Baroque Timeline

  • 1567

    Monteverdi

    (1567-1643) Known for using dissonance in his compositions and for creating modern music in his time period. Deemed as a transitional figure from the Renaissance to the Baroque Era.
  • Francessca Caccini

    (1587-after 1641)) The first woman to compose operas, also the daughter of Giulio Caccini.
  • Start of Baroque Era

    An era of ornamentation, embracing extravagant and bizarre qualities of music.
  • Tuning System Changes

    Half steps began to be tuned equally on the organ and some composers began limiting their keys to four sharps and flats max.
  • Bar Lines

    Bar lines become an accepted form of meter.
  • Opera is Introduced

    Opera was founded in Florence, Italy, by Caccini and Perio. It began growing in popularity and expanding and modifying in France and eventually England.
  • Monody

    A single melody sung in Italian text with basso continuo. Termed as "second practice", and favored homophobic melodies.
  • Recitatives

    A style that does not use repetition, as the text is only sung one time.
  • Baroque Instruments

    Woodwinds made out of wood, trumpets, and horns without valves, organs, harpsichords, and clavichords are very popular.
  • Rise in Instrumental Music

    With newly improved instruments and newfound importance in the Baroque period, instrumental music is almost equal to vocal music.
  • Sonatas

    A piece composed for a solo instrument and a keyboard.
  • Concertos

    Small orchestral groups that perform using ritornello form.
  • Ritornellos

    Guideposts to tonal structure and are used to determine the tonic key for concertos.
  • The Baroque Suite

    A set of dances in the Baroque period contrasting in character but usually using the same key. The standard form was A B.
  • Barbra Strozzi

    (1619-1677) Known for dramatic songs and cantatas, as well as publishing eight sets of songs.
  • Teatro de San Cassiano

    The first public opera theater was opened in Venice, Italy.
  • Arias

    Extended pieces for solo singers that are more elaborate, song-like, and have a steady beat and tempo.
  • von Biber

    (1644-1704) Composer and violinist, Biber was one of the most important musicians of his time, being one of the most well-known composers in the violin's early years. He was able to reach 6th and 7th positions as a violinist.
  • Passacaglia

    A baroque form that draws upon the principle of the ground bass and typically has a bass melody in triple meter. This is often repeated over and over to allow continuous variations to form on top.
  • Chaconne

    A baroque form where harmonic progression is repeated rather than an actual melody.
  • Purcell

    (1659-1695) Musician and composer who assimilated many European musical styles and wrote music for plays.
  • Vivaldi

    (1678-1741) Considered the master of the Baroque concerto, he wrote nearly 800 concertos of all types.
  • Georg Philip Teleman

    (1681-1767) A German composer who helped establish the French-style orchestral suite in German and was known for composing over 125 orchestral suites.
  • Domenico Scarlatti

    (1685-1757) A composer who wrote over 500 sonatas and was known for his progressive style.
  • Handel

    (1685-1759) Another German composer who is known for popular orchestral suites, "Fireworks" and "Water Music".
  • Bach

    (1685-1750) A composer who was considered the greatest master of the fugue and one of the most skilled composers in the Baroque Era.