-
c. 1550-1602, early
-
Early
-
c. 1557-1612, Early
-
c. 1560-1637, Early
-
Early
-
Early
-
c. 1562-1628, Early
-
c. 1563-1626, Early
-
Early
-
Early
-
Early
-
Early
-
Early
-
c. 1570-c. 1630, Early
-
c. 1580-1642, Early
-
Early
-
c. 1582-1629, Early
-
Early
-
Early
-
Middle
-
Early
-
Early
-
c. 1595/97-1667, Early
-
-
Opera, Ballets, Masses, Magnificats, Vespers, Motets, Madrigals, Cantatas, Oratorios
-
Primarily Homophony/Polyphony, Rhythyms were often free, It was the beginnings of true tonality, Used Poetic Form and Binary Form, Musical markings were starting to be implemented, Lots of contrast, Basso continuo was used
-
Middle
-
Early
-
-
c. 1610-1684, Middle
-
-
c. 1621-1677, Middle
-
c. 1625-1705, Middle
-
Middle
-
Middle
-
c. 1631-1663, Middle
-
Middle
-
c. 1637-1707, Middle
-
Middle
-
Middle
-
1648/49-1708, Middle
-
-
Cantatas, Operas, Concerto, Sonata, Trio, Ballets
-
Recitative Melodies, Basso Continuo, Tonal System, Homophony/Polyphony, Ritornellos, Strings were the dominant instrument
-
Middle
-
Middle
-
Middle
-
Middle
-
Middle
-
Late
-
Late
-
Late
-
Late
-
c. 1670-1736, Late
-
1671-1750/51, Late
-
Late
-
Late
-
Late
-
Late
-
Late
-
Late
-
Late
-
Late
-
-
Late
-
c. 1696-1730, Late
-
Late
-
c. 1700
-
-
Opera, Cantata, Oratorio, Concerto, Sonata
-
Fortspinning, Basso Continuo, Steady tempos, 16th Notes, Diatonic system established, Polyphony/Homophony, Ritornello, Fuges, Da Capo Arias, Binary Form, "Hair pins"
-
Late
-
Late
-