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ca. 1550-1602. Early Baroque Composer.
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ca. 1557-1612. Early Baroque Composer.
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ca. 1560-1627. Early Baroque Composer.
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Early Baroque Composer.
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Early Baroque Composer.
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Early Baroque Composer.
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ca. 1570-1630. Early Baroque Composer.
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ca. 1571-1621. Early Baroque Composer.
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Middle Baroque Composer.
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Early Baroque Composer.
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Early Baroque Composer.
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Primarily Homophony/Polyphony; Rhythms were often free; The beginnings of true tonality; Used poetic form and binary form; Musical markings were starting to be implemented; Lots of contrast; Basso continuo was very common
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Opera; Ballets; Masses; Magnificats; Vespers; Motets; Madrigals; Cantatas; Oratorios
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ca. 1610-1684. Middle Baroque Composer.
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Middle Baroque Composer.
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ca. 1620/23-1680. Middle Baroque Composer.
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Middle Baroque Composer.
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ca. 1631-1663. Middle Baroque Composer.
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Middle Baroque Composer.
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Recitative Melodies; Basso Continuo; Tonal System; Homophony/Polyphony; Ritornellos; Strings were the dominant instrument
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Cantatas; Operas; Concerto; Sonata; Trio; Ballets
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Middle Baroque Composer.
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Middle Baroque Composer.
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Middle Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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Late Baroque Composer.
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ca. 1700
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Fortspinning; Basso Continuo; Steady tempos; 16th Notes; Diatonic system established; Polyphony/Homophony; Ritornello; Fuges; Da Capo Arias; Binary Form; "Hair pins"
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Opera; Cantata; Oratorio; Concerto; Sonata
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Late Baroque Composer.
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