Art History

  • Period: Jan 1, 1200 to Jan 1, 1400

    Proto-Renaissance

  • BONAVENTURA BERLINGHIER
    Jan 1, 1235

    BONAVENTURA BERLINGHIER

    This painting is from the panel from the Saint Francis Altarpiece, San Francesco, Pexis, Italy.
  • GIOTTO DI BONDONE, Lamentation
    Jan 1, 1305

    GIOTTO DI BONDONE, Lamentation

    This painting is found in Arena Chapel, Padua, Italy. This painting was alsoa Fresco.
  • DUCCIO DI BUONINSEGNA, Betrayal of Jesus
    Jan 2, 1309

    DUCCIO DI BUONINSEGNA, Betrayal of Jesus

    This painting is a detail from the back of the Maestà altarpiece, from Siena Cathedral, Siena, Italy, Tempera and gold leaf on wood
  • PIETRO LORENZETTI,Birth of the Virgin
    Jan 1, 1342

    PIETRO LORENZETTI,Birth of the Virgin

    This painting is the altar piece of Saint Savinus, Siena Cathedral, Siena, Italy. It also is tempera on wood
  • Period: Jan 1, 1400 to Jan 1, 1500

    Early Renaissanc

  • Isaac and his Sons
    Jan 25, 1425

    Isaac and his Sons

  • DONATELLO, David
    Jan 1, 1440

    DONATELLO, David

    This statue is in Museo Nazional del Bargello, Florence. The staute itself is made out of bronze.
  • da Vinci, Annunciation
    Feb 25, 1475

    da Vinci, Annunciation

    Leonardo da Vinci, Annunciation Location: Galleria degli Uffizi, Florence, Italy Style: oil on wood
  • GHIRLANDAIO: Birth of Virgin
    Jan 25, 1485

    GHIRLANDAIO: Birth of Virgin

  • Period: Feb 25, 1500 to

    High Renaissance

  • Da Vinci: Mona Lisa
    Feb 25, 1503

    Da Vinci: Mona Lisa

    LEONARDO DA VINCI: Mona Lisa Location: Louvre, Paris Style: Oil on Wood
  • Michelangelo, The Deluge
    Feb 25, 1503

    Michelangelo, The Deluge

    Location: Sistine Chapel, Vatican, Rome, Italy Style: Fresco
  • RAPHAEL,Marriage of the Virgin
    Feb 25, 1504

    RAPHAEL,Marriage of the Virgin

    RAPHAEL: Marriage of the Virgin Location: the Chapel of Saint Joseph in San Francesco, Città di Castello, Italy Style: Oil on Wood
  • RAPHAEL: Galatea
    Feb 25, 1513

    RAPHAEL: Galatea

    Location: Sala di Galatea, Villa Farnesina, Rome, Italy
    Style: Fresco
  • Period: to

    Southern Baroque

  • Period: to

    Northern Baroque

  • ANNIBALE CARRACCI, Loves of the Gods

    ANNIBALE CARRACCI, Loves of the Gods

  • RUBENS, Arrival of Marie de’ Medici at Marseilles

    RUBENS, Arrival of Marie de’ Medici at Marseilles

  • DIEGO VELÁZQUEZ, King Philip IV of Spain

    DIEGO VELÁZQUEZ, King Philip IV of Spain

    Location: The Frick Collection, New York. Style: Oil on canvas
  • DIEGO VELÁZQUEZ, Las Meninas (The Maids of Honor)

    DIEGO VELÁZQUEZ, Las Meninas (The Maids of Honor)

    Location: Museo del Prado, Madrid Style: Oil on Canvas
  • Period: to

    Rococo

  • Period: to

    Neoclassicism

  • FRANÇOIS BOUCHER, Group of Children with Dancing Dog

    FRANÇOIS BOUCHER, Group of Children with Dancing Dog

  • COPLEY, Portrait of Paul Revere

    JOHN SINGLETON COPLEY, Portrait of Paul Revere
  • The Nigthmare

    The Nigthmare

    HENRY FUSELI, The Nightmare, 1781. Oil on canvas
  • Thomas Gainsborough, The Mall in St. James’s Park

  • The Family of Charles IV

    The Family of Charles IV

    FRANCISCO GOYA, The Family of Charles IV, 1800. Oil on canvas
  • Period: to

    Romanticism

    P. I. N. E.
    * Past – longing for the medieval past, pre-industrial Europe (Gothic architecture will be revived)
    * Irrational/ Inner mind / Insanity – Romantic artists depict the human psyche and topics that transcend the use of reason. One Romantic artist, Gericault chose to do portraits of people in an insane asylum.
    * Nature – longing for the purity of nature, which defies human rationality
    * Emotion/ Exotic – Romantics favored emotion and passion over reason. Exotic themes an
  • Period: to

    Rodin

    Examine the organic natural forms in Art Nouveau art and architecture
  • Period: to

    19th Century Media

    Examine the variety of revivalist styles in architecture, the origins of the designs and their impact.Discuss how the availability of new building materials will affect the structure and appearance of architecture
  • Third of May

    Third of May

    FRANCISCO GOYA, Third of May, 1808, 1814. Oil on canvas
  • Raft of the Medusa

    Raft of the Medusa

    THÉODORE GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas
  • Saturn Devouring One of His Children

    Saturn Devouring One of His Children

    FRANCISCO GOYA, Saturn Devouring One of His Children, 1819–1823. Detached fresco mounted on canvas
  • Death of Sardanapalus

    Death of Sardanapalus

    EUGÈNE DELACROIX, Death of Sardanapalus, 1827. Oil on canvas
  • Liberty Leading the People

    Liberty Leading the People

    EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas
  • Vir Heroicus Sublimis

    Vir Heroicus Sublimis

    BARNETT NEWMAN, Vir Heroicus Sublimis, 1950–1951. Oil on canvas
  • Tiger Hunt

    Tiger Hunt

    EUGÈNE DELACROIX, Tiger Hunt, 1854. Oil on canvas
  • Period: to

    Impressionism

    Casual composition* Lacks a focal point * No sense of pictorial structure or organization * Often asymetrical, unbalanced * Objects or figures cropped at the picture edge to imply continuation of space beyond the canvas Unusual points of viewRejects academic rules* No gradation of tones for shading * Obvious brushstrokes, often applied in small, choppy strokes * Use of color Bright color palette, often with pastel colors Mixed colors broken down into comp
  • Period: to

    Post-Impressionism

    Examine the extraordinary art of Cezanne and his interest in form, paving the way for Cubism. Understand the differences in emotional expression and subject choices between the Impressionists and the Post-Impressionists.Understand the Post-Impressionist experimentation with form and color.Recognize the individuality of the Post-Impressionist artists and the styles each one developed.* Henri de Toulouse-Lautrec * Georges Seurat * Paul Cézanne * Vincent Van Gogh * Pau
  • Nini in the Garden (Nini Lopez)

    Nini in the Garden (Nini Lopez)

    AUGUSTE RENOIR,
    Nini in the Garden (Nini Lopez),
    1875-76,
    oil on canvas
  • Le Moulin de la Galette

    Le Moulin de la Galette

    PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on canvas
  • Dans un café or L’absinthe(Ellen Andrée and Marcellin Desboutin)

    Dans un café or L’absinthe(Ellen Andrée and Marcellin Desboutin)

    EDGAR DEGAS,
    Dans un café or L’absinthe
    (Ellen Andrée and Marcellin Desboutin),
    1876,
    oil on canvas
  • Ballet Dancers on the Stage

    Ballet Dancers on the Stage

    EDGAR DEGAS,
    Ballet Dancers on the Stage,
    1883,
    pastel on paper
  • A Sunday on La Grande Jatte

    A Sunday on La Grande Jatte

    GEORGES SEURAT, A Sunday on La Grande Jatte, 1884–1886. Oil on canvas,
  • Night Café

    Night Café

    VINCENT VAN GOGH, Night Café, 1888. Oil on canvas
  • The Apple Seller

    The Apple Seller

    AUGUSTE RENOIR,
    The Apple Seller,
    c. 1890,
    oil on canvas
  • Period: to

    Avant-Garde

    interest in color and in the altering of space
    Movemets: FauvismGerman ExpressionismBlaue Reiter/Blue RiderCubism* Analytic Cubism * Synthetic Cubism * Orphism * Purism Futurism
  • Period: to

    Modernist Sculpture and Architecture

    Neoplasticism: “pure plastic art”“To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual…[W]e find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man.”Term: Autonomy
  • Period: to

    American Art

    Movements:
    * The Ash Can School/The Eight (painting)
    * Pictorialism (photography)
    * Straight photography
    * New York Dada and other American versions of European avant-garde movements
    * Art Deco
    * Documentary Photography (WPA/FSA)
    * Mexican Muralists Understand issues of rebellion and the depiction of social injustice in art.Recognize that American artists had different goals in their art and these goals affected th* Group f/64 (photography) * Regionalism
  • Woman with the Hat

    Woman with the Hat

    HENRI MATISSE,
    Woman with the Hat,
    1905.
    Oil on canvas
  • Westminster Bridge

    Westminster Bridge

    ANDRE DERAIN, Westminster Bridge, 1906, oil on canvas
  • The Dance

    The Dance

    ANDRÉ DERAIN, The Dance, 1906. Oil on canvas
  • Sixth Avenue and Thirtieth Street

    Sixth Avenue and Thirtieth Street

    JOHN SLOAN, Sixth Avenue and Thirtieth Street, New York City, 1907, 1909. Oil on canvas
  • Dance I

    Dance I

    HENRI MATISSE, Dance I, 1909, oil on canvas
  • Improvisation 28

    Improvisation 28

    VASSILY KANDINSKY, Improvisation 28 (second version), 1912. Oil on canvas
  • The Blue Window

    The Blue Window

    HENRI MATISSE,
    The Blue Window,
    1913,
    Oil on canvas
  • Blue & Green Music

    Blue & Green Music

    GEORGIA O’KEEFFE,
    Blue & Green Music,
    1921,
    Oil on canvas
  • Incense of a New Church

    Incense of a New Church

    CHARLES DEMUTH,
    Incense of a New Church,
    1921,
    Oil on canvas
  • Sword Swallower,from Circus

    Sword Swallower,from Circus

    ALEXANDER CALDER,
    Sword Swallower,
    from Circus,
    c. 1929, mixed media
  • Composition with Red,Blue, and Yellow

    Composition with Red,Blue, and Yellow

    Piet Mondrian,
    Composition with Red, Blue, and Yellow,
    1930,
    Oil on canvas
  • The White Flower

    GEORGIA O’KEEFFE, The White Flower, 1932, oil on canvas
  • Bird Basket

    Bird Basket

    HENRY MOORE, Bird Basket, 1939
  • Lobster Trap and Fish Tail

    Lobster Trap and Fish Tail

    ALEXANDER CALDER, Lobster Trap and Fish Tail, 1939. Painted sheet aluminum and steel wire
  • Oval Sculpture (No. 2)

    Oval Sculpture (No. 2)

    BARBARA HEPWORTH, Oval Sculpture (No. 2), 1943. Plaster cast
  • Period: to

    1945-60's

    Minimalist: Examine the formal elements of Minimalism, a predominantly sculptural movement and its emphasis on objecthood.Recall other sculptors, their preferred media, and stylistic features of their workArtists associated with Minimalism:* Donald Judd * Robert Morris * Carl Andre * Dan Flavin * Sol Lewitt * Tony Smith The New York School/
    Abstract Expressionism * Jackson Pollock * Lee Krasner * Robert Motherwell * Willem de Kooning * Franz
  • Painting

    Painting

    FRANCIS BACON,
    Painting,
    1946.
    Oil and pastel on linen
  • Autumn Rhythm (Number 30)

    Autumn Rhythm (Number 30)

    JACKSON POLLOCK, Autumn Rhythm (Number 30), 1950, enamel on canvas
  • Villas et Jardins

    Villas et Jardins

    Jean Dubuffet, Villas et Jardins, 1957, oil on canvas
  • Blue on White

    Blue on White

    ELLSWORTH KELLY,
    Blue on White,
    1961,
    Oil on canvas
  • installation at Green Gallery

    installation at Green Gallery

    Robert Morris, installation at Green Gallery (NY), 1964
  • Untitled

    Untitled

    DONALD JUDD, Untitled, 1966, amber Plexiglas and stainless steel
  • Marilyn Monroe

    Marilyn Monroe

    ANDY WARHOL,
    Marilyn Monroe,
    1967,
    Screenprint
  • Period: to

    1970's

    SuperrealismFeminist ArtEarthworksPublic ArtPostmodern Architecture
  • Period: to

    Postmodernism to present

    Examine the elements and issues of Postmodern architecture in its use of classical and colonial formsCharles MoorePhilip Johnson (late work)Michael GravesRobert SternRobert Venturi and Denise Scott BrownRichard Rogers and Renzo PianoNew Urbanism movement
  • Lipstick Bathroom

    Lipstick Bathroom

    CAMILLE GRAY,
    Lipstick Bathroom,
    At Womahouse,
    1972
  • Anatomy of a Kimono (section)

    Anatomy of a Kimono (section)

    MIRIAM SCHAPIRO, Anatomy of a Kimono (section), 1976. Fabric and acrylic on canvas
  • Untitled (in Honor ofHarold Joachim)

    Untitled (in Honor ofHarold Joachim)

    DAN FLAVIN,
    Untitled (in Honor of
    Harold Joachim),
    1977
  • Marilyn

    Marilyn

    AUDREY FLACK, Marilyn, 1977. Oil over acrylic on canvas
  • Untitled Film Still #35

    CINDY SHERMAN,
    Untitled Film Still #35,
    1979.
    Gelatin silver print
  • Geography Lesson

    Geography Lesson

    JULIAN SCHNABEL,
    Geography Lesson,
    1980,
    Oil on velvet
  • Untitled (make-up)

    Untitled (make-up)

    RICHARD PRINCE, Untitled (make-up), 1982-84, Ektacolor print
  • Under a Rock

    Under a Rock

    JENNY HOLZER,
    Under a Rock,
    1986
  • Pee Body

    Pee Body

    Kiki Smith, Pee Body, 1992, wax, pigment
  • The Crossing

    The Crossing

    BILL VIOLA,
    The Crossing,
    1996.
    Video/sound installation with two channels of color video projection onto screens 16high