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-Eutin, Holstein (Northern Germany)
-Opened the door for Wagner and Romantic Opera
-Der Freischutz -
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-Leipzig, Germany
-Romantic Opera, Music Drama
-Rienzi, Flying Dutchman, Ring Cycle, Tristan and Isolde
-expanded orchestra, Bayreuth, use of leitmotif -
Nice little nationalistic and romantic seeds planted in this influential romantic opera, commonly considered the "first romantic opera".
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-Ansfelden, Upper Austria
-Symphonies
-served as a bridge from Beethoven to Mahler
-standard symphony form, keyboard compositional style, alternating between instrument groups as an organ would -
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-Hamburg
-orchestral works, symphonies, concertos, variations
-highly influenced by Beethoven
-traditional and somewhat conservative stylings put him at odds with Wagner -
-Slovenj Gradec, Slovenia
-New German School
-Lieder
-applied Wagner 's use of chromaticism and drama to lieder -
-Bohemia, Czech Republic
-Lieder, Symphonies (emphasis on symphonies!)
-Strong Wagner influence
-Exceptional brass writing
-Gifted Opera Conductor -
-Munich
-along with Mahler, strong Wagner influence and strong sense of nationalism
-tone poems, opera, lieder, solo instrument with orchestra
-Also Sprach Zarathusthra, Salome, Der Rosenkavalier -
Wagner designed instruments and an entirely new concert venue for this masterpiece. The premiere spanned 4 nights.
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After 15 years of composing, Brahms was finally able to premiere his first symphony, receiving final inspiration from a shepherd's horn call.
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In D Major. Known as "The Titan". A largely expanded orchestra features 7 horns, along with a compliment of trumpets, trombones, and tubas. The third movement starts in unusual fashion with a bass solo. SImilar to Beethoven's 9th, Mahler quotes earlier movements in his final movement.
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A "study for 23 solo strings". Written during some of the darkest times of WW2, when Strauss had to constantly fight to protect his family and career in spite of the Nazi regime.
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