The Romantic Era 1800-1900

  • Period: to

    Beethoven's Symphony No. 5 in C minor

    -Ludwig von Beethoven
    -Constructed an entire 4-movement symphony out of four notes
    - Theme vs. motif – What’s the difference?
    -Short-short-short-long (used in all 4 movements)
    -Thought to be “fate knocking at the door” for his impending deafness
    -Same as the letter “V” in morse code
    -This Symphony was used in WWII by the Allies to send messages (V for victory) across enemy lines.
    -C minor to C major, also symbolizes the struggle for victory
  • Schubert's Erlkönig

    -Franz Schubert
    -Lied
    -Titled "The Elfking" in German
    -Composed in 1815
  • Rossini's “Il Largo al factotum” from The Barber of Seville

    -Gioachino Rossini
    -Premiered in 1816
    -Cavatina – entrance aria in which a character introduces themselves
    -Factotum = “jack of all trades”
    -Patter arias
    -Buffo (comic) characters, such as Figaro
    -rapidly delivered lines
    -sometimes mixed with nonsense syllables
    -repeated often, sung with incredible speed and precision
  • Paganini's 24 Caprices for Violin, op. 1

    -Nicole Paganini
    -Composed 1805, Published 1820
    -Caprice – humorous, capricious work characterized by a departure from current stylist norm
    -Dedicated to ‘alli Artisti’ (professional musicians)
    -Deemed ”unplayable” by many
    -Caprice no.24 - theme and variations (theme served as the basis for variations by other composers such as Brahms, Liszt, and Rachmaninoff)
  • Berlioz's Symphonie fantastique

    -Hector Berlioz
    -“Episodes in an Artist’s Life”
    -Inspired by his obsession with Shakespearean actress Harriet Smithson, whom he married and later divorced
    -One of the first programmatic symphonies
    -Program music is instrumental music that depicts something non-musical such as a story, a landscape, etc.
    -Absolute Music is instrumental music with no program attached or “music for its own sake”.
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    Chopin's Mazurkas Op. 7

    -Frederick Chopin
    -Composed in 1830-1831
    -B flat major
  • Fanny Mendelsohn-Hensel's Das Jahr

    -Fanny Mendelsohn-Hensel
    -Sister of Felix Mendelsohn
    -Titled "The Year"
    -Composed in 1841
    -Features character pieces, twelve months plus a postlude.
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    Gottschalk's Souvenir de Porto Rico

    -Louis Moreau Gottschalk
    -Composed in 1857-1858
    -Contains rhythms from the Caribbean region
  • Musorgsky's Pictures at an Exhibition

    -Modest Musorgsky
    -A suite of ten pieces inspired by an exhibition Musorgsky saw of over four hundred sketches, paintings, and designs by his late friend Viktor Hartmann
    -Composed in 1874
  • Bizet's Carmen

    -Georges Bizet
    -Premiered in 1875
    -Opera Comique
    -Spoken dialogue instead of recitative
    -The plots are comedies or semiserious dramas.
    -Libretto by Meilhac and Halevy
    -Carmen –Gypsy
    -Mezzo-Soprano, low, seductive voice range
    -Augmented 2nd motive used to represent her as the Exotic “other”
    -Don Jose – Army Corporal
    -Tenor
    -Escamillo – Bullfighter (Toreador)
    -Bass
  • Wagner's Der Ring des Nibelungen (The Ring of the Nibelungs)

    -Richard Wagner
    -Premiered in 1876
    -Wagner’s music dramas feature:
    -continuous music
    -extensive use of leitmotifs (motive that represents a person, place, or thing)
    -eiminished importance of vietuosic singing
    -Elimination of musical numbers to enhance continuity
    -Cycle of 4 Music Dramas:
    -Das Rheingold(The Rhine Gold)
    -Die Walküre (The Valkyrie)
    -Siegfried
    -Götterdämmerung (The Twilight of the Gods)
  • Brahms' Symphony No. 4

    -Johannes Brahms
    -Composed in 1884
    -Composed in E minor
    -Premiered in 1885
    -Published in 1886
    -A traditional four-movement work in unusual arrangement of tempos
    - 1st mvt: Allegro non troppo (not too fast)
    -2nd mvt: Andante
    -3rd mvt: Allegro giocoso (merrily fast)
    -4th mvt: Allegro energico e passionato (energetically and passionately fast)
  • Mahler's Symphony No. 1

    -Gustav Mahler
    -Composed in 1884
    -Premiered in 1888
    -Revised in 1893-1896 and in 1906