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HISTORY OF PHOTOGRAPHY

  • First photograph was taken in 8h exposure time.

    First photograph was taken in 8h exposure time.
    It was Joseph-Nicephore NIEPCE who managed The first direct positive images, using pewter plates bitumen coated with oil and set lavender. With this system, using a camera obscura was amended in 1827 impressed a courtyard view your house, which is considered the first permanent photograph History. This procedure was called blueprint.
  • The first daguerreotype was created.

    The first daguerreotype was created.
    In 1837, Daguerre got a clear picture that was washed with salt to remove traces of silver iodide and fix the image. Exposure times were reduced to ten minutes. The daguerreotype image of the polished surface was very detailed and should be protected with a crystal and sealed in a sort of box to prevent abrasion and blackened the air. The first practicable photographic process was invented. But the daguerreotype had a problem, they could not make copies.
  • Niepce and Daguerre improved the sort exposure time (30 minutes)

    Niepce and Daguerre improved the sort exposure time (30 minutes)
    The picture is presented to the public on January 7, 1839.
    Sci-magic-show.
  • Talbot. The negative copy.

    Talbot. The negative copy.
    Artist, frustrated, invents the negative (1835) and the copy.
  • Disdéri. First professional portraits.

    Disdéri. First professional portraits.
    The portrait showed the status and prestige of a person. Became popular as a great business and born business cards with portrait.
  • Pictorialismo. Julia Margaret Cameron.

    Pictorialismo. Julia Margaret Cameron.
    To his colleagues had no technique. She moved him all that was to capture the beauty.
  • Nadar. Psychological portrait.

    Nadar. Psychological portrait.
    Retained in the model and fired when the image reflects the personality of the subject. Photography is not only an image.
  • Carjat. Portrait sober.

    Carjat. Portrait sober.
    Rival swimming. No funds used. The portrait should strictly reflect the model.
  • Eastmant. Kodak

    Eastmant. Kodak
    Movie. Disaggregates the photographic process.
    "You push the button and we do the rest"
  • Pictorialism. Alfred Stieglitz.

    Pictorialism. Alfred Stieglitz.
    The photograph demands its artistic profile. Photo Impressionism. Photography is not a painting and claims be regarded as a proper art.
  • Eugene Atget. Catalog

    Eugene Atget. Catalog
    Your pictures are documents. Create a catalog of photographs of Paris.
  • Frederick Ewans. Interior.

    Frederick Ewans. Interior.
    Symmetry and careful accuracy in details.
  • Pictorialism. Edward Steichen.

    Pictorialism. Edward Steichen.
    The photograph demands its artistic profile. To the contrary, lack of sensitivity, vulgar images from Kodak Stream. Photo Impressionism.
  • Pictorialism. Edward Steichen.

    Pictorialism. Edward Steichen.
    Recent demonstrations of the Romantic movement, lack of focus, image manipulation, diffuse light.
  • Alfred Stieglitz. Social criticism.

    Alfred Stieglitz. Social criticism.
    Photography as social criticism. Witness the class differences, immigration, etc.. He was considered the father of modern photography.
  • Kodak.

    Kodak.
    The picture to everyone.
  • Eugene Atget. Catalog.

     Eugene Atget. Catalog.
    Your pictures are documents. Create a catalog of photographs of Paris.
  • Lewis w. Hine. Social criticism.

    Lewis w. Hine. Social criticism.
    Photography as an instrument of social criticism. Immigration. It is able to highlight admirable and detestable in the same picture.
  • Picture color.

    Picture color.
    Autochrome of lumiere.
  • Paul Outerbridge.

    Paul Outerbridge.
    Still. Careful lighting and composition.
  • Man Ray. Surrealism.

    Man Ray. Surrealism.
    Enter the items to activate mechanics associative viewer.
  • The Leica camera.

    The Leica camera.
    Small camera. Easy to carry and use. Facilitates the work and use. Facilitates the work of photographers, enables photojournalism. Beginning 35 mm.
  • Andre Kertesz. Reality.

    Andre Kertesz. Reality.
    Home 35 mm. The fundamental condition of a photograph is the truth. Talk of the super-reality, surrealism.
  • Lewis W. Hine. Social criticism.

    Lewis W. Hine. Social criticism.
    Photography as an instrument of social criticism. It is able to highlight the admirable and detestable in the same picture.
  • Modernism. Edward Steichen.

    Modernism. Edward Steichen.
    Replaces landscapes for fashion and advertising. Embrace the modernist.
  • Dotothea Lange. Social Report.

    Dotothea Lange. Social Report.
    After the Great Depression, I work for the administration in order to document the situation in the U.S., especially in agricultural areas. It is personal, putting a face to poverty.
  • Eisenstadt. When natural.

    Eisenstadt. When natural.
    Picture the characters in their environment, without funds or perched.
  • Willy Rizzo. Naturalism.

    Willy Rizzo. Naturalism.
    The press of the need to see the stars in their environment is.
  • Ian Macmillan.

    Ian Macmillan.
    I make the cover of the latest Beatles album Abbey Road.
  • First Digital Camera. Kodak.

    First Digital Camera. Kodak.
    0.01 Megapixels. 23 seconds to save a picture B / N.
  • Marketing: Canon RC-701.

    Marketing: Canon RC-701.
    Marketing first digital camera.
  • Annie Leibovitz. Being in the moment.

    Annie Leibovitz. Being in the moment.
    It should be part of what happens. Be there and blend in with the environment.
  • Kevin Carter.

    Kevin Carter.
    The drama in the image itself.
  • Françis-Marie Banier. Objective.

    Françis-Marie Banier. Objective.
    Borrow times in order to fix the memories. Avoid oblivion.