animation history

  • The Thaumatrope

    The Thaumatrope
    A thaumatrope was a simple toy used in the Victorian era. A thaumatrope is a small circular disk or card with two different pictures on each side that was attached to a piece of string or a pair of strings running through the centre. When the string is twirled quickly between the fingers, the two pictures appear to combine into a single image. The thaumatrope demonstrates the Phi phenomenon, the brain's ability to persistently perceive an image.
  • Period: to

    Animation History

  • Phenakistoscope

    Phenakistoscope
    The phenakistoscope was an early animation device. It was invented in 1831 simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer. It consists of a disk with a series of images, drawn on radii evenly spaced around the center of the disk. Slots are cut out of the disk on the same radii as the drawings, but at a different distance from the center.
  • Flip book

    Flip book
    The first flip book was patented in 1868 by John Barnes Linnett as the kineograph. A flip book is just a book with particularly springy pages that have an animated series of images printed near the unbound edge. A viewer bends the pages back and then rapidly releases them one at a time so that each image viewed springs out of view to momentarily reveal the next image just before it does the same.
  • Gertie the Dinosaur

    Gertie the Dinosaur
    Gertie the Dinosaur is a 1914 animated short film by American cartoonist and animator Winsor McCay. It is the earliest animated film to feature a dinosaur. McCay first used the film before live audiences as an interactive part of his vaudeville act; the frisky, childlike Gertie did tricks at the command of her master.
  • Terminator 2: Judgment Day

    Terminator 2: Judgment Day
    Terminator 2 made extensive use of computer-generated imagery (CGI) to vivify the main two Terminators. The use of such technology was the most ambitious since the 1982 science fiction film Tron, and would be integral to the critical success of the film. CGI was required particularly for the T-1000, a "mimetic poly-alloy" (liquid metal) structure, since the shapeshifting character can morph into almost anything it touches.