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This painting is from the panel from the Saint Francis Altarpiece, San Francesco, Pexis, Italy.
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This painting is found in Arena Chapel, Padua, Italy. This painting was alsoa Fresco.
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This painting is a detail from the back of the Maestà altarpiece, from Siena Cathedral, Siena, Italy, Tempera and gold leaf on wood
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This painting is the altar piece of Saint Savinus, Siena Cathedral, Siena, Italy. It also is tempera on wood
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This statue is in Museo Nazional del Bargello, Florence. The staute itself is made out of bronze.
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Leonardo da Vinci, Annunciation Location: Galleria degli Uffizi, Florence, Italy Style: oil on wood
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LEONARDO DA VINCI: Mona Lisa Location: Louvre, Paris Style: Oil on Wood
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Location: Sistine Chapel, Vatican, Rome, Italy Style: Fresco
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RAPHAEL: Marriage of the Virgin Location: the Chapel of Saint Joseph in San Francesco, Città di Castello, Italy Style: Oil on Wood
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Location: Sala di Galatea, Villa Farnesina, Rome, Italy
Style: Fresco -
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Location: The Frick Collection, New York. Style: Oil on canvas
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Location: Museo del Prado, Madrid Style: Oil on Canvas
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JOHN SINGLETON COPLEY, Portrait of Paul Revere
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HENRY FUSELI, The Nightmare, 1781. Oil on canvas
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FRANCISCO GOYA, The Family of Charles IV, 1800. Oil on canvas
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P. I. N. E.
* Past – longing for the medieval past, pre-industrial Europe (Gothic architecture will be revived)
* Irrational/ Inner mind / Insanity – Romantic artists depict the human psyche and topics that transcend the use of reason. One Romantic artist, Gericault chose to do portraits of people in an insane asylum.
* Nature – longing for the purity of nature, which defies human rationality
* Emotion/ Exotic – Romantics favored emotion and passion over reason. Exotic themes an -
Examine the organic natural forms in Art Nouveau art and architecture
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Examine the variety of revivalist styles in architecture, the origins of the designs and their impact.Discuss how the availability of new building materials will affect the structure and appearance of architecture
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FRANCISCO GOYA, Third of May, 1808, 1814. Oil on canvas
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THÉODORE GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas
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FRANCISCO GOYA, Saturn Devouring One of His Children, 1819–1823. Detached fresco mounted on canvas
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EUGÈNE DELACROIX, Death of Sardanapalus, 1827. Oil on canvas
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EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas
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BARNETT NEWMAN, Vir Heroicus Sublimis, 1950–1951. Oil on canvas
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EUGÈNE DELACROIX, Tiger Hunt, 1854. Oil on canvas
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Casual composition* Lacks a focal point * No sense of pictorial structure or organization * Often asymetrical, unbalanced * Objects or figures cropped at the picture edge to imply continuation of space beyond the canvas Unusual points of viewRejects academic rules* No gradation of tones for shading * Obvious brushstrokes, often applied in small, choppy strokes * Use of color Bright color palette, often with pastel colors Mixed colors broken down into comp
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Examine the extraordinary art of Cezanne and his interest in form, paving the way for Cubism. Understand the differences in emotional expression and subject choices between the Impressionists and the Post-Impressionists.Understand the Post-Impressionist experimentation with form and color.Recognize the individuality of the Post-Impressionist artists and the styles each one developed.* Henri de Toulouse-Lautrec * Georges Seurat * Paul Cézanne * Vincent Van Gogh * Pau
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AUGUSTE RENOIR,
Nini in the Garden (Nini Lopez),
1875-76,
oil on canvas -
PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on canvas
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EDGAR DEGAS,
Dans un café or L’absinthe
(Ellen Andrée and Marcellin Desboutin),
1876,
oil on canvas -
EDGAR DEGAS,
Ballet Dancers on the Stage,
1883,
pastel on paper -
GEORGES SEURAT, A Sunday on La Grande Jatte, 1884–1886. Oil on canvas,
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VINCENT VAN GOGH, Night Café, 1888. Oil on canvas
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AUGUSTE RENOIR,
The Apple Seller,
c. 1890,
oil on canvas -
interest in color and in the altering of space
Movemets: FauvismGerman ExpressionismBlaue Reiter/Blue RiderCubism* Analytic Cubism * Synthetic Cubism * Orphism * Purism Futurism -
Neoplasticism: “pure plastic art”“To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual…[W]e find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man.”Term: Autonomy
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Movements:
* The Ash Can School/The Eight (painting)
* Pictorialism (photography)
* Straight photography
* New York Dada and other American versions of European avant-garde movements
* Art Deco
* Documentary Photography (WPA/FSA)
* Mexican Muralists Understand issues of rebellion and the depiction of social injustice in art.Recognize that American artists had different goals in their art and these goals affected th* Group f/64 (photography) * Regionalism -
HENRI MATISSE,
Woman with the Hat,
1905.
Oil on canvas -
ANDRE DERAIN, Westminster Bridge, 1906, oil on canvas
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ANDRÉ DERAIN, The Dance, 1906. Oil on canvas
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JOHN SLOAN, Sixth Avenue and Thirtieth Street, New York City, 1907, 1909. Oil on canvas
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HENRI MATISSE, Dance I, 1909, oil on canvas
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VASSILY KANDINSKY, Improvisation 28 (second version), 1912. Oil on canvas
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HENRI MATISSE,
The Blue Window,
1913,
Oil on canvas -
GEORGIA O’KEEFFE,
Blue & Green Music,
1921,
Oil on canvas -
CHARLES DEMUTH,
Incense of a New Church,
1921,
Oil on canvas -
ALEXANDER CALDER,
Sword Swallower,
from Circus,
c. 1929, mixed media -
Piet Mondrian,
Composition with Red, Blue, and Yellow,
1930,
Oil on canvas -
GEORGIA O’KEEFFE, The White Flower, 1932, oil on canvas
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HENRY MOORE, Bird Basket, 1939
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ALEXANDER CALDER, Lobster Trap and Fish Tail, 1939. Painted sheet aluminum and steel wire
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BARBARA HEPWORTH, Oval Sculpture (No. 2), 1943. Plaster cast
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Minimalist: Examine the formal elements of Minimalism, a predominantly sculptural movement and its emphasis on objecthood.Recall other sculptors, their preferred media, and stylistic features of their workArtists associated with Minimalism:* Donald Judd * Robert Morris * Carl Andre * Dan Flavin * Sol Lewitt * Tony Smith The New York School/
Abstract Expressionism * Jackson Pollock * Lee Krasner * Robert Motherwell * Willem de Kooning * Franz -
FRANCIS BACON,
Painting,
1946.
Oil and pastel on linen -
JACKSON POLLOCK, Autumn Rhythm (Number 30), 1950, enamel on canvas
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Jean Dubuffet, Villas et Jardins, 1957, oil on canvas
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ELLSWORTH KELLY,
Blue on White,
1961,
Oil on canvas -
Robert Morris, installation at Green Gallery (NY), 1964
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DONALD JUDD, Untitled, 1966, amber Plexiglas and stainless steel
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ANDY WARHOL,
Marilyn Monroe,
1967,
Screenprint -
SuperrealismFeminist ArtEarthworksPublic ArtPostmodern Architecture
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Examine the elements and issues of Postmodern architecture in its use of classical and colonial formsCharles MoorePhilip Johnson (late work)Michael GravesRobert SternRobert Venturi and Denise Scott BrownRichard Rogers and Renzo PianoNew Urbanism movement
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CAMILLE GRAY,
Lipstick Bathroom,
At Womahouse,
1972 -
MIRIAM SCHAPIRO, Anatomy of a Kimono (section), 1976. Fabric and acrylic on canvas
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DAN FLAVIN,
Untitled (in Honor of
Harold Joachim),
1977 -
AUDREY FLACK, Marilyn, 1977. Oil over acrylic on canvas
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CINDY SHERMAN,
Untitled Film Still #35,
1979.
Gelatin silver print -
JULIAN SCHNABEL,
Geography Lesson,
1980,
Oil on velvet -
RICHARD PRINCE, Untitled (make-up), 1982-84, Ektacolor print
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JENNY HOLZER,
Under a Rock,
1986 -
Kiki Smith, Pee Body, 1992, wax, pigment
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BILL VIOLA,
The Crossing,
1996.
Video/sound installation with two channels of color video projection onto screens 16high