-
-
-
-
-
-
-
This is when orchestration became a real art with the help of Berlioz
-
-
undisguised avant-garde style composer
-
Represented the visual artists primary to the Primitivism style.
-
Maximalism style composer
-
Abandoned the traditional rules of music. In particular to the rules of chord progression by treating them all equally.
-
introduced musical Impressionism in France in the 1890's. ( My Favorite)
-
Maximalism style composer
-
undisguised avant-garde style composer
-
The most rebellious of all Post-Romantic styles demonstrated a turning away from traditional music. Strong emotional expression was the goal, melodies were optional. Harmonies could not be analyzed.
-
The leader of Expressionism, coming from Germany. created a new singing method: sprechstimme. Organized compositional practice called "12-tone technique in 1921
-
she was highly instrumental in the revival of Bach's music as well as a revived interest of the harpsichord.
-
His repetitive ostinatos in "Rite of Spring" demonstrated the musical aspects of the movement during the Primitivism style
-
Introduced a new vision of musical timbres and modern orchestration techniques, which sometimes excluded or minimized the use of strings
-
employed a new type of singing called "sprechstimme" with Schonberg.
-
Artist
-
a style that pushes the musical elements. It was transitional from post-Wagnerian. Maximalism strives the extreme for expression in music
-
attempted to step out of the quicksand pool of Romantix aesthetic. also had a delight in trivializing emotional opulence which is still worshipped in circles.
-
Painter
-
He was the first composer to be revived into this style. It is important to believe that Bach began the style with the revival of his music.
-
A western visual art movement that was depicted as naive or folk-like in nature.
-
returning to the ideal of clarity and objectivity from the 18th century. During this time the baroque and classic periods were not defined or labeled.
-
French composer, who was the first to develop the Musique concrete style by using a tape recorder in the late 1940's
-
- Igor Stravinsky
-
-
anti-art movement in which artists and poets reacted against the war in the mid 1910s. Those associated with the movement forged the way to modernist thinking which allowed more questions of traditional artistic expectations.
-
A style of composition that focused on musical elements other than pitch. Percussion ensembles benefited from this style and were given a new status in concert music.
-
by Schoenberg
-
Performed at the Paris Opera House