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Ivory carving. Part of a diptych. Feet out of proportion.
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San Vitale. Apse mosaic. Demonstrates Justinian's role in the church.
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San Vitale. Apse mosaic. Depicts Theodora as a strong female ruler.
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Demonstrative of cloissonne.
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Illuminated manuscript. Horror Vacui.
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Begun in 1050. Hildegard von Bingen's self-depiction of her receiving visions from God. Part of an Illuminated Manuscript.
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Begun in 1070. Details William the Conqueror's conquest in England. Reminiscent of the column of Trajan.
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Apse mosaic of Christ from Cathedral Monreale. Depicts Christ as all-powerful.
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Begun in 1150. Also known as Virgin and Child. Depicts the Virgin as the Throne of Wisdom.
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Door jamb sculptures found on the facade of the Reims Cathedral. S-curve of bodies.
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Tympanum relief. Shows immense grief in the faces of those depicted. In near perfect proportion.
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Dedication page in a Moralized Bible. Depicts Louis IX with the Blanche of Castille, as well as two monks (religious and secular).
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Begun in 1249. Secular sculptures, painted limestone. Very life-like.
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Demonstrates advancement in proportion and detail. Artificial pose. Made in response to the "Cult of the Virgin".
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Begun in 1300. Brings a tragic tone to religious art. Made of wood.
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Illustrated manuscript of an Islamic epic poem. Islamic equivalent of an Illuminated Manuscript. Depicts both flora and fauna.
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Carved ivory triptych. Carved on both sides.
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Illuminated manuscript demonstrative of "renaissance" in Byzantine painting style.
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Illuminated manuscript containing an illustration of Matthew writing the gospel and the Chi-Rho-Iota page, which demonstrates horror vacui.
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Animalistic ornamentation.
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Statue of Charlemagne similar to the Equestrian Statue of Marcus Aurelius.
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Completed in 832. Illuminated psalter that exemplifies the Carolingian style.
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Made of wood. Cologne Cathedral. Depicts Christ in a unprecedented and humanistic way.