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- Famous poet
- Helped shape romanticism
- German write and statesman
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Italian composer
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- He was the transitional figure from the classical to the romantic style
- Composed all genres
- Virtuoso pianist
- Expert improvisor
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praised Beethoven
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- Composed the first German romantic opera "Der Fuel Schütz" (the magic bullet)
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- The most important opera composer in the early 19th century
- Most famous composer in Europe in the early 19th century
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a state institution for training musicians
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- Son of a school teacher
- Composed over 600 secular vocal music in his short life
- Mostly a freelance composer
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Italian opera composer
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- The public loved this topic because of heroism
- These became popular all over Europe.
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Italian opera composer
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- French composer, conductor, critic, and author
- Innovator of orchestration techniques that created the modern orchestral sound.
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- Older sister to Felix
- Married William Hansel in 1829
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- Revived J.S. Bach music
- Composer of most genres
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- German composer writer and pianist
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- Called the poet of the piano
- Found great success in the salons
- Educated at the conservatory of Warsaw
- His playing was delicate
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- Piano virtuoso, writer, conductor, composer, innovator, a supporter of Wagner.
- Primary opera composer
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- Most important Italian composer mid to late 19th century
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- He changed opera, harmony, music in general
- Composed early traditional operas
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- Keyed brass instrument similar in range to trombone
- Invented by Jeantlilaire Aste
- Similar to trombone
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- Mother of 8, touring concert pianist
- Child prodigy composer, performer
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- American song composer
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- American, Nationalist
- Child Prodigy on the piano -Sent to Paris to study
- Born in New Orleans
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- Youngest composer of the group
- Traveled to meet Schuman
- Editor of J.S. Bach music
- German Romantic composer
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just piano
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Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression around the world.
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- From Bohemia
- Musically in the west
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- Classical music has a lighter, clearer texture than baroque music and is less complex.
- It is mainly homophonic—melody above chordal accompaniment (but counterpoint by no means is forgotten, especially later in the period).
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