Japanese Theater

  • Jan 28, 1350

    Noh

    Kan'ami and his son Zeami transformed sarugaku (short dances and skits with impersonations and plays on words) into Noh
  • Kabuki

    Kabuki started when a woman named Izumo no Okumi created a new style of dance and began performing it
  • Kabuki- 1603-1629

    Women started performing, the dances were suggestive and many prostitutes began performing Kabuki to attract customers
  • Kabuki

    Women are banned from performing Kabuki
  • Kabuki: 1629-1652

    Young male dancers began performing but the prostitution didn't stop
  • Kabuki

    Young males are banned from performing Kabuki
  • Banraku

    Banraku is created when Takemoto Gidayu sets up his own theater in Osaka
  • Bunraku

    Gidayu left his theater and started working with Chikamatsu Monzaemon
  • Bunraku

    Competition between Takemoto-za and Toyotake-za led to the high level of art in Banraku
  • Bunraku

    The first time that three puppeteers were used to move the head and right arm, left arm, and both feet, in the play Kuzo no ha
  • Noh: 1603-1868

    During the Edo Period Noh was incorporated into Samurai training
  • Bunraku

    Bunraku began to thrive in Edo
  • Kabuki: 1673-1841

    During the Golden Age Kabuki really hit its peak. The dances started to have a pretty formal structure and more people started to watch.
  • Bunraku: 1750-1770

    Decline with the death of Namiki, Takeda and other popular narrators
  • Bunraku

    Bunraku gets some glory when a new playwrite, Chikamatsu Hanjii , appears
  • Bunraku

    Ehon Taikoki is called the last Bunraku classic
  • Noh

    After the Meiji Restoration the Noh was almost extinct
  • Kabuki: World War ll

    Theaters are destroyed and occupying forces of Japan place a ban on Kabuki
  • Kabuki

    The ban ended
  • Bunraku

    The National Theater in Tokyo gave Banruku a permanent home
  • Bunraku

    The National Theater in Tokyo moved to Osaka and became the National Bunraku Theater
  • Noh

    Finally Noh gained worldwide recognition