-
The first appearance of the cinema in the country data, when in the Teatro Curiel of the northern city of Puerto Plata an exhibition of the Cinematograph Lumière is offered.
-
He filmed excursion from José de Diego to Santo Domingo, first film shot in Dominican Republic by a foreigner.
-
The enthusiasm of the team later motivates the realization of a comedy with naive tints, the ambushes of Cupid of F. Palau, J. B. Alfonseca and T. Báez (1924).
-
The film consists of five acts and tells the story of two lovers whose relationship is opposed by the father of the bride, who come to a fun ploy to achieve the consent of Francisco Antonio Palau,
-
Established by Rafael Leonidas Trujillo imposes a total brake on artistic and cultural manifestations, stimulating only that which understands beneficial for its purposes. The first film voiced is a news update about the figure of President Trujillo
-
Playwright Franklin Domínguez rolls his feature film, where he denounces the horrors of the Trujillo regime. After this film proposal takes place a lapse of twenty-five years until another Dominican product appears that testifies to the will to formalize a Dominican filmography
-
Product that becomes a real bet within what it means to make Dominican cinema. Based on the bitter reality of illegal emigration, the tape is part of a real fact that occurred in 1980,
-
It represents a laudable attempt to mint a marketable product at both the local and external levels.
-
Conceived as a political suspense film, the geographical space where history is inserted runs through a city under the heat of political struggles, with a traumatic electoral process as a backdrop.
-
where he addresses another simple and hassle-free anecdote. Adopting the strategy of obviating a second part by that which those "are not good", this new episode of Balbuena focuses on the weeks before a "black Tuesday",
-
It is the culmination of a process initiated with Nueba Yol: At last it arrived Balbuena and continued by Nueba Yol III: Under the new law, where it achieves a greater maturity on account of the mastery of the cinematographic language, but without failing to assume the risks of the previous Productions.
-
The fourth man, of prison plot and starring roles of Spanish Paco Luque, Venezuelan Julio Mota and Dominican Richard Douglas.
-
And part of an idea of the comedian himself and his son Robert Luis, who takes advantage of several years of television experience in which both share responsibilities in a weekly humor program.
-
As travellers of Carlos Bidó, Lilis of Jimmy Sierra and code 666 of Elias Acosta, three products that attest to a willingness to create a stronger base for the emerging Dominican cinematography.
