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Orfeo Genre: opera “favola in musica” First fully developed opera as a drama:
prologue + 5 acts Composer: Claudio Monteverdi
Librettist: Alessandro Striggio -
Baroque Era (France) Composed: Armide
Librettist: Philippe Quinault Established opera in the French Court. Operas were called “Tragedies set to Music.” He was a terrible conductor -
Baroque Era (England) Composed: Dido and Aeneas (Women had roles!)
Librettist: Nahum Tate At 20 he was the organist of Westminster Abbey. Court Composer for William and Mary. -
Baroque Era (England) Composed: Giulio Cesare (Julius Caeser)
Librettist: Nicola Francesco Haym Born in Germany, worked in Italy, and England. Master of the Orchestra at the Royal Academy of Music, the first Italian opera company in London. -
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Baroque Era to Classical Era OPERA REFORM!!! Wanted to make opera about human drama and passions. Words are equal to music. Recitative Secco replaced with Recitative Accompagnato. Orfeo ed Euridice was the first to incorporate reforms.
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Classical Era Mastered Gluck's reformation of opera. Combined opera seria and opera buffa with his work, Don Giovanni.
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Classical Era Bel Canto Singing Composed: The Barber of Seville
Librettist: Cesare Sterbini -
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Romantic Era Post Bel Canto Era Composed: Rigoletto
Librettist: Francesco Maria Piave Based on Victor Hugo’s play The King Is Amused (1832) Setting: Renassiance-era ducal court at Mantua