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Vincenzo Galilei (1528 – 1591), a musician and scientist advocates for equal temperament tuning and solo singing
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first piece using word “concerto” published written by Andrea Gabrieli (1533 – 1585) and Giovanni Gabrieli (1554 - 1612) at St. Mark’s in Venice
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declamatory singing emerged because of persuasion of the Florentine camerata, a society of influential people including Count Giovanni Bardi (1534 – 1612), Girolamo Mei, and Galilei
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G. Gabrieli’s Sacrae symphonae book is first music to indicate dynamics
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Jacopo Peri (1561 – 1633) composes first true opera in Northern Italy called “Dafne”
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Claudio Monteverdi (1567 - 1643), extremely influential composer and G. M. Artusi (theorist) argue the level of importance of text and music in compositions, Monteverdi referring to his “Seconda Practica” composition style emphasizing text.
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“Doctrine of Affections” music theory emerged stressing importance of deciding upon specific musical moods or affections in compositions
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Peri composes “Euridice”, the first preserved opera which was rewritten by many composers, including his rival, Giulio Caccini (1551 – 1618) who rewrote it in 1602
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Caccini writes book La nuove musiche showing description and notation of vocal ornamentation for the first time, including specifically his piece, Filli, mirando il cielo, a madrigal characteristic of this type of singing
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Monteverdi composes opera Orfeo (his version of Peri’s Euridice), in Italian court of Mantua
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In ecclesiis by G. Gabrieli, concerted motet (stille concertato) composed, a more detailed composition indicating separate choirs and specific
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Johann Froberger (1616 – 1667) popularized the dance suite for instrumentalists
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1602 – 1676 Francesco Cavalli, composer and student of Monteverdi, composes 33 operas
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Around 1630s – colossal Baroque style composing popular, including several choirs and instrumentalists, little music survived
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Giovanni Battista Lulli (1632 – 1687) in charge of the Academie royale de musicque, French opera company popularized new kind of music/theater tragedie lyrique
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Girolamo Frescobaldi (1583 – 1643) famous organ composer from Rome, writes Fiori musicali, Mass music for St. Peter’s among other churches
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Maurizio Cazzati (1616 – 1678) composes violin music that spreads to Southern Italy
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1637 – Venice, Italy: opera becomes very popular
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Gregorio Allegri (1582 – 1652) composes Miserere, most recognized version of “stile antico” style of music which was conservative in nature and originated in the papal Sistine Chapel
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Moteverdi composes his final well-regarded opera, L’incoronazione di Poppea
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Heinrich Schutz (1585 – 1672) German composer traveled to Venice to study with Gabrieli, returning to Germany which became a common path for composers, affecting music in Germany by 1650.
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Barbara Strozzi (1619 – 1677) cantata L’Amante Segreto: Voglio morire showcasing “lament bass”, a melancholy sounding descending ostinato bass line popular to the time period (Wright, Simms, p. 258)
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Arcangelo Corelli (1653 – 1713) famous violinist and first strictly instrumental composer
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Johann Pachelbel (1653 – 1706) vocal and instrumental composer, most famous piece is Canon in D
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Giuseppe Torelli (1658 – 1709) wrote much instrumental music including around 50 trumpet pieces, such as Sinfonia in D Major
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Antonio Cesti (1623 – 1669) composes his most popular opera, Il pomo d’oro (The Golden Apple) (composed 12 altogether)
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Antonio Vivaldi (1678 – 1741) composer from Venice of almost 500 concertos, many solo concertos. The most famous are The Four Seasons
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George Frideric Handel (1685 – 1759) German-born composer extremely well-known in Baroque music, composed in every genre
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Henry Purcell (1659- 1695) composer who worked with theater music among other types. Famous composition of his is Dido and Aeneas (1689)
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Alessandro Scarlatti (1660 – 1725) establishes da capo aria style or ABA song form
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Johann Sebastian Bach (1685 – 1750) vocal and instrumental composer, organist, genius
Among famous works are the B-Minor Mass (1749), The Brandenburg Concertos, and The Well-Tempered Clavier (1722) to name a few. -
Antonio Stradivari (1644 – 1737), famous violin maker, violin music becomes extremely popular in Italy
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1741 – Handel’s Messiah (oratorio) written