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-Used Phrygian mode in Missa Pange Lingua (written in 1520)
-Composer of the Renaissance era
-Considered the first master of the high Renaissance style of polyphonic vocal music-Palestrina style -
Wrote Great Treatise (Le Istitutioni Harmoniche)
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-Written by Josquin des Prez
-Used Palestrina Style-old notation style of writing -
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Birth/Death
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-Treatise made by G. Zarlino during the Renaissance (first great age of counter point
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-Written using cpt
-Mass Palestrina used to demonstrate how church music could be (saved church music) -
Birth/Death
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Birth/Death
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-Written by Artusi
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-G. Caccini also wrote
-An opera that used new style/texture (figured bass started-Baroque)
-Polarized texture: important soprano and bass lines, middle alto and tenor were used as fillers -
-Guilo Caccini wrote-beginning of Baroque Period
-Figured bass was used
-Layered instrumentation, equality of voices-upper and lower more important than middle voices -
-By Monteverdi
-Used dissonance in a different way than what was expected by counterpoint
-People like G. Artusi genuinely disliked these works
-Monteverdi states that text must be considered when writing the music and dissonance should be used in appropriate places -
-Agostina Agazzari wrote
-Of playing Upon a Bass With All Instruments-translation -
-Written by Banchieri, someone who didn't believe in figured bass (disagreed wiht Agostina Agazzari)
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Birth/Death
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-Written by Jean Phillipe Rameau, based on his own musical practise
-Talked about fundamental bass, root progression, chordal inversion and functional tonality -
-Fux's book on Palestrina Style-his rules and his way of teaching
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-Broke music into 3 types:
-Musica mundana (macro level-music of the spheres: silent, celesial music, hear but can't understand, held the universe in order)
-Musica humana: human level-human body/mind relationship, 4 humors)
-Musica instrumentalis: actual instrument music-held in the lower regard by Boethius. These were only used to see relationship between other kinds of music
-These made up De Institutione Musica (treatise written in the early 500s/6th century by Boethius)