history of animation

  • peter roget

    peter roget
    Peter Roget presented his paper 'The persistence of vision with regard to moving objects' to the British Royal Society.
  • Dr. Joseph Antoine Plateau

    Dr. Joseph Antoine Plateau
    Dr. Joseph Antoine Plateau (a Belgian scientist) and Dr. Simon Rittrer constructed a machine called a phenakitstoscope. This machine produced an illusion of movement by allowing a viewer to gaze at a rotating disk containing small windows; behind the windows was another disk containing a sequence of images. When the disks were rotated at the correct speed, the synchronization of the windows with the images created an animated effect.
  • Zeotrope

    Zeotrope
    The zoetrope was a hollow drum that housed images on long interchangeable
    strips that spin and made the images appear to move.
  • Flip Book

    Flip Book
    The flip-book, also known as the kineograph, reached a wide audience and is credited
    with inspiring early animators more than the machines developed in this era.
  • Eadweard Muybridge

    Eadweard Muybridge
    Eadweard Muybridge started his photographic gathering of animals in motion.
  • Celluloid

    Celluloid
    A man named H.W. Goodwin invented a celluloid film which could hold images. It was made of gum cotton and gum camphor.
  • Praxinscope

    Praxinscope
    A man in France named Emil Reynaud opened a theatre using an invention called the Praxinoscope. It used turning mirrors to reflect images and produce a 10 to 15 minute "moving picture."
  • Thomas Edison

    Thomas Edison
    Using the celluloid film developed by H.W. Goodwin, Edison was able to produce moving film pictures on the wall. The film moved over a series of wheels to produce the pictures.
  • Sound is Captured

    Sound is Captured
    Using a magnetic recording device, sound was recorded for the first time. Animation enthusiasts would latch onto the technology.
  • First short Film

    First short Film
    A man named James Stuart Blackton used animation techniques to produce a short film. It documented the drawing process of characters, without ever showing the artist; this made it seem that the drawings simply appeared.