Orpheus attacked by maenads

1500-1550's Timetoast

  • Hans Sebald BehamGerman, 1500-1550Judith and Her Servant,
    Jan 1, 1500

    Hans Sebald BehamGerman, 1500-1550Judith and Her Servant,

  • The Triumphs Of Petrarch
    Jan 1, 1500

    The Triumphs Of Petrarch

    Georg Pencz (1500-1550)
  • Da Vinci, Mounted Warrior, 1500-1550
    Jan 1, 1500

    Da Vinci, Mounted Warrior, 1500-1550

    The way that this statue was created leaves mystery to the actual date; however, the impression that the bronze creation leaves is the fierce and aggressive nature of the horse while being mounted by the small knight. The movement of the piece categorizes it as fine art because it captures the motion of the characters as well as the imaginative design of the artist.
  • Hans Sebald Beham (German, 1500-1550), and/or Studio. The three Marys discover that Christ has risen from his tomb
    Jan 1, 1500

    Hans Sebald Beham (German, 1500-1550), and/or Studio. The three Marys discover that Christ has risen from his tomb

    This piece is unique because it was created by drawing and staining glass. The image displays the religious depition of when Jesus was discovered from the tomb. The pieces by this artist tell a story through the imagees that he uses about the beliefs and life during this era.
  • Period: Dec 2, 1500 to Dec 2, 1550

    Fine Art 1500- 1550's

  • Hans Sebald Beham (German, 1500-1550)after Barthel Beham (German, 1502-1540)
    Jan 1, 1502

    Hans Sebald Beham (German, 1500-1550)after Barthel Beham (German, 1502-1540)

  • Penance of St. John Chrysostomus, n.d.
    Jan 1, 1502

    Penance of St. John Chrysostomus, n.d.

    This image shows the depths of human nature as the nake body lays in the foreground and seems to be hunted, adored, or lusted after by a man in the woods. This image by Beham allows for the imagination to have a free range of thought.
  • Hans Sebald Beham (German, 1500-1550) Adam and Eve Expelled from Paradise
    Jan 1, 1502

    Hans Sebald Beham (German, 1500-1550) Adam and Eve Expelled from Paradise

    Although this scene has been recreated multiple times, Beham created an image that exposes the human nature and form of the body that does not necessarily display an image of beauty but what I would consider to be reality.
  • Portrait of Sigismund Baldinger by George Pencz
    Jan 1, 1503

    Portrait of Sigismund Baldinger by George Pencz

    This oil paiting by George Pencz represents the weath and rugged outward apperance ofSigismund Baldinger. The use of color on the canvas represent the use of paiting during this time so that it captures the essense of a person but does not display realistic characteristics of a person. Idealizing the person was important.
  • The Prodigal Son Wasting His Patrimony
    Jan 1, 1510

    The Prodigal Son Wasting His Patrimony

    Beham was amoung the few called "The Little Masters" where they created engraved imprints such as this one. The creation was innovative and creative for the time. The title of the image is impertative to the story for which the piece is telling.
  • John Marbeck 1510-1585
    Jan 1, 1510

    John Marbeck 1510-1585

    Theological writer and musician who produced a standard setting of the Anglican liturgy. Liturgy- is a ritual commenced during a holy service. He is also known for his setting during "Mass".
  • Banquet of the Gods by Frans Floris
    Jan 1, 1519

    Banquet of the Gods by Frans Floris

    Frans Floris was a student that learned to be a scupture but abandoned the craft for painting. This piece is a remarkable oil painting that displays the vibrant colors, rituralistic behavior, and the form of the human body that is somewhat ideasitic in a grotesque manner.
  • Château de Chambord (1519–1536)
    Jan 1, 1519

    Château de Chambord (1519–1536)

  • Hans Sebald BehamGerman, 1500-1550The Wedding at Cana,
    Jan 1, 1520

    Hans Sebald BehamGerman, 1500-1550The Wedding at Cana,

    This is a depiction of the religious undertones that the art pieces took on during this era. The painting displays an erie feeling but has linkage to bible versus and references to Jesus as one of the men in the image.
  • May Pole by Hans Sebald Beham, woodcut
    Jan 1, 1534

    May Pole by Hans Sebald Beham, woodcut

    Hans Sebald Beham's May Pole represents the festivities created around the may pole. The may pole was erected in the middle of the town and during the festivities, the permanent fixture would be used to dance around.
  • Plate (Orpheus Attacked by Maenads)
    Jan 1, 1540

    Plate (Orpheus Attacked by Maenads)

  • Hans Sebald Beham (German, 1500-1550), Lucretia Standing
    Jan 1, 1543

    Hans Sebald Beham (German, 1500-1550), Lucretia Standing

    This piece is remarkable by the ability to capture the essense of humanity but also romanticize the reality of what is being portrayed. Although, a person does not resemble this apperance in actuaility, but the artist creates an emotion and invokes a questionin with the audience.
  • A MASK HELD BY TWO GENII
    Jan 1, 1544

    A MASK HELD BY TWO GENII

  • Hans Sebald Beham (German, 1500-1550), Coat of Arms with a Rampant Lion
    Jan 1, 1544

    Hans Sebald Beham (German, 1500-1550), Coat of Arms with a Rampant Lion

  • Hans Sebald Beham (German, 1500-1550), Cimon and Pero
    Jan 1, 1544

    Hans Sebald Beham (German, 1500-1550), Cimon and Pero

    Beham displays the story through his image of how Pero saved her father from starvation by offering him her breast milk. After being discoverd by a jailer, her selflessness is what frees her father from impisonment.
  • Head of a young woman
    Jan 1, 1550

    Head of a young woman

    Georg Pencz (1500-1550)