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Caslon
Caslon is a group of serif typefaces designed by William Caslon I (1692–1766) in London. Caslon established a tradition of designing type in London, which had not been common, and so he was influenced by the imported Dutch Baroque typefaces that were popular in England at the time.Caslon began as an engraver of ornamental designs on firearms and other metalwork.The accuracy of his work came to the attention of prominent London printers, who advanced him money to carve steel punches for printing. -
Garamond
Garamond is a group of many old-style serif typefaces, originally those designed by Parisian craftsman Claude Garamond and other 16th century French engravers, and now many modern revivals. Though his name was written as 'Garamont' in his lifetime, the typefaces are generally spelled 'Garamond' -
Georgia
Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. It was intended as a serif font that would appear elegant but legible printed small or on low-resolution screens. The font is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface in the same style Carter was working on when contacted by Microsoft; this would be released under the name Miller some years later. -
Gill Sans
Gill Sans is a sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards. Gill Sans takes inspiration from the calligrapher and lettering artist Edward Johnston's 1916 "Underground Alphabet", the corporate font of London Underground, now (although not at the time) most often simply called the "Johnston" typeface. -
Franklin Gothic
Franklin Gothic and its related faces are realist sans-serif typefaces originated by Morris Fuller Benton (1872–1948) in 1902. “Gothic” was a contemporary term (now little-used except to describe period designs) meaning sans-serif. Franklin Gothic has been used in many advertisements and headlines in newspapers. The typeface continues to maintain a high profile, appearing in a variety of media from books to billboards. -
Bodoni
Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since.[1][2] Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville—increased stroke contrast reflecting developing printing technology and a more vertical axis—but he took them to a more extreme conclusion. -
Cooper Black
Cooper Black is a heavily weighted, display serif typeface designed by Oswald Bruce Cooper in 1921 and released by the Barnhart Brothers & Spindler type foundry in 1922. The typeface is drawn as an extra bold weight of Cooper Old Style. Though not based on a single historic model, Cooper Black exhibits influences of Art Nouveau, Art Deco, and the Machine Age. -
Rockwell
Rockwell is a slab serif typeface designed by the Monotype Corporation and released in 1934.[1][2] The project was supervised by Monotype's engineering manager Frank Hinman Pierpont. A serif at the apex of uppercase A is distinct. The lowercase a is two-storey. Because of its monoweighted stroke, Rockwell is used primarily for display or small-size use rather than lengthy bodies of body text. Rockwell is based on an earlier, more condensed slab serif design called Litho Antique. -
Avenir
Avenir is a proportional geometric sans-serif typeface designed by Adrian Frutiger in 1988 and released by Linotype GmbH, now a subsidiary of Monotype Corporation. The word avenir is French for "future". The font takes inspiration from the early geometric sans-serif typefaces Erbar (1922), designed by Jakob Erbar, and Futura (1927), designed by Paul Renner. Frutiger intended Avenir to be a more organic, humanist interpretation of these highly geometric types. -
Bell Centennial
Bell Centennial is a sans-serif typeface designed by Matthew Carter in the period 1975–78. The typeface was commissioned by AT&T as a proprietary type to replace their then current directory typeface Bell Gothic on the occasion of AT&T’s one hundredth anniversary. Carter was working for the Mergenthaler Linotype Company which now licenses the face for general public use. -
Helvetica
Helvetica is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger with input from Eduard Hoffmann. It is a neo-grotesque or realist design, one influenced by the famous 19th century typeface Akzidenz-Grotesk and other German and Swiss designs. Its use became a hallmark of the International Typographic Style that emerged from the work of Swiss designers in the 1950s and 60s, becoming one of the most popular typefaces of the 20th century. -
Futura
Futura is a geometric sans-serif typeface designed in 1927 by Paul Renner. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes that became representative of visual elements of the Bauhaus design style of 1919–33.It was commissioned as a typeface by the Bauer Type Foundry, in reaction to Ludwig & Mayer's seminal Erbar of 1922. Futura has an appearance of efficiency and forwardness -
FF Meta
FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". It originated from an unused commission for the Deutsche Bundespost (West German Post Office). Throughout the 1990s, FF Meta was embraced by the international design community with Spiekermann and E. M. Ginger. -
Zapfino
Zapfino is a calligraphic typeface designed for Linotype by typeface designer Hermann Zapf in 1998. It is based on an alphabet Zapf originally penned in 1944. As a font, it makes extensive use of ligatures and character variations (for example, the lower case letter d has nine variations). -
Comic Sans
Comic Sans MS is a sans-serif casual script typeface designed by Vincent Connare and released in 1994 by It is inspired by comic book lettering, intended for use in documents and children's material. The typeface has been supplied with Microsoft Windows since Windows 95.Describing it, Microsoft has explained that "this casual but legible face has proved very popular with a wide variety of people."The typeface's widespread use, often in inappropriate situations has been criticized. -
Trajan
Trajan is an old style serif typeface designed in 1989 by Carol Twombly for Adobe. The design is based on the letterforms of capitalis monumentalis or Roman square capitals, as used for the inscription at the base of Trajan's Column from which the typeface takes its name.Twombly's cut of Trajan has become very popular, as seen in its nearly constant presence on American movie posters, television shows and book covers. -
Fette Fraktur
Fette Fraktur is a blackletter typeface of the sub-classification Fraktur designed by the German punchcutter Johann Christian Bauer (1802–1867) in 1850. The C.E. Weber Foundry published a version in 1875. Fette Fraktur (German for bold Fraktur) is based on the Fraktur type of blackletter faces. This heavy nineteenth century version was developed more for advertising than text, similar to the extremely heavy advertising versions of Didone classification faces like Poster Bodoni and Thorogood.
