The Modern Age

By Ivan132
  • Period: 1300 to

    Renaissance

    The Renaissance was a cultural “rebirth” from the 14th to 17th centuries that began in Italy and spread across Europe. It revived classical art, science, and learning, focusing on humanism — belief in human potential. Artists like Leonardo da Vinci and Michelangelo created masterpieces, while thinkers such as Copernicus and Galileo advanced science. The printing press by Gutenberg spread ideas widely. The Renaissance transformed Europe and laid the foundation for the modern world
  • Florence Cathedral's, done by Brunelleschi
    1420

    Florence Cathedral's, done by Brunelleschi

    Florence Cathedral, designed by Filippo Brunelleschi, is a masterpiece of Renaissance architecture. Its massive dome, completed in 1436, was an engineering marvel, built without traditional scaffolding. The structure symbolizes Florence’s artistic and technological innovation, blending Gothic style with classical harmony and proportion.
  • Pieta, By Michelangelo Buonarroti
    1498

    Pieta, By Michelangelo Buonarroti

    Pietà, sculpted by Michelangelo around 1498–1499, shows the Virgin Mary holding the dead Jesus. It is famous for its realism, delicate detail, and emotional impact, with Mary portrayed as youthful and serene. The sculpture, located in St. Peter’s Basilica, is a masterpiece of Renaissance art.
  • The School of Athens, by Raphael Sanzio
    1509

    The School of Athens, by Raphael Sanzio

    The School of Athens, painted by Raphael (1509–1511), depicts Greek philosophers like Plato and Aristotle in discussion. Using perspective and realism, it celebrates knowledge, reason, and humanism, making it a key Renaissance masterpiece.
  • Period: 1516 to 1556

    The reing of Carlos I

    The reign of Carlos I of Spain, also Holy Roman Emperor Charles V, was marked by vast territorial expansion, including Spain, the Americas, and parts of Europe. He faced religious conflicts, especially the Protestant Reformation, and military wars against France and the Ottoman Empire. His reign strengthened Spain’s global influence but ended with abdication, dividing his empire between his son Philip II and brother Ferdinand.
  • Period: 1520 to 1521

    The Revolt of the comuneros in Castilla

    The Revolt of the Comuneros in Castile was an uprising against King Carlos I due to high taxes, foreign influence, and political centralization. Citizens and towns sought greater autonomy and representation, but the rebellion was defeated at the Battle of Villalar. The revolt highlighted tensions between the monarchy and local communities, shaping Spain’s future governance.
  • Peace of Augsburg
    1555

    Peace of Augsburg

    The Peace of Augsburg (1555) was an agreement in the Holy Roman Empire allowing rulers to choose either Catholicism or Lutheranism for their territories. It aimed to end religious conflict between Catholics and Protestants, establishing the principle “cuius regio, eius religio” (“whose realm, his religion”). While it brought temporary peace, it did not include other Protestant groups, leaving future religious tensions unresolved.
  • Period: 1556 to

    The reing of Felipe II

    The reign of Felipe II strengthened Spain’s global empire, expanding territories in Europe, the Americas, and Asia. He defended Catholicism against Protestantism, notably fighting the Dutch Revolt and facing the Spanish Armada. His rule emphasized centralized authority, religious unity, and military power, making Spain a dominant 16th-century world power.
  • Period: 1568 to

    The Eighty Years War

    The Eighty Years’ War was a Dutch revolt against Spanish rule, driven by religious, political, and economic tensions. The northern provinces sought independence and freedom of religion, forming the Dutch Republic, while the south remained under Spain. The war ended with the Treaty of Westphalia, establishing Dutch independence and reshaping European power.
  • Period: 1568 to 1571

    The rebelelion of the Alpujarras

    The Rebellion of the Alpujarras was a Moorish uprising in southern Spain against King Felipe II’s policies, including forced conversion to Christianity and cultural suppression. The revolt was brutally suppressed, resulting in the displacement and persecution of the Moriscos. It highlighted religious tensions and the crown’s efforts to enforce Catholic uniformity in Spain.
  • The signment of the union of Arras
    1579

    The signment of the union of Arras

    The Union of Arras (1579) was an agreement in the Habsburg Netherlands where several southern provinces pledged loyalty to Spain during the Dutch Revolt. It marked a division between the Catholic south and Protestant north, consolidating Spanish control in the south while the northern provinces formed the Union of Utrecht to continue resistance.
  • The signment of the union of Utrecht
    1579

    The signment of the union of Utrecht

    The Union of Utrecht was an alliance of northern Dutch provinces during the Dutch Revolt against Spanish rule. It united these provinces in a mutual defense pact and laid the foundation for the Dutch Republic. Unlike the southern provinces that remained loyal to Spain, the Union promoted religious tolerance and independence, becoming a key step toward the Netherlands’ eventual freedom from Habsburg control.
  • The defeat of the Spanish Armada by England

    The defeat of the Spanish Armada by England

    ChatGPT Plus The defeat of the Spanish Armada in 1588 was a major naval victory for England over Spain. King Philip II of Spain sent a large fleet to invade England, but the Armada was defeated by English ships, superior tactics, and storms in the North Sea. This victory secured England’s independence, weakened Spanish naval dominance, and marked a turning point in European power, boosting English confidence and maritime influence.
  • Period: to

    Baroque art

    Baroque Art (1600–1750) emphasized drama, emotion, and movement. Linked to the Catholic Counter-Reformation, it inspired awe through painting, sculpture, architecture, and music. Key artists include Caravaggio, Rubens, Velázquez, Rembrandt, and Bernini
  • Apollo and Daphne, by Bernini

    Apollo and Daphne, by Bernini

    Apollo and Daphne, sculpted by Gian Lorenzo Bernini, depicts the moment Daphne transforms into a laurel tree to escape Apollo. The marble captures dynamic movement, emotion, and realism, showcasing Baroque drama and skill. The sculpture highlights tension, fluidity, and intricate detail, making it a masterpiece of Baroque art.
  • Saint Peter's suqare project by Bernini

    Saint Peter's suqare project by Bernini

    St. Peter’s Square, designed by Gian Lorenzo Bernini in Vatican City, is a monumental Baroque plaza in front of St. Peter’s Basilica. Its elliptical shape and colonnades symbolize the embracing arms of the Church, guiding visitors toward the basilica. The design combines dramatic perspective, harmony, and grandeur, reflecting Baroque ideals of movement and spiritual power.
  • The Spinners, by Velazquez

    The Spinners, by Velazquez

    The Spinners (Las Hilanderas) by Velázquez (c.1657) shows women working in a textile workshop, with a background tapestry depicting the myth of Arachne. Using light, depth, and realism, Velázquez combines everyday life with classical storytelling, making it a key Spanish Baroque masterpiece.
  • Period: to

    Neoclassical art

    Neoclassical art (mid-18th to early 19th century) revived classical Greek and Roman styles, emphasizing order, clarity, and moral virtue. Artists like Jacques-Louis David focused on heroic subjects, symmetry, and simplicity, reacting against Baroque and Rococo excess. The movement celebrated reason, civic duty, and restraint, influencing painting, sculpture, and architecture across Europe and America.
  • oath of the Horatii, by Jacques-Louis David

    oath of the Horatii, by Jacques-Louis David

    The Oath of the Horatii, painted by Jacques-Louis David in 1784, depicts three brothers swearing loyalty to Rome while their families react emotionally. The painting emphasizes duty, sacrifice, and patriotism, reflecting Neoclassical ideals of moral virtue, clarity, and balance. Its strong lines, symmetry, and dramatic gestures make it a landmark work of 18th-century Neoclassical art.
  • Carlos IV of Spain and his family, by Francisco de Goya

    Carlos IV of Spain and his family, by Francisco de Goya

    Carlos IV of Spain and His Family, painted by Francisco de Goya (1800), portrays the Spanish royal family with realism and subtle critique. Unlike idealized portraits, Goya shows their human flaws and personalities, using composition, light, and expression to reveal both status and vulnerability, making it a notable example of late 18th-century Spanish portraiture.