgaz

    El Greco – The Burial of the Count of Orgaz

    El Greco combines elongated figures with sharp contrasts in value to create a spiritual atmosphere. The upward movement of the lines connects the earthly and heavenly worlds.
  • Tintoretto – The Last Supper

    Tintoretto – The Last Supper

    Diagonal lines and dramatic contrasts of light and dark make the scene feel alive with movement. The crowded space pulls the viewer into the chaos, unlike earlier calm versions.