Impressionism

  • beginning

  • Sunrise by Claude Monet

    Sunrise by Claude Monet
    Claude Monet uses the depection of modern life also know as impressionism Monet painted this picture of the sun seen through mist at the harbour of Le Havre when he was staying there in the spring of 1872. http://www.ibiblio.org/wm/paint/auth/monet/first/impression/
  • The Bridge at Villeneuve-la-Garenne by Alfred Sisley

    The Bridge at Villeneuve-la-Garenne by Alfred Sisley
    Oil on canvas, 49.5 x 65.4 cm; Metropolitan Museum of Art, New York http://cgfa.sunsite.dk/sisley/index.html
  • Coquelicots (Poppies, Near Argenteuil) by Claude Monet

    Coquelicots (Poppies, Near Argenteuil) by Claude Monet
  • Snow at Louveciennes

    Snow at Louveciennes
    Oil on canvas, 55.9 x 45.7 cm; Phillips Collection, Washington, DC http://www.ibiblio.org/wm/paint/auth/sisley/
  • La loge (The Theater Box)by Pierre-Auguste Renoir

    La loge (The Theater Box)by Pierre-Auguste Renoir
    Oil on canvas, 80 x 63.5 cm (31 1/2 x 25"); Courtauld Institute Galleries, University of London This masterpiece, painted when Renoir was thirty-three and shown in the first Impressionist exhibition of 1874, can be regarded simply as a glimpse of contemporary life but is in a sense portraiture also. Renoir's brother Edmond posed for the man, the girl was a well-known Montmartre model nicknamed `Nini gueule en raie'. http://www.ibiblio.org/wm/paint/auth/renoir/loge/
  • Misty Morning by Alfred Sisley

    Misty Morning by Alfred Sisley
    Fog, Voisins; 1874 (20 Kb); Musie d'Orsay, Paris On the whole the Impressionists tended to favor the clear light of day rather than mistiness and this would generally apply to the work of Sisley but here is an exception in which he attains an exquisite result http://www.ibiblio.org/wm/paint/auth/sisley/misty/
  • The Bridge at Argenteuil by Claude Monet

    The Bridge at Argenteuil by Claude Monet
    Oil on canvas, 60 x 80 cm; Louvre, Paris Whereas Manet gained effect by sparkling accents standing out against low tones in his open-air pictures, Monet worked out the equation of light and colour more comprehensively and in more variety. In The Bridge at Argenteuil the equivalence is complete, the glow of light produced by pure and unmixed colour pervades the canvas and surrounds the forms appearing in it. http://www.ibiblio.org/wm/paint/auth/monet/later/argenteuil/
  • La femme au mtier by Claude Monet

    La femme au mtier by Claude Monet
  • A Girl With a Watering Can by Pierre-Auguste Renoir

    A Girl With a Watering Can by Pierre-Auguste Renoir
    Oil on canvas, 100 x 73 cm (39 1/2 x 28 3/4 in); The National Gallery of Art, Washington, D.C. http://www.ibiblio.org/wm/paint/auth/renoir/
  • The Chemin de By through Woods at Roches-Courtaut, St. Martin's Summer by Alfred Sisley

    The Chemin de By through Woods at Roches-Courtaut, St. Martin's Summer by Alfred Sisley
    Oil on canvas, 60 x 81 cm (23 1/2 x 32"); Museum of Fine Arts, Montreal http://www.ibiblio.org/wm/paint/auth/sisley/
  • On the Terrace by Pierre-Auguste Renoir

    On the Terrace by Pierre-Auguste Renoir
    Oil on canvas, 100.5 x 81 cm (39 1/2 x 31 7/8"); The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Collection http://www.ibiblio.org/wm/paint/auth/renoir/
  • End