The Renaissance Era (1400 – 1520)

  • The Florence Baptistery doors competition
    1401

    The Florence Baptistery doors competition

    This was made for a contest to create new bronze doors for the baptistery. With the theme of "sacrifice of Isaac" and the artist that won where two young Florentine artists Filippo Brunelleschi and Lorenzo Ghiberti.
  • The Tribute Money and Expulsion in the Brancacci Chapel
    1425

    The Tribute Money and Expulsion in the Brancacci Chapel

    The Tribute Money is a fresco painted by Masaccio in the 1420s, located in the Brancacci Chapel in Florence. It depicts a story from the Gospel of Matthew, where Jesus tells Peter to find a coin in a fish’s mouth to pay the temple tax. The work is significant for its groundbreaking use of perspective and chiaroscuro, making it a landmark of Early Renaissance art, though it later suffered damage before being restored in the 1980s.
  • Masaccio's Holy Trinity
    1427

    Masaccio's Holy Trinity

    Masaccio’s fresco was the first to use true linear perspective. It created the illusion of depth and space, making painting more realistic and revolutionary for future artists.
  • Donatello's bronze David
    1430

    Donatello's bronze David

    This was the first free-standing nude male sculpture since ancient Greece and Rome. Donatello revived classical traditions while giving the figure Renaissance naturalism and emotional power.
  • The Birth of Venus
    1480

    The Birth of Venus

    One of the most famous mythological paintings of the Renaissance, Botticelli’s work celebrated beauty, humanism, and classical mythology, moving art beyond purely religious subjects.
  • The last supper
    1498

    The last supper

    Leonardo da Vinci painted the last supper. It became one of the most studied and copied works in art history, redefining religious storytelling.
  • Michelangelo sculpts David
    1504

    Michelangelo sculpts David

    Michelangelo’s marble David represents Florence’s civic pride and human perfection. Its monumental scale and perfect anatomy made it a symbol of Renaissance ideals and power.
  • Mona Lisa
    1506

    Mona Lisa

    The most iconic portrait in Western art, the Mona Lisa shows Leonardo’s mastery of soft shading and giving the sitter lifelike presence.
  • Raphael paints The School of Athens
    1511

    Raphael paints The School of Athens

    A fresco in the Vatican, this work symbolizes Renaissance humanism. Raphael depicts philosophers like Plato and Aristotle, merging classical wisdom with Renaissance artistry.
  • Michelangelo paints the Sistine Chapel ceiling
    1512

    Michelangelo paints the Sistine Chapel ceiling

    This masterpiece in Rome redefined what painting could achieve. With over 300 figures Michelangelo combined narrative, anatomy, and drama into one of the greatest achievements of Western art.
  • St. John the Baptist
    1516

    St. John the Baptist

    In his final years, Leonardo painted St. John the Baptist witch has a dark ands mysterious tone. These paintings influenced later Mannerist and Baroque artists with their mood and ambiguity.
  • 1520

    Raphael’s death marks the symbolic end of the High Renaissance.

    Raphael’s sudden death at just 37 marked the symbolic end of the High Renaissance. His art embodied balance, grace, and clarity, and his passing left a void in the art world.
  • 1541

    The Last Judgment in the Sistine Chapel.

    On the Sistine Chapel’s altar wall, this massive fresco shocked audiences with its muscular, twisting bodies and emotional force. It showed a turn from calm Renaissance ideals to dramatical intensity.
  • El Greco develops his unique style in Spain ( The Burial of the Count of Orgaz,)

    El Greco develops his unique style in Spain ( The Burial of the Count of Orgaz,)

    El Greco’s works, like The Burial of the Count of Orgaz, fused Renaissance training with mystical spirituality. His style looked forward to the Baroque and even influenced modern art centuries later.
  • Annunciation

    Annunciation

    Fra Angelico combined Gothic spirituality with Renaissance perspective and humanism. His works are devotional but also show an increasing interest in realism and harmony in art.