Timeline 2: The Baroque Era (1600-1730s)

By sydowen
  • Period: 1550 to

    de'Cavalieri

    ca. 1550-1602. Early Baroque Composer.
  • Period: 1557 to

    Gabrieli

    ca. 1557-1612. Early Baroque Composer.
  • Period: 1560 to

    Viadana

    ca. 1560-1627. Early Baroque Composer.
  • Period: 1561 to

    Peri

    Early Baroque Composer.
  • Period: 1561 to

    Corsi

    Early Baroque Composer.
  • Period: 1567 to

    Monteverdi

    Early Baroque Composer.
  • Period: 1570 to

    Rossi

    ca. 1570-1630. Early Baroque Composer.
  • Period: 1571 to

    M. Praetorius

    ca. 1571-1621. Early Baroque Composer.
  • Period: to

    Schutz

    Middle Baroque Composer.
  • Period: to

    Grandi

    Early Baroque Composer.
  • Period: to

    Caccini

    Early Baroque Composer.
  • Period: to

    Early Baroque Era

  • Period: to

    Common Stylistic Traits (Early Baroque)

    Primarily Homophony/Polyphony; Rhythms were often free; The beginnings of true tonality; Used poetic form and binary form; Musical markings were starting to be implemented; Lots of contrast; Basso continuo was very common
  • Period: to

    Genres Commonly Composed (Early Baroque)

    Opera; Ballets; Masses; Magnificats; Vespers; Motets; Madrigals; Cantatas; Oratorios
  • Establishment of Dutch East India Company

  • Jamestown Settlement in North America

  • Period: to

    Dumont

    ca. 1610-1684. Middle Baroque Composer.
  • Period: to

    Strozzi

    Middle Baroque Composer.
  • Period: to

    Schmelzer

    ca. 1620/23-1680. Middle Baroque Composer.
  • Period: to

    Legrenzi

    Middle Baroque Composer.
  • Period: to

    Baltzar

    ca. 1631-1663. Middle Baroque Composer.
  • Period: to

    Biber

    Middle Baroque Composer.
  • Period: to

    Middle Baroque Era

  • Period: to

    Common Stylistic Traits (Middle Baroque)

    Recitative Melodies; Basso Continuo; Tonal System; Homophony/Polyphony; Ritornellos; Strings were the dominant instrument
  • Period: to

    Genres Commonly Composed (Middle Baroque)

    Cantatas; Operas; Concerto; Sonata; Trio; Ballets
  • Period: to

    Corelli

    Middle Baroque Composer.
  • Period: to

    Torelli

    Middle Baroque Composer.
  • Period: to

    Purcell

    Middle Baroque Composer.
  • Period: to

    A. Scarlatti

    Late Baroque Composer.
  • Period: to

    de la Guerre

    Late Baroque Composer.
  • Period: to

    Couperin

    Late Baroque Composer.
  • Period: to

    Vivaldi

    Late Baroque Composer.
  • Period: to

    Telemann

    Late Baroque Composer.
  • Period: to

    Mouret

    Late Baroque Composer.
  • Period: to

    J.S. Bach

    Late Baroque Composer.
  • Period: to

    Handel

    Late Baroque Composer.
  • Period: to

    D. Scarlatti

    Late Baroque Composer.
  • Salem Witch Trials

  • Piano Invented

    ca. 1700
  • Period: to

    Late Baroque Era

  • Period: to

    Common Stylistic Traits (Late Baroque)

    Fortspinning; Basso Continuo; Steady tempos; 16th Notes; Diatonic system established; Polyphony/Homophony; Ritornello; Fuges; Da Capo Arias; Binary Form; "Hair pins"
  • Period: to

    Genres Commonly Composed (Late Baroque)

    Opera; Cantata; Oratorio; Concerto; Sonata
  • Period: to

    Pergolesi

    Late Baroque Composer.
  • Tuning Fork Invented