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Moving images were produced on revoling drums and disks with independent invention by Simon von Stamper in Austria, Joseph Plateau in Belguim and William Horner in Britian.
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Another illusion toy - the Zoetrope was introduced by William George Horner. The Zoetrope used the same principle as Plateau's Phenakistoscope but instead of discs the pictures and slots are combined in a rotating drum. Zoetrope's were widely sold after 1867.
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Henry Fox Talbot makes an important advancement in photograph production with the introduction of negatives on paper - as opposed to glass. Also around this time it became possible to print photographic images on glass slides which could be projected using magic lanterns.
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Important in the development of motion pictures was the invention of intermittent mechanisms - particularly those used in sewing machines.
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Emile Reynaud introduces the Praxinoscope. Similar in design to Horner's Zoetrope, the illusion of movement produced by the Praxinoscope was viewed on mirrors in the centre of the drum rather than through slots on the outside.
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Leland Stanford to settle a bet as to whether horses hooves left the ground when they galloped. He did this by setting up a bank of twelve cameras with trip-wires connected to their shutters, each camera took a picture when the horse tripped its wire. Muybridge developed a projector to present his finding. He adapted Horner's Zoetrope to produce his Zoopraxinoscope.
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Etienne Jules Marey, inspired by Muybridge's animal locomotion studies, begins his own experiments to study the flight of birds and other rapid animal movements . The result was a photographic gun which exposed 12 images on the edge of a circular plate.
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American inventor George Eastman introduces film made on a paper base instead of glass, wound in a roll, eliminating the need for glass plates.
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By starting to develop films using its own processing plants, Eastman Kodak eliminates the need for amateur photographers to process their own pictures.
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Thomas Edison and W.K. Dickson develop the Kinetoscope, a peep-show device in which film is moved past a light.
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The Lumiere brothers were not the first to project film. The Edison company successfully demonstrated the Kinetoscope, which enabled one person at a time to view moving pictures.
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Thomas Edison displays his Kinetoscope at the World’s Columbian Exhibition in Chicago and receives patents for his movie camera, the Kinetograph, and his peepshow device.