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Instrumental in moving music towards romanticism
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A More progressive composer
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Composer with a conservative approach to form
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Became focus, longing was a distinguishable feature
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Expressed dramatic situations and emotions without sung text.
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Large choral-orchestral works, etc.
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Solo character piece for piano, Lied for the salon, etc.
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This was put over reflection and self control.
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Made larger than life, deeply felt
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Interest artists in the 19th century
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Result of a desire to create deep felt emotions
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Result of distrust of composition rules
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Especially harmonic type, was used freely
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Created need for more conductors
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Became more popular
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Composer's wishes valued more highly
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Upper and Upper middle class patrons replaced the old court systems
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Composer with a conservative approach to form
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Preferred expansive, elongated musical thoughts. Upward leap of sixth was the romantic interval.
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Heroism was a fad. fanfare-like musical statements were popular in orchestral music. Dances lost their dominating force. More free nature because of rubato. More meter changes
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Homophony, polyphony, monophony.
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Forms from 18th century continued but were expanded, and sometimes abandoned all together.
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Used to their fullest potential, central device for style.
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Outrageous combo of instruments and untraditional usage of traditional instruments.
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Modern improvements made to orchestral instruments. Piano received its most important improvements, and tuning was significantly refined. Percussion found an important voice. Accompanying instruments were able to be integrated into a new sound.
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Interest in nature and mind of the artist
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Sevenths, ninths, harmonic chromaticism dominated. Dissonance used freely without proper preparation. Tonal progressions by thirds became popular. Was still functional, moved to an extended tonality.
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A More progressive composer
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A More progressive composer
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A More progressive composer
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Composer with a conservative approach to form