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Georg Alexander Mathéy (1884-1968) was a painter and author, and a famous graphic artist. Between 1920 and 1929 he was a professor at the "Staatlichen Akademie für Buchgewerbe und Graphik" [National Academy for the Book-Trade and Graphic Arts] in Leipzig, Germany, and director of the "Werkstätten für Buch- und Steindruck" [Workshop for Book Design, Typography and Lithography] at Leipzig, Germany. Thanks to Roland in Germany for this information
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Moholy-Nagy, Title page of: "Staatliches Bauhaus Weimar 1919-1923", 1923, Letterpress print
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- Published by the N.Y.K. Line (Nippon Yusen Kaisha). Printed by the "Toppen Printing Co., Ltd., Tokyo.
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1928, published by the Shell Oil Company, Budapest branch. Signed "F.S. Hanson."
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In a new Communist society "art for use" was in the service of the state. Key in the evolution of the poster was advertising
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designed for the Russian Exhibition in Zürich in 1929, depicts the egalitarian status of women and men in the new society. His photomontage style featured startling juxtapositions of real objects with naturalistic and abstract forms.
Alexander Rodchenko, another Russian Constructivist, broke new photographic ground with his innovative use of the Leica camera. See his work on Utube here or Rodchenko Montage. -
"Dolomiti dove passa la SAD," Travel booklet for the SAD - Società Automobilistica Dolomiti, 1929, by Franz Lenhart. Printed by the Soc. Edit. Dolomiti - Cortina.
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Placed by "Cigares de la Régie Française." Signed "Garretto, 1929."
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- Published by the Lloyd Triestino, Trieste. Signed "Claris" and "tipografia del Lloyd Triestino - Trieste.