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Frech Avant - Grand distinguished by capture light, movement, moment, and color saturation. Some exponents are Manet, Degart, Monet even Diego Rivera.
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Edgar Degas, 1874.
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First Building Tall Building ( 7 stories) with iron props, a lot of windows, and clear floor plants.
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Paul Cézanne, 1880.
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After the Great Fire, Chicago was white canvas for the architects. LeBaron Jenny, Sullivan and Adler, Richardson, Burham and Root, Holabird and Roche were the most important designers of the new Chicago. Funcionalist, Commercial, New structure, and elevators were the caracteristics of the new constructions: Skyscrapers.
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Considered the first skyscraper, designed by William LeBaron Jenny in 1885, uses reforced concrete to give clear floor plants.
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First important project of Louis Sullivan and Dankmar Adler in 1889, Auditorium Building was the most important Building by the time.
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Claude Monet, 1889.
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Diveded in North and South, north part was built in 1893 by Burham and Root. South was build by anither firm, Holabird and Roche. With a completely diferent style.
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Paul Cézanne, 1893.
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Mary Cassatt, 1894.
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Vasili Kandinsky, 1903.
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André Derain, 1904.
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From the french word fauvre that means wild beast, it´s a Parisian Avant - Grand that came from the impressionism, bright colors and saturation of the are some caracteristics, just like abstract figures, simplicity and contrast.
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Henry Mangrin, 1905.
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Henri Matisse, 1906.
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Maurice Vlkaminick, 1906.
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Pablo Picasso, 1907.
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French Avant - Grand that had Picasso as maximum exponent. the caracteristics that define cubism are the different points of view of the same image, neutral tones and superimposed colors.
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George Braque, 1908.
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Matisse, 1910.
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Franz Marc, 1911.
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Marcel Duchamp, 1912.
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Franz Marc, 1912.
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Franz Marc, 1913.
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Marcel Duchamp, 1913.
1° Ready made art. -
Magritte, 1914.
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No proposal, manifesto or rules. Created by Tristan Tzara in 1916 the Dada art has no rules or sense. Exponents: Man Ray, Duchamp, etc.
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Marcel Duchamp, 1917.
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Came from Germany, it´s an Avant - Grand focus on show the artist feelings, shapes, color and texture. It´s subjective and exagereted. 2 movements came from it, "Die Brüke" (Kirchner, Nolde) and "Der blaue Reiter" (Kandisky, Marc, Klee)
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Representation of autors dreams, reality distorsion that came after the First WW. Inspired by the Psycoanalysis. Created by André Bretón in 1920.
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Man Ray, 1921.
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Paul Klee, 1928.
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Magritte, 1928.
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Salvador Dalí, 1929.
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Salvador Dalí, 1931.
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Pablo Picasso, 1937.
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Frida Kahlo, 1944.
