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Secular;
Ballads;
Lais;
Rondeaux;
Virelais;
Madrigals;
chant -
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Music was primarily functional, used for very specific purposes like church services, dances and entertainment; Melodies had small ranges; the Rhythms were steady and regular; Official harmonies are not established but fourths, fifths, and octaves were commonly used; The music was monophonic; Poetry and words formed the structure of the music
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ca. 481- ca. 524
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ca. 991-1033+
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ca. 995-ca.1050, Medieval
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1071-1126
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1098-1179
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ca. 1130/40-ca. 1190-1200, medieval
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ca. 1135-ca. 1201
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ca. 1500/60-.ca 1190-1200, medieval
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ca. 1155/60-1200
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ca. 1160-1213+, Medieval
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ca. 1170-1230
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Fl. 1180-ca.1238
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1180?-1278?
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Fl. ca. 1183-ca.1205
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ca. 1190-1236+
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Died ca. 1212
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fl.1213-1239
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1221-1284
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ca. 1230-ca. 1300
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ca. 1245/50-ca.1285/8
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ca. the late 13th Century
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1291-1361
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ca. 1300-1377
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-
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ca. 1320/1325- ca. 1362/63
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ca. 1325-1397
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Fl. 1340-1386?
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ca. 1376-1445
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ca. 1390-1453
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ca. 1397-1474
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Fl. arounds early 1400s
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ca. 1400-1460
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ca. 1410-1497
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Ballet,
Balletti,
Chant,
Masses,
Motets,
Hymns,
Secular,
Sacred -
Melody voice was usually the top voice,
Rhythms were simple,
Progressions of 3rds and 6ths were popular,
Dissonances were avoided,
Tonal system used modality,
Tended to be Homorhythmic,
Counterpoint,
Common forms: cantus firmus, poetic strophic, binary, madrigals,
Was now more about beauty than function or purpose -
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ca. 1445-1518
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ca. 1446-1506
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ca. 1450/55-1521
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ca. 1450-1517
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ca. 1452-1518
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ca. 1457-1505
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ca. 1460-1512/13
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ca. 1465-1525
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1466-1539
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ca. 1470-1534+
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1483-1546
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ca. 1485-1558+
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-
ca. 1490-1545
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ca. 1490-1562
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ca. 1490-1562
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1494-1576
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ca. 1500-1553
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ca. 1507-ca. 1568
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ca. 1515-1565
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1517-1590
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1521-1603
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1525/26-1594
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ca. 1532-1594
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1532/35-1585
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1534-1612
-
ca. 1535-1592
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1535-1596
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ca. 1536/37- 1592
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ca. 1540-1623
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ca. 1545-1607
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1548-1611
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1553/54-1599
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1554-1609
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1557/58-1602
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1559-1590
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ca. 1560-1618
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ca. 1561-1613
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1562-1621
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1567-1643
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fl. 1571-1586
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1576-1623